Etching, image size 8 1/2 x 7 inches, subsequent to Hardie, artist's blindstamp, pencil signed.
"Brixham Trawlers" by Arthur Briscoe measures 5 3/8 x 13 7/8 inches, published in 1929 in an edition of 75. Printed in sepia toned ink on Whatman laid paper, it is ink signed and numbered and also plate signed, dated and titled. Briscoe is known as the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris. His name became internationally renowned when his works sold to the New York market.
This 14 3/8 x 11 5/8 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Arthur Ackerman & Son Inc., New York.
Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination. Her unique style uses fine drypoint lines and delicate, yet vibrant colors to create images that that have a serene, almost dreamlike quality. She was a member of the Society of Graver-Printers in Colour and the Royal Institute of Painters in Water Colours and showed her work in many exhibitions including at the Royal Academy, Royal Institute of Painters in Water Colours, Royal Scottish Academy, Walker Art Gallery, Liverpool, and the Paris Salon.
Pencil signed and titled etching by the Austrian Expressionist Wachelmayr. Image size is 7 3/4 x 9 3/4 inches on 10 3/4 x 12 3/4 inches wove-type paper. Circa 1917.
This is an atmospheric original etching by British Marine artist and Lieutenant-Commander of the Royal Navy, Rowland Langmaid. Etching with drypoint, image size 5 5/8 x 8 inches, c. 1930, pencil signed and titled. A beautiful image of the silhouette of Big Ben rising above the busy Thames River.
Etching, image size 7 7/8 x 10 inches, pencil signed l.l. This work is also know as "Boulevard de la Villette"
Etching, image size 8 3/4 x 7 1/4 inches, 1923, subsequent to Hardie, edition of 100, pencil signed, artist blindstamp. We have two impressions of this print in our inventory.
A fine detailed etching by British printmaker, William Lionel Wyllie. Created c. 1915, it measures 6 1/2 x 14 3/4 inches and is pencil signed on the l.l. This is a great image of yacht racing in the Solent, where Cowes Week is an annual sailing event. Wyllie was a well known marine painter and printmaker, studying at the Heatherley School of Fine Art and then at the at the Royal Academy. At the age of 18, Wyllie won the Turner Gold Medal for his painting "Dawn After A Storm". He went on to have a long artistic career, specializing in paintings and etchings of the sea and the city of London.
A vibrant scene of a bustling Prague street, this etching and aquatint in colors measures 13 3/4 x 16 1/4 inches, published in 1910 in an edition of 200, cat: Novak-124, pencil signed with the artist's stamp in red ink in the lower margin. T. F. Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts. Simon was an exceptional painter and printmaker, and is best known for his atmospheric color etchings and aquatints.
Drypoint etching, image size 8 3/4 x 4 15/16 inches, 1913-14, edition of 50, Hardie 122, blind stamp, pencil signed.
A beautiful hand colored etching by the British artist, Elyse Ashe Lord. It measures 12 x 16 inches, pencil signed, numbered and framed. Elyse Lord was known for her Asian inspired images using fine drypoint lines and delicate, yet vibrant colors to create images that have a serene, almost dreamlike quality. She was a member of the Society of Graver-Printers in Colour and the Royal Institute of Painters in Water Colours and showed her work in many exhibitions including at the Royal Academy, Royal Institute of Painters in Water Colours, Royal Scottish Academy, Walker Art Gallery, Liverpool, and the Paris Salon.
Etching printed on May 6th, 1908. 2nd state. Pencil signed and pellet stamped. Plate signed and dated. Large remarque of a beetle in the right corner. Image measures 11 1/8 x 5 1/2 inches. Catalog reference: Arwas 353.
Print 61 in an edition of 75. Signed in the lower left, editioned in the lower right. Plate initialed and dated "1926" in the lower right. Second state. Catalog: Laboureur 323. The image depicts the cliffs along the coast of Penestin, France. Plate measures 9 1/2 x 6 1/4 inches on 15 x 9 5/8 inch watermarked wove type paper. Collector's stamp on back. This print has very fine engraved lines and a very whimsical style. Laboureur studied at the Academie Julian under Auguste Lepere before traveling extensively throughout Germany, Italy and Greece. He returned to Paris in 1910, just when Cubism was being explored, and fully embraced it, incorporating it into his distinct style. He founded the Société des Peintres-Graveurs Indépendants in 1923 and its members included Braque, Dufy, Vlamnick, Laurencin and Segonzac.
C. 1926. Edition of 50. Catalog: Dodgson 66. Pencil signed and dated in the lower right. Plate initialed near the bottom. Plate measures 5 1/2 x 5 3/4 inches on 8 1/2 x 11 inch watermarked laid type paper. A charming print with a unique perspective and very fine detail.
Copyright 2016· All rights reserved