An original etching and engraving by American artist John Sloan. The title of this work is "Nude and Breakfast Tray", it was created and printed in 1933 in an edition of 100. The image measures 5 1/2 X 7 inches. Hand signed and editioned in pencil. This etching came to us in an early frame with the Kraushaar Gallery N.Y. label on the back.
The condition is superb .
Print measures 13 3/4 x 6 7/8 inches on 16 1/2 x 9 3/4 inch watermarked laid type paper. Pencil signed and dated "1950" in the lower right. Third state. Edition of 308. Number 15 in his "Spanish Church" series. Catalog: Fletcher 418. This is an exquisitely detailed print with strong contrast!
This is an original etching by American artist John Sloan. The title is: "Nude on a Draped Couch", it was created and printed in 1931 in an edition of 100. The image measures 7X5 1/2 inches. Pencil signed and editioned in the lower border. This etching is in very good condition apart from having the borders trimmed to within 1 inch of the platemark. Enough room for proper presentation. This etching came to us in an early frame with the Kraushaar Gallery, N.Y. label on the back.
This is an original pencil signed lithograph by American artist John S DeMartelly. The title is "Old Moon", it was created and printed in 1938, published by Associated American Artists in New York. The subject is the Wabash, Kansas City. This design was later used as the dust cover for the Wabash, one of the volumes in the Rivers of America Series. The image measures 10 1/8X13 3/4 inches. Printed on a medium weight wove type paper. DeMartelly was on the faculty of the Kansas City Art Institute where he worked along side of Thomas Hart Benton. His style like Benton's is Regionalism, depicting the working class farmers and laborers.
This Joseph Pennell etching measures 11 3/4 x 8 3/8 inches, pencil signed, 1904, cat: Wuerth 324, probably in an edition of 25. Pennell was an important American etcher, lithographer and illustrator. Good friends with James McNeill Whistler, he and his wife co-authored his biography. Pennell was known for his continued experimentation with technique and style, producing cityscapes, landscapes and marine scenes. He also printed many of his own images.
This is an original lithograph by American artist Robert Von Neumann (1888-1976) The title of this work is:
"Hauling the Net" also known as "Trap net Fishing on the Great Lakes" A dramatic study of the fishermans life.
The image measures 10 1/4X14 1/2 inches. It came to us with the original label from Associated American Artists in New York who published this lithograph in an edition of 250. Circa 1940.
This is an atmospheric scene of a ship coming into port, pulled by a tugboat; it is rendered with remarkabley delicate lines and a rich yet quite subtle tonal range, giving a strong sense of a soft morning fog over calm waters. The canvas sails of the ship beautifully contrast with the steam of the tug as is dissipates into the misty air. The image measures 19 x 23 inches, published in 1887, pencil signed on the lower right margin. "Copyright R. Cleveland Coxe, 1887, NY" is printed on the lower center, with a remarque of an anchor in the lower left margin. Framed. Coxe studied at the National Academy before going to Paris to study with Leon Bonnat. A painter and etcher, Coxe best works were of seascapes of the New England Coast.
This is an original etching by American artist Kerr Eby (1890-1946) The title of this etching is "New England Winter", it was created and printed in 1930 in an edition of 90. It is hand signed in pencil with the "imp" after the artists name to indicate that he printed this one himself. The image measures 6/15/16X13 3/4 inches. Fine use of plate tone in the sky. Printed on a watermarked laid type paper.
This 1932 etching by the master printmaker, John Taylor Arms, measures 10 x 13 1/2 inches and is pencil signed and dated on the lower margin. Edition 142, repair to edge of image, right side. Part of his French Church Series.
This is an original pencil signed etching by American artist Joseph Pennell. The title of this work is: "Sunset from the Williamsburg Bridge, NY" It was created and printed in 1915 in an edition of 100. The image measures 8 3/8X10 15/16 inches. It appears in the Wuerth catalog as image number 674. This etching has a collectors stamp in the lower border and the original Kappel N.Y. label. The margins are thin on three sides which was typical of Pennell's etchings. A fine and atmospheric image.
This is an original hand signed and titled lithograph by American artist John A Noble. The title of this image is: "Oncoming Night", from his series "Mast and Man", this is image number 1.
This lithograph was created and printed in 1966. The image measures 11 7/8X15 3/4 inches. "From 1928 until 1945, Noble worked as a seaman on schooners and in marine salvage. In 1928, while on a schooner that was towing out down the Kill van Kull, the waterway that separates Staten Island from New Jersey, he saw the old Port Johnston coal docks for the first time. It was a sight, he later asserted, which affected him for life. Port Johnston was "the largest graveyard of wooden sailing vessels in the world." Filled with new but obsolete ships, the great coalport had become a great boneyard. In 1941, Noble began to build his floating studio there, out of parts of vessels he salvaged and from 1946 on, he worked as a full-time artist, setting off from his studio in a rowboat to explore the Harbor. "information from The Noble Maritime Collection.
Drypoint etching from 1924. A well inked impression with incredible detail. Second State. This is a rare early pencil signed proof, prior to the Louvre publication. Plate measures 15 x 16 inches on 16 7/8 x 19 1/8 inch wove type paper.
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