This is a fine birds eye view of New York City in 1908. The title is: The West Street Building from the Singer Building, It was created and printed in 1908. The image is pencil signed and titled in the artists hand in the lower border. The image measures 11X8 3/8 inches. The image appears in the Wuerth catalog as image number 491.
This is a fine original wood engraving after Homer, published in Harpers Weekly in September 20, 1873. This is a wood engraving with the original Harpers written story on the back of the sheet. This is perhaps the best known of the large double paged images that were ever done for Harpers. The image measures 13 9/16X 20 5/8 inches on a total sheet size of 15 15/16X21 7/8 inches. Very nice condition, museum matted and framed. The title Snap the Whip, after the painting by Winslow Homer. This image was engraved by W. H. Lagarde.,.
This is an original hand signed etching by American artist Isac Friedlander. The title of this work is "Aftermath" alt. "Outcasts", this etching was created and printed in 1944.
This etching was created in an edition of 30 signed proofs, this one is inscribed as "Trial Proof #2", the image measures 14X11 inches, printed on a medium weight wove type paper. The artist's view of the aftermath of war in Europe.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
This is an original engraving by French artist Philippe Mohlitz. This image is titled: The Abyss. It was created and printed in 1967. Pencil signed lower right and numbered as 28/50 lower left. The image measures 8 1/4X7 1/8 inches. Printed on a heavy weight laid type sheet. Mohlitz uses the refined technique of Original engraving, in the traditional manner. Born in Bordeaux in 1941 Mohlitz studied the techniques of engraving at the studio of Rene Delpech in Paris in the mid 1960's.
This is a fine original etching by American artist John Taylor Arms. This etching is titled The Red Mill, also called The Red Barn, Southport. The image measures 11 1/8X7 1/4 inches. This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25. Beautiful tonal range and fine composition with extensive reflections in the water. This etching was later printed with some color in the barn and sky. Nicely framed with French matting.
This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom. The title is: The Crucifixion, created and printed circa . 1929, it is numbered as 4/30. The image measures 9 1/2X7 1/4 inches. Printed on a thin japan type sheet. Groom was a well known artist and illustrator one of the Suffolk artists. She was also a founding member of the English Wood Engraving Society starting in 1926. Mary studied wood engraving at Leon Underwood's Art School, along with Underwood himself and with fellow-students such as Blair Hughes-Stanton, Gertrude Hermes and Agnes Miller Parker
This is a very fine original drypoint etching by British artist Edmund Blampied. The title is: The Joyride, created and printed in 1923 in an edition of 100. The image measures 8 3/4X10 3/16. This etching was reproduced for the 1924 issue of Fine Prints of the Year. Catalog: Appleby 89. Nicely framed with archival materials.
This is an original drypoint etching by French artist Jacques Villon. The title is: La Dame au chine. It was created and printed in 1906, this is the 2nd state of 2. The image measures 9 1/2X8 1/2 inches. Catalog entry Ginestet-Pouillon E156. This drypoint is nicely framed. Hand signed in pencil lower border, one small foxing spot in the lower border.
This is an oriignal aquatint etching by British artist Leonard R. Squirrell, this etching was created and printed in 1924 in an edition of 75 signed proofs. The image measures 11X16 1/4 inches. Pencil signed by the artist in pencil lower right border. Fine use of highlight and shadow making a dramatic composition. Printed on a medium weight wove type paper. A rare image only found in Museums.
This is an original hand signed wood block print by Jamaican artist Albert Huie. The title of this work is Road Mending, created and printed circa mid 1940's. The image is signed and titled lower border, the image measures 7 3/4X5 7/8 inches, Good condition.
Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.”
This is a rare original etching and drypoint by Scottish artist David Cameron. The title is: Wingless Chimera, Amiens Cathedral, it was created and printed in 1911. Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches. Printed on a medium weight laid type sheet. This image was exhibited at the Royal Academy in 1911. This image appears in the Rinder catalog as image number 416.
This is a very fine drypoint etching by American Sporting artist Frank Benson. This image is titled: Turnstones, created and printed in 1928 in an edition of 150. The image measures 7 7/8X11 7/8 inches. Last sold by Vose Galleries in Boston, the label is on the back of the frame. A very rich burr in the drypoint, a beautiful image, Benson at his best. This image appears in the Ordeman catalog as number 283,
Etching and drypoint, image size 9 7/8 x 13 3/8 inches, 1865, IV/V, Melot D.118, printed at bottom margin "Daubigny Sculp." l.l., "Sarazin imp. Paris" l.r. and titled "Le Gue" l.c., framed. This was Daubignys' third contribution to the "Societe des Aquafortistes", also exhibited at the Exposition Universelle", the world's fair of 1867.
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