Featured Artwork

This is a fine original pencil signed etching by British artist Gerald Brockurst.  Created and printed in an edition of 111 impressions in 1931.  This image measures 9X7 1/4 inches.  Nicely framed with archival materials.  An impressive portrait, one of his finest etchings.

This is a beautifully colored etching and aquatint by French master of the Belle Epoch, Manuel Robbe (1872-1936) The title of this work is" Claudine" it was created and printed in 1903 and Published by Sagot in Paris. The image measures 12X9 3/4 inches, printed on a medium weight Arches watermarked laid paper. deckeled edges, a very rich impression, excellent condition. Robbe studied at the Academie Julien and then the Ecole des Beaux Artes. His technique of hand coloring the images means that no two are exactly alike, a very painterly technique.

This is an original lithograph by French artist Georges Rouault.  This is a portrait of Gustave Moreau, the teacher and mentor of Rouault.  It is known as the portrait in the little hat.  This pencil signed impression is the 3rd state of 4 with the edition of 25.  It was later published in state 4 with an edition of 350.  This lithograph was created and printed in 1926.  The image measures 9 1/8X6 3/4 inches.  This image is cataloged as F. 57.

This is  a finely detailed  etching by British artist Stanley Badmin.  The title is Richmond Bridge, created and printed in 1931 in an edition of 50, this impression is 4/50.  The image measures 4 3/8X6 3/8 inches.  Hand signed in pencil S.R. Badmin.  This image appears as number 24 in the Beetles catalog.  Published by the Twenty-One Gallery. Exhibited:Royal Academy ofArts, 1931. Royal Society of Painter-Etchers and Engravers, 1932. Art Institute of Chicago, March - May, 1932. Illustrated: The Studio Nov. 1931,  Printed on a medium weight wove type sheet.

This is a fine experimental etching by American artist Joseph Pennell.  The title is: Whitehall Court, created and printed in  1903 in an edition of 60.  The image measures 10 1/2X8 inches. The lights of the Charing Cross Bridge in the foreground and reflected in the water.  This image is in the Wuerth catalog as image number 275, pencil signed lower border, printed on a light weight laid type sheet.  A well inked impression.  This etching was last sold by Frederick Keppel in New York, the original label is included.

Etching with drypoint, image size 9 1/4 x 11 1/2, 1934, edition of 40, pencil signed and numbered. This print is also in the MoMA collection.

This is an original drypoint etching by French artist Jules Pascin 1885-1935.  The title is Bal Tabarin, ( The tabarin Ball) created and printed in  1926 in an edition of 100, this impression is hand signed in pencil and numbered 30/100.  The image measures 11 1/4X13 1/4 inches.  "Pascin was Bulgarian and moved to Paris in 1905. He exhibited at various Paris art shows and was also an exhibitor at the Armory Show in New York in 1913. He moved to New York with his lover, Hermine David, and they eventually married in 1918. Like Toulouse-Lautrec, Pascin drew upon his surroundings and his friends as subjects. Nightlife scenes, such as this one, were typical of his artwork"

This is an original lithograph by American artist John S. deMartelly.  The image, Old Moon was created and printed in 1938 and sold by Associated American Artists in New York.  The image measures 10 1/8X13 3/4 inches.  One of his best regionalist images.  Much in the style of Thomas Hart Benton of whom the artist knew and worked with  while at the Kansas City Art Institiute in the 1930's and early 40's.  This lithograph is framed with the AAA label on the back.

Aquatint, image size 10 1/2 x 16 1/4 inches, 1918, cat. Hardie-163, pencil signed. One of Short's largest aquatints, this scene depicts two fishermen on the Bure at Stokesby Ferry near Acle in Norfolk.

This is an original mezzotint engraving by Dutch artist Jacob Gole (1660-1737)  This image, The Drawing Lesson was created after the painting by Godfrey Schalcken.  This image identified in the lower border has an image size of 9 3/4X7 7/8 inches.  Printed on an early laid type paper, some foxing but overall very fine condition.  It has a collectors seal in the lower border, "H de t stat".

This is a fine original etching by American artist John Taylor Arms.  The title is: Notre Dame de Paris, created and printed in 1925 as part of his Churches of France series.  This impression is pencil signed, printed in an edition of 150, the image measures 12 3/8X13 15/16 inches.  It appears in the Fletcher catalog as image number 167.  A combination of etching with aquatint.  One of his finest etchings of europe.

This is an original etching by American artist Otto Kuhler.  The title is: The Queen and the Slaves, created and printed in 1926.  This impression is pencil signed and inscribed as "Trial Proof, ltd edition 10 proofs", 1926.  The image measures 9 1/2 X13 1/4 inches.  Fine use of plate tone in the sea and sky.  The subject is the German liner, Breman.  The later published edition done in 1930 was of only 40 ...

This is a fine industrial etching by American artist   Otto Kuhler.   "Monster & Midgets". 1928. The image measures 9 3/8 x 12 7/8. inches.  Etching. Signed in pencil. Edition: 75. Excellent condition. Although best known for his industrial Designs, Otto Kuhler  is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's. "This merging of industry and art proved so successful that after years of submitting designs, a locomotive based on Kuhler's designs was built. The engine, Hiawatha, rolled out of the Schenectady, New York yard in May, 1935. It was the first streamlined steam locomotive to be built from scratch in America. This signaled the start of the next phase of his career- as a successful industrial designer."

This is an original drypoint etching by British artist William Russell Flint.  The title is Aragonese String Makers, it was created and printed in 1930.  It is editioned as impression number XXVII...  The image measures 9 1/2X14 3/4 inches.  Printed on an early laid type paper, R.G. 1820.  The image is signed in sepia ink lower right border.  A very rich inking with extensive use of plate tone in the sky and land.  A beautiful impression.  This image was reproduced  for  the book "Fine Prints of the Year, 1931, published by Malcolm Salaman

This is a finely detailed wood engraving by American artist Hendrik Glintenkamp (1887-1946)  The title is: Manhattan construction, Radio City, N.Y.  It was created and printed in 1932, and is numbered 25/100.  Hand signed in pencil lower border and also on the back of the sheet.  Very fine condition.