Prints

This is an original etching by British artist Edmund Blampied.   The title is: "The Vraic Season (No 1)" , it was created and printed in 1936 in an edition of 125 for the American College Society of Print Collectors.  The image measures 12X14 1/4 inches.  Very fine condition, hand signed in ink.  Vraic is seaweed that was harvested on the Channel Islands and used for potato fields.  The usual method was gathering it up with horse drawn carts.  A rich impression.

This is an original pencil signed etching of New York City by American artist Joseph Pennell.  The title is: Trinity Church from the River, 1904.  The image measures 11 3/4X8 3/8 inches.  Printed in an edition of 25.  This image appears in the Kennedy Catalog as image number 324...  This etching was last sold by Kennedy Galleries in New York in 1920.  This image is the 2nd state with some changes mostly in the dramatic sky.

This soft ground etching and aquatint was created by Austrian artist Tavik F. Simon.  It is titled: Les Halles Et L' Eglise Saint Eustache, Paris.  A fine view of Notre Dame and the street life of Paris.  This etching was created and printed in 1926 and is described as an artist Proof in the Novak Catalog, numbered as: 1926AP3.  The image measures 13 1/4X15 inches.  Pencil signed lower right and has an edition number of 16. In an early Frame with French matting.

This is a fine engraving with drypoint by French artist Philippe Mohlitz.  This image is titled: C'est arrive a la antiquaire, created and printed in 1972.  The image measures 9 1/4X6 3/4 inches.  Hand signed in pencil and numbered 14/60.  A fine impression in nice condition, nicely framed.  Kersten 44.

This is a fine original lithograph by American artist Stow Wengenroth.  It is titled: Little One, Rockport, Massachusetts, created and printed in 1975 in an edition of 100.  The plate measures 9 5/16X13 9/16 inches.  Hand signed and editioned in pencil lower border.  This image appears in the Stuckey catalog as image number 359.  Finely detailed, one of his series of Owls that Wengenroth created through out his life time.

This is an original lithograph by American artist Stow Wengenroth.  The title is: Inlet Light, created and printed in 1938 in an edition of 181 impressions.  This one is hand signed in pencil, printed on a medium weight wove type sheet with "GOM" watermark.  The image measures 8 1/8X12 11/16 inches.  The image appears in the Stuckey catalog as image number 75.  A fine view of the Maine coast.

This is a fine etching with aquatint by French artist Louis Legrand,  The subject is: Profils Parisiennes (Two Parisian Women)  created and printed in 1890.  This impression is hand signed, titled and dedicated in Sepia Ink lower right.  The image measures 19 3/4X12 3/4 inches.  Some light toning in the borders, the border on the left is trimmed 1/4 inches outside the platemark.

This is an original drypoint etching by British artist Edmund Blampied.  The title is Road to  the Farm.  It was created and printed in an edition of 100 in 1929.  The image measures 10 1/4X8 1/8 inches.  Hand  signed by the artist in pen and ink lower border.  Numbered as 98/100.  This image was reproduced for the book Fine Prints of the Year, 1929 edition… Catalog: Appleby 149.  A fine atmospheric impression, nicely framed with archival materials.

This is an original etching and aquatint by French artist Georges Rouault. From his Miserere series.  Plate 30: "Nous . . . c'est en sa mort que nous avons été baptisés" / ["Know ye not, that] so many of us [as were batised into Jesus Christ] were baptised into his death?" [John 13: 34] (C & R 83e). Original aquatint, drypoint, burnisher, and roulette. 450 impressions signed bottom left (the date of this print is not visible and there are no pencil-signed proofs) for the Miserere, one of the greatest print cycles of all time. Here we are shown St John the Baptist baptising Jesus while the Holy Spirit in the form of a dove hovers above, confirming the words of St John in plate 28. Image size: 21 1/2X 16 1/2 inches.

This is an original etching and aquatint by French artist Georges Rouault, take from his Miserere Series.   Plate 56: En ces temps noirs de jactance et d'incroyance, Notre Dame de la Fin des Terres Vigilante / In these dark times of vainglory and unbelief, Our Lady of the Ends of the Earth keeps watch (C&R. 109c). Original aquatint, drypoint, burnisher, roulette, scraper, 1927. 450 impressions for the Miserere, Rouault's masterpiece and one of the most important series of the twentieth century. Signed in the plate and dated 1927 at lower center left (there are no pencil-signed proofs). A beautiful impression of this climactic image. Image size: 23X17 inches.

This is a fine highly detailed etching by British artist Stanley Badmin, created and printed in 1929 this image is titled: The Old Ash.  The image measures 5 1/2X4 inches, pencil signed and numbered: 4/40.  Printed on a Buff toned wove type sheet.  "Badmin's interest in  the stark shapes of leafless trees silhouetted against the skyline  is a subject that he frequently pursued.This image shows an old Ash tree near Balcombe, in Sussex.  This image appears in the Beetles catalog as number 12.

This is an original etching and aquatint by American artist Kerr Eby.  The title is Driftway Evening, created and printed in 1933 in an edition of 100.  The image measures 8 1/4X15 3/8 inches.  Hand signed in pencil with his "imp" meaning he printed this impression himself.  This image is of the artist's home in Westport Connecticut which he named Driftway.  This image appears in the Giardina catalog as image number 175.  Printed on a medium weight wove type sheet a very rich impression.

This is a fine drypoint etching by British artist William Walcot.  This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio.  This etching is hand signed in pencil in the lower border.  The image measures 8 1/4X9 3/4 inches.  Nicely Framed with archival materials.

This is a fine drypoint etching on copper by American artist Frank Benson.  It is titled: Over Currituck Marshes, created and printed in 1926 in an edition of 150.  The image measures 7X11 7/8 inches.  Hand signed in pencil.  This image appears in the Ordeman catalog as image number 259.  Printed on Whatman Paper.

This is an original etching by American artist Frank Benson.  The image titled: After Sunset  was created and printed in 1917 in an edition of 152.  The image measures 6X8 inches, fine condition, printed on Shogun paper.  This image appears in the Ordeman catalog as image number 113.