Prints

Lithograph, image size: 11 x 16 1/2 inches, edition of 100, signed in ink

This Dexter Dawes lithograph measures 11 x 13 5/8 inches. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This lithograph of the First Congregational Church in Old Lyme measures 12 3/4 x 17 inches. It is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This lithograph by Dexter Dawes measures 12 3/4 x 17 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Etching printed in 1929 on wove-type paper made in England, plate initialed in the lower left corner, pencil signed, titled, and editioned. Print 6 of an edition of 50. Image measures 10 1/2 x 14 12 on 13 1/2 x 18 1/4 paper.

Etching, 1907, signed in pencil, image size: 8 1/4 x 4 1/2"

"The Backyard" by Dexter Dawes measures 11 x 15 inches and is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This lithograph by Dexter Dawes measures 12 x 14 3/4 inches and is pencil signed on the lower right. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This 1927, original drypoint by Louis Rosenberg measures 8 1/4 x 11 3/4 inches and is pencil signed on the l.r. Louis C. Rosenberg was a successful artist and architect; he studied at several prestigious Universities- The University of Oregon, Eugene, the American Academy in Rome, the Royal College of Art, London, and the Massachusetts Institute of Technology, and continued to practice both art and architecture throughout his long career. These walls were built for protection from invaders to the north of Rome by the Emperor Aurelian in 270 AD. Often built in a hurry, they regularly incorporated existing structures like this pyramid built between 18 and 12 BC.

Pencil signed in the lower right, "private proof" in the lower left. Plate measures 9 1/4 x 12 3/4 inches on 12 3/4 x 16 inch laid-type paper. C. 1930. This is a rare print and a rare subject for Kuhler, who is famous for his prints of trains and the industrial revolution.

This is a fine award winning etching by American artist Luigi Lucioni.  The title is: The Big Haystack, created and printed in 1947.  Sold by Associated American Artists in New York.  This pencil signed etching measures 8 1/4X11 7/8 inches.  Printed on a medium weight wove type sheet.  A fine rich impression.

A very interesting wood engraving by Leonard Baskin, measuring 8 1/4 x 5 3/4 inches, cat: Fern & O'Sullivan -371, edition 250, 1959, published on handmade Amalfi paper, from the series "The Auguries of Innocence" by William Blake. After serving in the Navy during WWII, Baskin began his career as a printmaker in the late 1940s, beginning with simple linocuts, but quickly progressing to dramatic wood engravings, then later etchings and lithographs. Known for his graphic images created by the simple interplay of black on white, combined with his dramatic use of line, Baskin remains one of America's greatest printmakers.

Etching, image size 17 x 13 7/8 inches, 1957, ed. of 25, pencil signed and numbered. The gallery has two impressions of this print, 6/25 and 16/25.

Drypoint,1929,edition of 80,image size: 10 3/4X8 7/8 inches, cat.Bpl-145, pencil signed, framed

Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed