Color woodblock print C. 1858. A collaboration between Hiroshige II, Toyokuni II, and Kunisada. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Date seal: horse 12.
Etching image size 11 7/8 x 9 3/8 inches, plate signed lower left, Vivares founded an engravers school, member of the Society of Artists he exhibited in 1766 and 1768. His reproductions of Claude de Lorrain were widely appreciated.
Etching Dry-Point, image size 4 5/8 x 6 3/8 inches, Hardie 157, 1919, edition of 100, blind stamp, pencil signed.
Color woodblock print measures 12 3/4 x 8 1/4 inches on 13 3/4 x 9 3/8 inch japanese rice paper. A very detailed print, with burnishing in the black obi fabric and wooden geta sandals, and embossing in the white kimono trim. This print depicts the Lady Tsukiyama being arrested for treason.
This is an original pencil signed etching by American artist Leonard Baskin. This image measures 17 3/8X11 3/4 inches. Printed on a wove type sheet. A committed figurative artist, and the son and brother of rabbis, Baskin's work often focused on mortality, Judaism, the Holocaust and other angst-ridden themes. This etching done on a thick wove type sheet has 4 spots of old glue residue in the corners of the sheet, well outside the image area.
This is a remarkable original etching by Czechoslovakian artist T. F. Simon, depicting the stunning architecture of the Puente Nuevo bridge in Ronda, Spain. The image size is 13 1/4 x 9 1/8 inches, published in 1913 in an edition of 150, cat: Novak-206, numbered in pencil with the artist's stamp lower left, pencil signed lower right. The Puente Nuevo was designed by architect Jose Martin de Aldehuela, and was built over the course of 42 years, from 1751-1793.
This is an original engraving by British artist Stephen F. Gooden. The title is "Diana", this engraving was created and printed in 1940. The image measures 5 1/2X5 1/2 inches. This engraving is pencil signed and dated lower right, It is editioned as 96/110.
This print was the presentation plate for the Print Club of Rochester, N.Y. Printed on a medium weight wove type paper.
Etching, dry point, image size 10 7/8 x 9 3/8 inches, ca. 1936, signed and titled in pencil, also plate signed. Edition of 25 for the NYC WPA. "Federal Art Project/NYC WPA" stamped in l.l.
This is a fine original line engraving by British artist Robert S. Austin. The title is "Scythes Resting in a Tree",created and printed in 1928, the image measures 5X3 1/2 inches. Pencil signed by the artist, numbered 11/75. Robert Sargent Austin was a highly respected illustrator and engraver, sometimes regarded as the last great English engraver. He taught at the Royal College of Art and was eventually elected president of the Royal Society of Painter-Etchers.
This is an original early etching by French artist Edouard Henri Leon, This image is titled: Les Canots de Pecher a Proscoff, Fishing Canoes in Proscoff. Created and printed in 1926, hand signed in pencil the image measures 9X11 1/2 inches. Printed on a heavy weight wove type sheet, Although born and trained in Paris, Leon later worked in the USA and became a member of the Brooklyn Society of Etchers.
This is an original pencil signed and numbered lithograph by Dutch artist Maurice De Vlaminck. The title is: Le Moulin de la Naze, created and printed in 1925. This impression is numbered as 35/35. The image measures 7X10 1/2 inches.
This is a drypoint etching from February 1931. Edition of 100. Catalog: BPL 104. Pencil signed in the lower right, pencil numbered 35 out of 100 in the lower left. Plate measures 14 1/4 x 9 1/2 inches on 16 1/2 x 11 1/2 inch Rives watermarked wove paper. A well inked, exquisitely detailed etching. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
This is an original etching created by Provincetown artist, Reynolds Beal. The title is: Fisherman's Race off Gloucester, Henry Ford Wins, created and printed in 1930. A very rare image, hand signed in pencil, titled and dated. The image measures 7 7/8X12 3/4 inches. Printed on a medium weight laid type sheet, very nice condition. This etching came to us from the Beal Family.
Pencil signed in the lower right. Ca. 1936. Plate measures 9 3/4 x 14 1/2 inches on 11 x 17 inch laid type paper. This print shows good use of plate toning and negative space.
Etching, image size 6 3/4 x 8 5/8 inches, 1936, edition of 65 proofs, pencil signed and titled "Lawrence Nelson Wilbur" l.r. and "Peck's Slip-NYC" l.l., publishers blindstamp l.r.
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