European Paintings

This is an original oil on canvas painting laid to a board,  by French Marine artist Barthelemy Lauvergne.  The title is Vue de Toulon, dated 1849, this painting measures 17 11/2X25 1/2 inches, signed and dated  bottom right.  Some light crackiing to the painting but everything is stable, the canvas has been backed upon a board no evidence of inpainting.  Toulon is a city on the French Riviera and a large port on the Mediterranean coast.  Located in the Provence-Alpes-Côte d'Azur region, and the Provence province.  This painting was given as a gift to William E Umstattd  president of The Timken Steel & Tube Company, from S.A. Francaise Timken in 1949.  

Barthelemy Lauvergne was a naval draughtsman and marine painter, born in Toulon, France, 1805.

From 1826 to 1829 he served in the Astrolabe as secretary to Dumont d’Urville, visiting– five points on the Australian coast. The commander had instructed 'young Lauvergne, my secretary, to take views of all the coasts and islands which we saw during the voyage his  Australian coastal profiles are included in the collection now in the Archives Nationales.

Like Louis le Breton and Charles Meryon , Lauvergne sought to turn his artistic skills and distant experiences to further advantage, exhibiting in the Paris Salon from 1838, when he showed Frigate Running before the Wind, Sea Study (Cape Horn) , until at least 1849. He was awarded a third-class medal at the 1839 Salon and became a Chevalier de la Légion d’Honneur in 1841. From 1841 to 1854 Lauvergne was in Paris, working in the Naval Ministry and in the Department of Maps and Charts where his colleagues would have included le Breton. He returned to Toulon in 1854 and died there in 1871.

Oil on panel, 11 x 16 inches, cradle backing, signed lower right, in an ornate period gilt frame. A very well regarded artist of the French Realism movement, Emile Lambinet was born in Versailles and studied with Horace Vernet and John Baptiste Camille Corot. Both of these artists greatly influenced Lambinet's mature style of painting, as can be seen in this image, with the exacting details and bright atmosphere of Vernet and the subtle color palette with just a few accents of saturated color of Corot. Lambinet showed his work regularly at the Paris Salon, winning medals in 1843, 1853 and 1857, and in 1867 was made a Chevalier of the Legion de'Honnuer. Today Lambinet's paintings can be found in many museums worldwide, with the largest collection of his work at the Musee Lambinet in the artist's hometown of Versailles.

Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame. John Fullwood exhibited at the 1877 Royal Birmingham Society of Artists Show. The Royal Birmingham Society of Artists, established in 1821, was highly influential during the Pre-Raphaelite and Arts and Crafts periods. Its members included some of the most significant figures in English art, and presidents during the period included artists of the stature of Edward Burne-Jones, William Morris, John Everett Millais, Frank Brangwyn, and Lord Leighton.

This is an original oil on canvas by Dutch artist Arnold Marc Gorter (1866-1933)  This landscape view with a Man in a row boat is signed lower left.  The painting itself measures 15X20 inches.  Very nice condition, recently cleaned and varnished.  Very minor craquelure in the paint, unobtrusive. Everything is quite stable and very presentable. This painting came to us in a hand carved Gold Frame.  Gorter is best known for landscapes and won a gold medal at the Paris salon in 1910.

Oil on mahogany panel, image size 7 1/8 x 9 1/2 inches

This is a fine original oil on canvas painting by French impressionist artist Adolphe J.T. Monticelli (1824-1886)  The subject is A fine family setting at the Beach.  The painting is signed Monticelli lower right, the painting measures 12 1/4X10 1/4 inches.  This work is in fine condition, cleaned and lined in the past, it is very presentable, it is currently unframed.  "Monticelli was born in Marseille in humble circumstances. He attended the École Municipale de Dessin in Marseille from 1842 to 1846, and continued his artistic training in Paris, where he studied under Paul Delaroche at the École des Beaux-Arts. In Paris In 1855 he met Narcisse Diaz, a member of the Barbizon school, and the two often painted together in the Fontainebleau Forest. Monticelli frequently adopted Diaz's practice of introducing nudes or elegantly costumed figures into his landscapes."

Oil on board, 11 x 9 1/2 inches, signed lower left, period frame

This is a very fine painting of a man and his dog fishing in Lake Geneva, Switzerland. Oil on canvas, 18 x 26 inches, c. 1880, signed in the lower left corner, one of his landscapes at this location is in the collection of the Victoria Museum, Melbourne, Australia. Francois Vuagnat was born in Geneva in 1826. and died in 1910. He was a well known Artist and Photographer.

This is an incredibly detailed, atmospheric Norwegian landscape of a small cabin at the edge of a fjord, the distant hills fading into a soft morning mist. It is painted in oil on panel, 11 x 16 inches, 1871, clearly signed "A Rasmussen 71" in the lower right corner, presented in a 19th century gilt frame.

Signed and dated "F. Van Severdonck f. 1863" in the lower left, inscribed and signed by the artist on the reverse.
Oil on panel, painting measures 7 x 9 3/8 inches in a 12 x 15 1/2 inch gold period frame. A luminous painting with striking color and detail.

Oil on Academy Board, 12 x 9 inches, signed and inscribed "M. v. Schmaedel/München" lower right, period frame. The sitter is identified in a copy of a letter dated August 3, 1905, from Seth Mendell to William C. Davenport, President of The Machinists' Bank, Taunton, Massachusetts, in an envelope affixed to the back of the painting. Provenance: Estate of N. David Scotti, Providence, Rhode Island.

Watercolor and graphite on paper, visible size 12 1/8 x 27 1/2 inches, dated 1882, signed lower right

Watercolor on paper, signed and dated lower right, 1807, 20 x 27 inches in a gold 29 x 25 inch frame. A beautifully detailed watercolor that remains vibrant, even after over 200 years. Ramsay Reinagle first studied under his father, Phillip Reinagle, before going on to study in Italy, Holland, and Rome. Reinagle painted portraits, historical subjects, animals, and landscapes. He exhibited at the Royal Academy and the Society of Painters in Watercolours.

This is an original oil on Canvas painting of a Grand Child''s Birthday present.  The painting is signed lower right corner but not easy to make out.  It looks like H. J. ..........?  The canvas measures 17X14 inches and came in a fine period gilt frame.  There is one repaired tear in the lower center of the canvas and some cracking to the paint.  Over all a very fine painting highly detailed.  Guaranteed to be   a mid to late 19th century work.  Most likely British or American origins...

Framed watercolor portrait, sight size 7 1/2 by 5 1/2 inches in 12 3/4 x 10 Italian carved gilt frame. Signed and dated in the lower right corner. Inscription on the back of the frame has the artist's name, date, and the name of the sitter, Lady Adelaide Horatia Elizabeth Seymour. Lady Seymour lived from 1825-1877 and married Vice Admiral Spencer.
Corbaux belonged to the Society of British Artists and the New Society of Painters in Watercolors in 1839.