Etching/drypoint, image size 8x6 inches, 1919, Hardie 165, edition of 100, pencil signed with artists blind stamp.
Lee-Hankey was a very gifted drypoint artist known for his portrait studies of the local folk of Brittany.
This is an original etching by American artist Gottlob L. Briem (1899-1972)) The title of this work is :Wall Street, N.Y.C." It was created and printed in 1930 in an edition of 100. The image mesres 13 15/16X8 15/16 inches. It is hand signed in pencil lower right.
This is a fine original wood engraving after Homer, published in Harpers Weekly in September 20, 1873. This is a wood engraving with the original Harpers written story on the back of the sheet. This is perhaps the best known of the large double paged images that were ever done for Harpers. The image measures 13 9/16X 20 5/8 inches on a total sheet size of 15 15/16X21 7/8 inches. Very nice condition, museum matted and framed. The title Snap the Whip, after the painting by Winslow Homer. This image was engraved by W. H. Lagarde.,.
Lithograph, image size 9 1/2 x 13 1/4 inches, 1st state of 2, cat. Walterskirchen-187, framed, pencil signed lower right
This is a very fine drypoint etching by American Sporting artist Frank Benson. This image is titled: Turnstones, created and printed in 1928 in an edition of 150. The image measures 7 7/8X11 7/8 inches. Last sold by Vose Galleries in Boston, the label is on the back of the frame. A very rich burr in the drypoint, a beautiful image, Benson at his best. This image appears in the Ordeman catalog as number 283,
This is a rare original etching and drypoint by Scottish artist David Cameron. The title is: Wingless Chimera, Amiens Cathedral, it was created and printed in 1911. Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches. Printed on a medium weight laid type sheet. This image was exhibited at the Royal Academy in 1911. This image appears in the Rinder catalog as image number 416.
This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.
This is a fine original lithograph by American artist Stow Wengenroth. It is titled: Little One, Rockport, Massachusetts, created and printed in 1975 in an edition of 100. The plate measures 9 5/16X13 9/16 inches. Hand signed and editioned in pencil lower border. This image appears in the Stuckey catalog as image number 359. Finely detailed, one of his series of Owls that Wengenroth created through out his life time.
This is a fine highly detailed etching by British artist Stanley Badmin, created and printed in 1929 this image is titled: The Old Ash. The image measures 5 1/2X4 inches, pencil signed and numbered: 4/40. Printed on a Buff toned wove type sheet. "Badmin's interest in the stark shapes of leafless trees silhouetted against the skyline is a subject that he frequently pursued.This image shows an old Ash tree near Balcombe, in Sussex. This image appears in the Beetles catalog as number 12.
Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.
Engraving after LeBrun, image size 20 5/8 x 24 7/8 inches, sheet size 21 7/8 x 25 1/2 inches, LeBL. 9. Fogg Museum provenance, JW Randall Collection #4045. Framed.
Engraving after Poussin, image size: 19 5/8 x 25 13/16 inches, paper size 21 1/2 x 30 1/8 inches; Prov. JW Randall: 1498; watermark c.l.
A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.
Lithograph, 1875, image size: 7 1/2 x 7 7/16 inches, initialed in plate
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