This is an original pencil signed wood engraving by American artist Asa Cheffetz. The title of this work is Pastorale (Vermont) It was originally sold by Associated American Artists in New York. The image measures 4 1/2X 10 inches. This image appears in the Springfield catalog as number 65.
Engraving, after Raphael; also called La Benediction; later state without engraver's address;
This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
This is an original lithograph, pencil signed and numbered by American artist Raphael Soyer. The title is Portrait of a Young Girl, it was created and printed in 1970. Numbered 57/120. The image measures 15 1/4X12 inches. Printed on a medium weight wove type sheet. Broad margins, deckeled edges.
This is an orignal etching by Scottish artist Ernest S. Lumsden. The subject is: A Jodhpur Gate, part of his Indian series created and printed in 1913. This pencil signed impression has an image size of 8 1/2X5 3/4 inches. Printed on a medium weight wove type paper. Printed with a brown toned ink
C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. Plate measures 8 3/4 x 7 1/2 on 14 x 11 1/2 inch watermarked wove type paper. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.
A beautiful architectural cityscape by master printmaker, Joseph Pennell. Measuring 8 x 11 inches, it is pencil signed, publishers label included. Created in 1905 in an edition of probably 75, cat: Wuerth #379. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.
This is a fine pencil signed impression , an original wood engraving created by American artist Asa Cheffetz. This image, Titled: Vermont, was created in 1941 and sold through Associated American Artists in New York. The image measures 6 1/4X10 inches. It appears in the Springfield catalog as image number 59.
This is an original drypoint etching by French impressionist printmaker, Alphonse Legros. This image is titled: Milkmaid of Boulogne, 3rd plate (Laitiere a Boulogne) Created and printed circa 1890. The image measures 5 7/8X8 7/8 inches. Hand signed in pencil, printed on a watermarked laid type sheet. Richly printed.
Etching Dry-Point, image size 4 5/8 x 6 3/8 inches, Hardie 157, 1919, edition of 100, blind stamp, pencil signed.
This is an original color etching by American artist Dorsey Potter Tyson. The title is Siamese Dancers, created and printed in 1928 in an edition of 100. This impression is numbered as XXVIII. It is also hand signed in pencil. The image measures 8X9 7/8 inches. It came to us in the original frame from Casson Galleries in Boston.
Etching, image size 4 1/2 x 5 7/8 inches, 1870, Harrington 144, Schneiderman 132 v/v, pencil signed
Etching, image size 8 x 5 3/4 inches, pencil signed l.r. "Warren Davis" on wove paper. Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures. Many were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.
Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.
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