Color etching and aquatint, image size 16 x 22 1/2 inches, 1929, pencil signed, l.c. "Luigi Kasimir", on wove paper. A beautiful colored aquatint etching of the famous Persenbeug Castle situated along the banks of the Danube River. Framed.
A truly remarkable original lithograph, image size 11 1/4 x 8 3/4 inches, 1944, from a small edition of 25, pencil signed and dated. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture.
Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.
Measuring 11 1/4 x 9 1/4 inches, "The Fisherman's Home" is very similar to Strang's painting of the same name from 1905 which is owned by the Ashmolean Museum, Oxford. This richly inked print from the Baldwin-Wallace College collection is also signed in pencil by the artist along the lower right edge of the image.
This color etching and aquatint by Luigi Kasimir measures 18 x 23 1/2 inches, pencil signed, cat: Lorenz #62, c. 1923, edition of 300. Kasimir studied at the Vienna Academy of Art, although much of his etching technique was self taught and learned through working from nature. He specialized in atmospheric images of architecture, city scenes and landscapes; some bustling with people and automobiles, others quite timeless and serene. Kasimir developed his own technique, which was much more suited to the particular clarity of his compositions. This technique allowed Kasimir to create extraordinarily rich tones and values with clear, crisp lines; he could masterfully bring a scene to life using subtle hues of grays and earth tones accentuated by bright splashes of saturated color.
This is a very rare nocturnal scene by French artist Auguste- Louis Lepere. Etching, image size is 4 1/4 x 3 7/8 inches, 1893, cat: LB-71, pencil signed and numbered "16". Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings. This etching is exquisitely rendered with the soft light from the street lamp and the moon illuminating the scene, casting deep shadows in the foreground with the city gently silhouetted in the background. A very rich impression printed on a laid type paper with ample margins.
Etching,image size 7 3/4 X 8 inches, 1918, edition of 100, Hardie 152, artist blindstamp, pencil signed.
This 1930 etching of "Anais", the artist's first wife, measures 8 3/4 x 6 3/4 inches and is pencil signed on the l.r., framed, Fletcher cat: 67, in an edition of 111. Born in England and found to be artistically talented at an early age, he was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the great masters, Botticelli and da Vinci, had a lasting influenced on him. A self-taught etcher who became one of the best portrait etchers in art history being elected into the Royal Society of Painter - Etchers and Engravers in 1921.
A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.
Drypoint etching, image size 8 x 5 7/8 inches, subsequent to Hardie, artist's blindstamp, pencil signed.
Color aquatint and drypoint etching C. 1907. Edition of 100. Pencil signed in the lower right. Plate measures 10 1/2 x 8 3/8 inches on deckled 18 x 13 inch watermarked laid paper. A well inked impression with a rich drypoint burr. Robbe studied at the Academie Julien and the Ecole des Beaux Artes, becoming a master of the aquatint medium. He developed much of his own aquatint techniques, which enabled him to create his uniquely painterly, richly colored images.
This is an original color aquatint etching by French artist Manuel Robbe (1872-1936) The title is: "Petit Miroir", it was created and printed in 1907 in an edition of 100. The image measures 10 1/2X8 3/8 inches.Printed on a watermarked, laid type paper with deckled edge. A rich impression, fine use of drypoint with some hand coloring.
signed in pencil by the artist lower right.. This image appears in the Merrill Chase catalog as image number 69. A fine impression, previously sold by Merrill Chase in Chicago.. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
Woodengraving,from Pilgrims Progress,1928,ed.8/12,9 3/8X7",pencil signed
This beautiful 1907 etching with drypoint of "Inventory Day" by August-Louis Lepere measures 13 1/2 x 9 1/2 inches, in an edition of about 166, Saunier cat: 344, illlustrated in "Etchers and Etchings", Joseph Pennell, 1929, p. 199. Dated and signed in the plate and pencil signed, l.r., framed. Auguste-Louis Lepere was one of the leading French printmakers of the late 19th and early 20th centuries. He began studying printmaking at the age of 13 with Joseph Burn Smeeton in Paris and quickly made a name for himself with his innovative style and technically brilliant etchings and wood engravings.
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