This is a fine original etching by American regionalist artist Jackson Lee Nesbitt. The title is: Evening in March, pencil signed and titled, created and printed in 1942. The image measures 11 7/8X8 7/8 inches. Very fine condition, a rich impression printed on a medium weight wove type sheet.
This is a fine impression of early New York City, created in 1929 by American artist William NcNaulty, the title is The Woolworth Building. Hand signed in pencil and inscribed as a gift to "Louise and Virgene... De Rochemont 12/33. W.M.N." This etching measures 13 1/4X8 7/8 inches. A very rich impression done in an ediition of 75. One of his finest compostions.
Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.
This is a fine example of the excellent portraiture by British artist Gerald Brockhurst. THis portrait created and printed in 1944 is of Mary Mellon, the wife of well known founder of Washington's National Gallery of Art Paul Mellon. The image measures 10X8 inches, and is hand signed and dated in pencil lower right border. Printed on a medium weight wove type sheet. A beautiful rich impression, Brockhurst at his best... Reference, Fletcher 81, printed in an edition of 75.
This is a fine original etching by French artist and print maker Louis Auguste Lepere. The subject is Amiens Cathedral, created and printed in 1907. The pencil signed impression measures 13 11/16X9 5/8 inches. Printed on a medium weight laid type sheet. Very fine condition. This image appears in the Saunier catalog as image number 344. Printed in an edition of 150.
This is an original color aquatint and etching by French artist Manuel Robbe. The title is Place Pigalle, it was created and printed in 1925 in an edition of 200 published by L'Estampe Moderne. The image measures 11 1/4X15 3/8 inches. Hand signed in pencil lower right border. Place Pigalle is in the 9th arrondissement of Paris, in Montmartre.
This is an original pencil signed etching by American artist Otto Kuhler. The image is titled: Steamboat Wharf, created and printed in 1925. The image measures 8X10 3/4 inches. "Although best known for his industrial designs, Otto Kuhler (1894-1977) is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's." (Philadelphia Print Shop)
This is an early scene of New York City from the river by American artist John Taylor Arms. The title is New York Skyline, and also called The Sketch of New York Skyline. This image was created and printed in 1921 in an edition of 75. This pencil signed impression measures 7X5 inches. It appears in the Fletcher catalog as image number 103. Printed on a buff toned watermarked laid type paper.
This is a fine line engraving by British artist Stanley Anderson. The title is The Old Tinker. This pencil signed impression measures 7 X5 1/2 inches, created and printed in 1933. This image appears in the Anderson Catalog as image number 208. The tinker is depicted soldering a patch to a leaking kettle while his wife is about to renew the cane seat of an old chair. Anderson often returned to the subject of the wanderer, of itinerants such as wayfarers pedlars and gypsies making their way through town. This engraving is in a modern frame with archival materials.
This is an original pencil signed etching by American artist Peggy Bacon, the title is: Promenade Deck, created and printed in 1920 in an edition of 500, published by The New Republic as a presentation print of their portfolio of 6 etchings. The image measures 5 7/8X8 1/4 inches. Flint 47.
This is an artists proof etching by American artist John Taylor Arms. The title is Limoges, part of his French Church Series created and printed in 1932. This etching is hand signed in pencil with an image size of 10 1/16X13 5/8. This image is inscribed lower right: "Beautiful impression, pulled by D.S. and J.T.A." Inscribed also as artist proof number III. Printed on a J. Whatman watermarked laid type paper. A beautiful impression.
This is an original pencil signed etching by German expressionist Lovis Corinth. The title is Salome, created and printed in 1919, this impression is numbered 28/150. The image measures 7 5/8X9 7/8 inches. Printed on a medium weight wove type sheet, with a Collectors stamp William P. Moor on the back of the sheet.
Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.
This is an original soft ground etching and aquatint by Austrian artist Tavik F. Simon. The scene is: The Kiosks on the Grand Boulevards, in Paris. This etching was created and printed in 1926 in an edition of 200, published by G. Petit, Paris. The image appears in the Novak catalog as image number N.123. The image measures 13 3/4X16 3/4 inches. This etching is in the early frame with french matting. Pencil signed lower right and numbered 6 of the edition.
This is an original etching and aquatint by French modernist Georges Rouault. The title is: Incantation from Le Reincarnations du Pere Ubu, This was the frontispiece The first etching from the series Le Reincarnations du Pere Ubu, created and printed in 1928. This is a rare hand signed impression. An edition of 225. The image measures 11 3/4X7 3/4 inches. Printed on a medium wight wove type paper.
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