This is a fine drypoint and etching by French impressionist etcher, Alphonse Legros. This image was created and printed in 1889, hand signed in pencil, printed on a medium weight wove type paper. The image measures 6 7/8X9 1/2 inches. A fine rich impression. Catalog R.105.
This is an original pencil signed etching by American artist Stephen Parrish. The title is: Portsmouth, NH, this etching was created and printed in 1881. The image measures 7 7/8X13 3/4 inches. This image appears in the Parrish catalog as image number 46, signed, dated and titled in the plate. This etching is glued down between boards, from the 19th century, Light even toning to the sheet.
This is an original hand colored etching by British artist Elyse Lord. The title of this image is Bird with Hydrangea. Created and printed circa 1930 in and edition of 75. This image is hand signed, numbered 58/75 and titled: "Chinese". The image measures 11 1/4X12 1/4 inches. Printed on a thin japan type sheet.
This is an original drypoint etching by British artist James McBey. The title is: Brightlingsea number 2. Created and printed in 1922 in an edition of 90, this impression is hand signed with pen and ink and numbered X. The image measures 7 1/2X12 inches. This etching appears in the Salaman catalog as image number 212. A fine impression printed on an antique laid type sheet.
This is an original drypoint etching by British artist Edmund Blampied. The title is: Agents of Change, created and printed in 1932. This is numbered as 23/100 and hand signed in sepia ink lower border. The image measures 6 3/4X9 3/4 inches. This image appears in the Appleby catalog as image number 156, printed on a medium weight laid type sheet.
This is an original drypoint etching by American Sporting artist Aiden Lassell RIpley. This etching is pencil signed, titled and dated by the artist. The title is Pheasant Meadow, it was created and printed in 1937. The image measures 7X9 7/8 inches. Printed on a medium weight wove type sheet. A fine and rich impression with plate tone in the sky and foreground.
This is an original pencil signed wood engraving by American artist Thomas Nason. This image is titled: The Sheepfold it was created in 1947 in an edition of 100. The image measures 3 1/8X7 1/2 inches. Nicely Framed. This image appears in the BPL catalog as image number 421.
This is an original etching by American artist Peter Moran. The title is: "Harvest at San Juan Pueblo", this etching was created and printed in 1883. The image measures 6X12 1/4 inches. This image is not pencil signed. A scene of the Pueblo Indians of New Mexico Herding horses.
Printed on a buff toned wove type paper, very good condition.
This is an early color woodblock print in triptych form by Utagawa Kunisada. This image of Kubuki Figures was from the 1840's a time when he took the name of his teacher Toyokuni. The signature is known as the Toshidama signature. The image measures 13X26 1/4 (site size) This woodblock is framed and matted.
This is an original etching by American artist Thomas Moran. The title of this work is: "A Tower of Cortes, Mexico", it was created and printed in 1883. The image measures 12X9 3/4 inches. Very rich impression, plate signed only. This etching was printed on a medium weight buff toned wove type paper.
This is a fine original etching by French artist Auguste Brouet (1872-1941) The title is: Un rassemblement en Camargue, it was created and printed in 1925. This image is numbered as 44/75 ..The image measures 8X12 1/4 inches. the Cercle de la Librairie drystamp. in the lower right border. Hand signed and numbered in pencil. Fine condition with elaborate remarque in the lower border. Boutitie 320, IFF 36.1, BPL 13, Universität Osnabrück, EH 4.
Locked Ward Series, Bound Hands swing, 1965 , in an edition of 75. Printed on an Arches, wove type sheet. This lithograph measures 20X26 inches. Hand signed lower border in pencil. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 10 from The Locked Ward Series.
Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.
This is a fine drypoint etching by British artist Sir Henry Rushbury. The subject is the destruction of St. Olave's cathedral on Tooley Street in Bermondsey. This drypoint is hand signed by the artist with pen and ink in the lower border. The image measures 11 3/8X8 1/16 inches. Very richly printed on a medium weight wove type paper. This image created in 1927. "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."
Copyright 2021· All rights reserved
