Featured Artwork

This is a fine original etching by American artist John Taylor Arms.  This etching is titled The Red Mill, also called The Red Barn, Southport.  The image measures 11 1/8X7 1/4 inches.  This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25.  Beautiful tonal range and fine composition with extensive reflections in the water.  This etching was later printed with some color in the barn and sky.  Nicely framed with French matting.

This is an original drypoint etching by French artist Jacques Villon.  The title is: La Dame au chine.  It was created and printed in 1906, this is the 2nd state of 2.  The image measures 9 1/2X8 1/2 inches.  Catalog entry Ginestet-Pouillon E156.  This drypoint is nicely framed.  Hand signed in pencil lower border, one small foxing spot in the lower border.

This is a fine atmospheric etching by American artist Joseph Pennell.  The subject is: Caissons on Vesey Street, N.Y.  This image was created and printed in 1924, in an edition of 75, pencil signed, also with a collectors name at the upper edge of the sheet.  Printed on an antique laid type paper. The image measures 13 3/4X9 1/8 inches.  THis subject was the construction of the New York Telephone building, The Barclay Vesey building.  The image is in the Wuerth catalog as image number 854.

This is an original pencil signed lithograph by American artist Joseph Pennell. He traveled down to Panama in 1912 to record the building of the Canal.  He created a series of lithographic images from that trip. This image is titled: The Cut From Culebra.  It was created and printed in 1912 in an edition of 100.  The image measures 22 1/2X17 inches on a sheet size of 25 1/2X20 1/2 inches.  Printed on a Fabiano watermarked laid type paper.

This is an original pencil signed lithograph by American artist Joseph Pennell.  This image is one of his Panama Canal Series that he created in 1912.  The image is titled: The Walls of Miraflores Lock, 1912.  The image measures 18 1/2X24 3/4 inches, on a Fabiano watermarked laid type paper which measures 20 1/2X25 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  One of a series that he created at the Panama Canal construction in 1912.  The image measures 16 3/4X22 inches.  The title is : Early Morning, Miraflores, Panama.  Printed on a Fabiano watermarked laid type sheet which measures 20 1/2X25 1/2 inches.  

This is an original pencil signed lithograph by American artist Joseph Pennell, as part of his Panama Canal Series, this image is titled: Official Ancon-Administration Buildings, created and printed in 1912.  The inmage measures 22X 16 1/2 inches, on a Fabiano watermarked laid type paper which has a sheet size of 25 1/2X20 1/2 inches.

This is an original lithograph, pencil signed by American artist Joseph Pennell.  This work as part of his Panama canal series that he created in 1912.  This image is titled The Cut at Paradiso.  Printed on a Fabiano laid type paper, the image measures 17X20 1/2 inches. on a sheet size of 20X25 1/2 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  This image from his Panama Canal series is titled ; The Cut looking toward Ancon Hill.  This lithograph was created and printed in 1912.  The image measures 16 7/8X22 1/8 inches on a Fabiano watermarked laid type sheet which measures overall 20 1/2X25 inches.

This is an original pencil signed lithograph by American artist Joseph Pennell.  It is from his Panama Canal series, the title of this image is: In the Cut at Las Cascadas, Panama Canal.  It was created and printed in 1912.  The image measures 17 1/2X 22 1/2 inches on a sheet of Fabiano laid type paper which measures 20 1/2X25 1/2 inches.

This is a scarce etching by American artist Joseph Pennell.  The title is Madison Avenue Fraternity House.  It was created and printed in 1923 in an edition of only 30.  The image measures 12 1/4X9 1/4 inches printed on an antique laid type paper.  The etching appears in the Wuerth catalog as image number 818...

This is a fine birds eye view of New York City in 1908.  The title is: The West Street Building from the Singer Building,   It was created and printed in 1908.  The image is pencil signed and titled in the artists hand in the lower border.  The image measures 11X8 3/8 inches.  The image appears in the Wuerth catalog as image number 491.

This is an original hand signed wood block print by Jamaican artist Albert Huie.  The title of this work is Road Mending, created and printed circa mid 1940's.  The image is signed and titled lower border, the image measures 7 3/4X5 7/8 inches, Good condition. 

Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.” 

This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom.  The title is: The Crucifixion, created  and printed circa . 1929, it is numbered as 4/30.  The image measures 9 1/2X7 1/4 inches.  Printed on a thin japan type sheet.  Groom was a well known artist and illustrator one of  the Suffolk artists.  She was also a founding member of the English Wood Engraving Society starting in 1926.  Mary studied wood engraving at Leon Underwood's Art School, along with Underwood himself and with fellow-students such as Blair Hughes-Stanton, Gertrude Hermes  and Agnes Miller Parker 

This is an original engraving by French artist Philippe Mohlitz.  This image is titled: The Abyss.  It was created and printed in 1967.  Pencil signed lower right and numbered as 28/50 lower left.  The image measures 8 1/4X7 1/8 inches.  Printed on a heavy weight laid type sheet.  Mohlitz uses the refined technique of Original engraving, in the traditional manner.  Born in Bordeaux in 1941 Mohlitz studied the techniques of engraving at the studio of Rene Delpech in Paris in the mid 1960's.