This is an original pencil signed wood engraving by British artist and illustrator John Nash. The title is Marrow and other Autumn Fruit and Flowers, created and printed in 1935. This image created for the H.E. Bates book, Flowers and Faces has an image size of 7X5 inches. Printed on a soft wove type sheet. The sheet size is: 10X8 inches. Nash was a member of the Society of Wood Engravers in Britian.
This is a very richly inked original etching, image size 8 5/8 x 11 1/8 inches, 1939, published by the Print Club, Cleveland, Ohio, plate signed and dated, pencil signed. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.
Etching, image size 8 1/2 x 12 1/2 inches, 1931, pencil signed. Chahine studied at the Academia Di Belle Arti in Venice and then at the Academy Julien in Paris. He was a very well respected artist in his time, winning many awards and honors for his work. However his prints and paintings are hard to find, many of them were destroyed in a fire at his studio in 1926 or in a later flood in 1942.
This drypoint etching of the English landscape painter, Charles March Gere, c. 1927, measures 12 x 10 1/4 inches and is pencil signed on the lower right margin. Francis Dodd was born in Wales and trained at the Glasgow School of Art winning the Haldane Scholarship in 1893 enabling him to travel and study in France, Italy and Spain. During WWI he became a portrait war artist producing more than 30 portraits of senior officers. After the war he gained considerable notoriety for his watercolors as well as his printmaking.
Etching, image size 10 x 6 inches, 1911, edition of 25, Hardie 77, pencil signed with blindstamp.
Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.
This lovely atmospheric image by William Wyllie measures 4 7/8 x 12 7/8 inches, pencil signed on the l.l. and created c. 1920. This is a view of Greenich from the Isle of Dogs with a view of the Royal Navel Academy on the left with the domes of the Royal Observatory high in the background. Wyllie was a well known marine painter and printmaker, studying at the Heatherley School of Fine Art and then at the at the Royal Academy. At the age of 18, Wyllie won the Turner Gold Medal for his painting "Dawn After A Storm". He went on to have a long artistic career, specializing in paintings and etchings of the sea and the city of London. In this etching, Wyllie uses remarkably delicate lines and subtle tones to create an atmospheric image in this busy harbor scene.
Etching and drypoint from 1922. Pencil signed in the lower right. One of a series of five etchings from his series "The Arteries of Great Britain." Published by Dickins in 1922, in an edition of 425. Catalog: Dickins 73. Image measures 5 1/2 x 7 1/2 inches on 9 1/2 x 12 1/4 inch wove type paper. The scene is of the open Swing Bridge, from a vantage point of the High Level Bridge, Newcastle upon Tyne. An atmospheric print with selectively wiped plate tone. Walcot was born in Russia, the son of a British father and Russian mother.
This is a finely detailed line engraving by British artist Robert Sargen Austin. The title is: "The Pack Bridge, Aylestone, Leicestershire". The image measures 4 13/16X4 7/16 inches. It was created and printed in 1926 and appears in the Dodgson catalog as image number 65. It was printed in an edition of 60.
This is an original etching by French artist Auguste Lepere. The title of this work is: "Quartiers de pecheurs", it was created and printed in 1915. This etching is pencil signed and has the edition number of: 38/50. The image measures 7 1/4X7 3/4 inches. Printed on a thin laid type paper.
This is an original drypoint etching by British artist Stanley Anderson. The title is: Quai Duperre, La Rochelle, This etching was created and printed in 1928 in an edition of 85. The image measures 8 1/4X13 1/4 inches. Printed on an old laid type paper. Hand signed in pencil lower border. This image appears in the R.A.A. catalog as image number 183.
This is a drypoint etching by French artist Louis Legrand. The title is : English Bar, from his Album Les Bars, published by Pellet in Paris in 1909. This impression is from the first state of three with the Remarque of a Woman in Profile. The image measures 9 3/4X5 5/8 inches. Hand signed in pencil, printed on a Japon type paper. Numbered as 1/30.
This is an original engraving by French artist Jean-Emile Laboureur (1877-1943) The title is: La Promenade Sur Le Port, it was created and printed 1933 and was used as the presentation print for the Print Club of Cleveland. In an edition of 235. This engraving is hand signed in pencil lower left border, printed on a medium weight wove type paper.
This is a fine original etching by French artist Auguste Brouet (1872-1941) The title is: Un rassemblement en Camargue, it was created and printed in 1925. This image is numbered as 44/75 ..The image measures 8X12 1/4 inches. the Cercle de la Librairie drystamp. in the lower right border. Hand signed and numbered in pencil. Fine condition with elaborate remarque in the lower border. Boutitie 320, IFF 36.1, BPL 13, Universität Osnabrück, EH 4.
This is a fine original etching by British printmaker Ernest Lumsden. The title is: Mosque and Temple, created and printed in 1914 as plate no. 2 from His Indian Series. This etching is hand signed in pencil with the "imp" after his name meaning that he printed this impression himself. It is also inscribed as: "4th trial state no. 2" lower left border. It appears in the Lumsden catalog as image number 167. The image measures 8X9 7/8 inches. Printed on a medium weight wove type sheet.
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