This is an original pencil signed lithograph by American artist Kerr Eby. The title is: Where do we go? It was created and printed in 1919. The image measures 11 13/16X18 3/16 inches. Eby made only four lithographs, all based on his World War I experiences in France. (Giardina cat.) This image is in the Eby catalog as image number 39. The edition was between 75-100 impressions.
Lithograph, image size 10 1/4 x 14 3/8 inches, c. 1940, pencil signed and titled, "Bridge in Astoria, L.I." Tanzer was active in New York during the depression and was a member of the WPA.
This is an atmospheric scene of a ship coming into port, pulled by a tugboat; it is rendered with remarkabley delicate lines and a rich yet quite subtle tonal range, giving a strong sense of a soft morning fog over calm waters. The canvas sails of the ship beautifully contrast with the steam of the tug as is dissipates into the misty air. The image measures 19 x 23 inches, published in 1887, pencil signed on the lower right margin. "Copyright R. Cleveland Coxe, 1887, NY" is printed on the lower center, with a remarque of an anchor in the lower left margin. Framed. Coxe studied at the National Academy before going to Paris to study with Leon Bonnat. A painter and etcher, Coxe best works were of seascapes of the New England Coast.
Pencil signed, printed in 1923. 6 x 8 inches on 9 3/4 x 12 3/4 laid-type paper. Kuhler was one of the best known industrial designers of the American railroads. He learned etching after World War I and enrolled at the Academy of Art in Düsseldorf.
Lithograph, image size 12 1/4 x 18 inches, 1938, edition of 50, pencil signed, dated and titled, framed.
This is an original etching by American artist Kerr Eby. The title is: "Light in the Woods", it was created and printed in 1931. This etching was printed in an edition of 100, printed by the artist himself. There is the "imp" written after the artists pencil signature. The image14 1/2X9 1/2 inches. Very richly printed. This image appears as image number 161 in the Giardina catalog. The scene is thought to be either Connecticut or Maine. Fine condition.
Etching, image size 9 7/8 x 6 7/8 inches, 1921, cat. Wuerth 782 and the cover, pencil signed.
9 3/8 x 11 1/2 inch etching and sandpaper ground on wove type paper, ed. 100. Cat: Giardina 193. Printed in 1937. Pencil signed "Kerr Eby imp", the "imp" indicating that Eby printed this impression himself.
Kerr Eby was a remarkable printmaker and a member of the Cos Cob Art Colony and friends with many of the important artist of the day, including Childe Hassam and John Taylor Arms. Eby was known for his atmospheric renderings of the New England landscape as well as his dramatic images of WWI.
This is a fantastic scene of the railroad tracks and surrounding industrial buildings in Oberhausen, Germany by American artist Joseph Pennell. Etching, image size 9 3/8 x 12 1/2 inches, published in 1910 in an edition of 50 impressions, cat: Wuerth- 606, pencil signed "J. Pennell imp", the 'imp' indicating that Pennell printed this impression himself. This etching is printed on an early antique watermarked laid type paper with trimmed margins and a tab signature, in the style of Whistler. There are two small rust spots which appear to be in the paper, as is common in early paper of this type. Pennell was one of the foremost American printmakers of the early 20th century, and was close friends with James McNeill Whistler, whose influence is evident in many of Pennell's images as well as his sense of experimentation with etching technique. Pennell was especially known for his images of cityscapes and architecture; in this image the trains and surrounding factories provide the structure of the composition, while ghostly, quickly rendered figures give a human presence and sense of scale to the bustling railyard.
This is an original pencil signed etching by American artist Joseph Pennell. The title of this work is: "Sunset from the Williamsburg Bridge, NY" It was created and printed in 1915 in an edition of 100. The image measures 8 3/8X10 15/16 inches. It appears in the Wuerth catalog as image number 674. This etching has a collectors stamp in the lower border and the original Kappel N.Y. label. The margins are thin on three sides which was typical of Pennell's etchings. A fine and atmospheric image.
This is one of the finest etchings by American artist George Elbert Burr. The title of this work is: High Street, Oxford, circa 1900 when he and his wife spent time touring europe. A wonderful impression of a rainy night in the city. Richly inked, pencil signed and titled in the lower border. The image measures 10X12 inches. Framed.
This is an original hand signed and titled lithograph by American artist John A Noble. The title of this image is: "Oncoming Night", from his series "Mast and Man", this is image number 1.
This lithograph was created and printed in 1966. The image measures 11 7/8X15 3/4 inches. "From 1928 until 1945, Noble worked as a seaman on schooners and in marine salvage. In 1928, while on a schooner that was towing out down the Kill van Kull, the waterway that separates Staten Island from New Jersey, he saw the old Port Johnston coal docks for the first time. It was a sight, he later asserted, which affected him for life. Port Johnston was "the largest graveyard of wooden sailing vessels in the world." Filled with new but obsolete ships, the great coalport had become a great boneyard. In 1941, Noble began to build his floating studio there, out of parts of vessels he salvaged and from 1946 on, he worked as a full-time artist, setting off from his studio in a rowboat to explore the Harbor. "information from The Noble Maritime Collection.
Etching, 1924, image size 6 1/4 X 11 1/4", edition of 150, printed by F.Reynolds, French Church Series, pencil signed. Also called "Byzantine Revsisited" and "The Cathedral of St. Pierre."
This is an original drypoint etching by American artist Lawrence Kupferman. It is titled: "Abandoned House", it was created and printed in 1939, this is editioned as 5/100. The image measures 10 1/2X12 inches. It is pencil signed and titled in the lower border
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