C. 1932. Initialed and dated on stone in the lower right, pencil signed in the lower right. Edition of 55. Catalog: Barker 122. Plate measures 8 3/4 x 7 1/2 on 14 x 11 1/2 inch watermarked wove type paper. The dark outline of the barn, with its modernistic texture and shadows, contrasts with the luminous winter sky. One of Barker's best prints.
Drypoint, 1959, first prize graphic arts, Salamagundi Club award,
image size: 10 3/4 X 13 3/4" inches, pencil signed
This a drypoint etching C. 1920. Plate measures 9 7/8 x 8 inches on 15 1/4 x 11 1/8 inch wove paper. Pencil signed in the lower right. A dynamic and joyful print with good use of plate toning. Warren Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures, many of which were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club. This image is a great example of Davis' use of delicate lines and simple compositions to elegantly capture the beauty of the female figure.
This is an original etching by American artist Marguerite Kirmse. The title is: The Debutante, it was created and printed Circa 1930. Hand signed and titled in pencil, very nice condition the image measures 5 3/4X9 3/4 inches. Nicely framed with archival materials.
This is a drypoint etching from November 1929. Edition of 100. Catalog: BPL 88. Pencil signed in the lower right, pencil numbered 59 out of 100 in the lower left. Plate measures 13 1/2 x 8 1/4 inches on 16 x 11 inch Rives watermarked wove paper. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.
Drypoint etching, image size 6 1/2 x 11 inches, 1931, edition 75/100, cat. Chamberlain and Kingsland-107, pencil signed, numbered and titled. This scene of Bellefontaine, Ile-de-France, exhibits Chamberlain's ability to create subtle gradations in plate tone.
Lithograph, image size 9 1/2 x 13 inches, 1928, pencil signed l.r. "Pop Hart".
This beautiful etching by Luigi Lucioni measures 6 5/8 x 9 inches and is pencil signed, edition of 163, 1939, AAA label included, cat: Embury #46. Lucioni was known for his remarkably detailed etchings of the New England landscape that he could bring to life and gained worldwide attention as one of the great Regionalist artists.
Lithograph, image size 9 3/4 x 13 1/8 inches, c. 1930s, edition of 40, pencil signed.
A wood engraving from 1940. Numbered 8 out an edition of 12. Pencil signed and dated in the lower right. Pencil titled and editioned in the lower left. Plate measures 8 x 10 inches on 10 1/2 x 12 inch thin laid paper.
Etching from June 1931. Edition of 100, with 5 working proofs. Pencil editioned in the lower left, signed in the lower right. Image measures 5 3/4 x 8 1/4 inches in a 12 3/4 x 15 1/2 inch gold frame. An incredibly detailed scene with plate toning and a rich drypoint burr.
Etching,1929,Edition of 100,image size:9 1/2X11 1/4 inches,Bpl 153,pencil signed
Lithograph, image size 12 5/8 x 9 3/8 inches, pencil signed
This is an original etching by American artist Joseph Pennell. The title of this work is: "Royal Windsor". It was created and printed in 1903 in an edition of 35. The image measures 6X11 inches, printed on a thin laid type paper, some finger prints from the printing in the borders and on the back of the sheet. Pencil signed in the lower border. This image appears in the Wuerth catalog as image number 279.
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