This is an original oil on canvas painting by American Tonalist ,Charles P. Appel. This painting measures 12X16 inches, signed lower right. This painting came with a partial Salmagundi Club label on the back. Appel is known for romantic landscapes and marine paintings in Tonalist and Impressionistic styles. He studied at the New York School of Art with Francis Luis Mora and William Merritt Chase and later with Frank Vincent DuMond at The Art Students League. He became a member of the Salmagundi Club in New York City in 1906.
This is an original etching by Louis Rosenberg. The title is: "Medical Arts and Builders Exchange Buildings". The image measures 7 3/4X11 1/2 inches. This etching was created and printed in 1929. "Louis C. Rosenberg was commissioned by the Van Sweringen brothers to produce etchings of the construction of the Cleveland Union Terminal, including sites, demolitions, and buildings. This is print number 21 of the CLEVELAND SERIES
This is an original drypoint etching by British artist William Walcot (1874-1943) The title is "St Mark's Square", created and printed 1920, this etching has an image size of 3 1/4X4 1/2 inches, pencil signed in the lower right border. Printed on a medium weight wove type paper. It shows a view of the Doge's Palace in St Mark's Square in Venice.
This print comes from a small series of four etchings made by Walcot called "The Venice Set", which was published in 1920.
This is an original lithograph by American WPA artist Arnold Blanch. This view of an old time Esso station is pencil signed lower right. Created and printed circa 1938. The image measures 8X12 inches. Arnold Blanch was born in Minnesota and received his schooling from the Minneapolis School of the Art Students' League under Kenneth Hayes Miller, John Sloan, and Robert Henri. Blanch is a member of the American Society of Painters, Sculptors, and Gravers, a Director of the Salons of America, and a Director of the Woodstock Art Association. He has received the Harris Medal from the Art Institute of Chicago, the Bremer Prize, the Purchase Prize, and the Guggenheim Memorial Foundation Fellowship in Painting.
This is a fine original engraving by French artist Jean Emile Laboureur (1877-1943) The title of this engraving is: "La Promenade sur le Port". It was created as the presentation print of the Print Club of Cleveland in 1935 in an edition of 235 impressions. This engraving is pencil signed lower left border. The image measures 8 3/8X8 13/16. It is archivaly matted and framed.
This is an original etching by American artist Stephen Parrish. The title of this work is: "Gloucester Ferry, 1881", it was created and printed in 1881, this is the larger plate. It was recreated in a smaller version a year later. The image measures 9 3/8X14 5/8 inches. It is pencil signed lower right border and plate signed l.l. and titled l.r. image with the Stephen Parrish number 47, meaning this was his 47th etching that he created. "To the right, a schooner lies at anchor. Beyond, a foot bridge leads down to a small dock, on which are two figures" (Rona Schneider)
This is an original etching by American artist Louis Rosenberg. This etching is titled:" Demolition of Power Plant", from the series that Rosenberg created on the Cleveland Union Terminal. The image measures 7 1/2X 11 1/4 inches. It was created and printed in 1929, pencil signed by the artist. "Louis C. Rosenberg was commissioned by the Van Sweringen brothers to produce etchings of the construction of the Cleveland Union Terminal, including sites, demolitions, and buildings.
This is an original drypoint etching by American artist Armin Landeck. It is titiled: "Demolition No. 1", it was created and printed in 1940 in an edition of 100. The image measures 7X9 inches. It is pencil signed and dated in the lower right border. Excellent condition.
This is an original etching by American artist Kerr Eby. The title is Driftway, which was Eby's home in Westport, Connecticut. This etching has an image size of 8 3/8X14 inches. It was created and printed in 1928 in an edition of 90. Eby left a skim coat of ink to create tone in the sky. This etching is pencil signed lower right with the "imp" after his name meaning that he printed this impression himself. This was the first depiction that he did of this subject. He later in 1931 created Driftway, Moonlight,1933, Driftway, Evening and Days End, Driftway in 1939. This image appears in the Giardina catalog as image number 132.
This is an original lithograph by American artist Edwin Kaufman. The title is "Ohtoberfest,Munchen", created circa 1930, this lithograph has an image size of 7 3/4X9 1/4 inches. It is signed, titled and editioned 11/16 in pencil in the lower border. Printed on a thick wove type paper.
This is an original etching by American artist Louis Rosenberg. It is titled: "Medical Arts and Builders Exchange Buildings, November 1929" The image measures 7 3/4X11 1/4 inches. It is hand signed in pencil lower right border: "Louis C. Rosenberg was commissioned by the Van Sweringen brothers to produce etchings of the construction of the Cleveland Union Terminal, including sites, demolitions, and buildings"
This is an original lithograph by American artist Henry E. Winzenreid (1892-1971) The title of this work is "Clouds Over Lake", circa 1940, this lithograph has an image size of 10X12 3/4 inches. It is hand signed, titled and editioned in pencil in the lower border. This impression is 10/40. Printed on a medium weight wove type paper, very fine condition.
This is an original drypoint etching by British artist Edmund Detmold (1883-1957) This image titled : "Peacocks", the large plate was created and printed c. 1925. The image measures 12 5/8X 161/8 inches. It is pencil signed lower right border, printed on a thin Japan like paper. A very rich impression with good drypoint burr. "Peacocks are a recurring subject throughout E.J. Detmold’s work, the complexity of patterns offered by their elaborate plumage holding a natural appeal for this brilliant bird painter. This particular drypoint plate of Peacocks is the largest original print of these birds ever made by the artist and is the only version to be worked in drypoint, rather than etching or line engraving", (Campbell)
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