Prints

This is a fine original etching by American artist John Taylor Arms.  This etching is titled The Red Mill, also called The Red Barn, Southport.  The image measures 11 1/8X7 1/4 inches.  This pencil signed impression done in etching and aquatint was published in 1922 in a first edition of 25.  Beautiful tonal range and fine composition with extensive reflections in the water.  This etching was later printed with some color in the barn and sky.  Nicely framed with French matting.

Engraving after Franz Hals, image size 15 x 9 1/2 in

Etching/drypoint, image size 8x6 inches, 1919, Hardie 165, edition of 100, pencil signed with artists blind stamp.
Lee-Hankey was a very gifted drypoint artist known for his portrait studies of the local folk of Brittany.

Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.

This is a fine original lithograph by American artist Gifford Beal.  The title is: Tight-Rope Performer/Aerial  Acrobat, created and printed circa 1930.  The image measures 13 1/4X10 5/8 inches.  This lithograph is pencil signed, inscribed 100 imp.  One of his series of Circus images that Beal created when the circus came to New York City.  This lithograph came to us from the Beal family.

Engraving, image size 4 15/16 x 7 11/16 inches, framed.

Engraving, image size 6 7/8 x 5 5/8 in, plate signed, framed.

This is an original etching with drypoint and aquatint by French artist Felix Buhot.  The title is Le Retour des Artistes, The Return of the Artists, created and printed in 1877, This is the 4th state of 4 published by Cadart in Paris.  The image measures 8 1/8X12 1/2 inches.  Signed, titled and dated in the plate lower left.  Cataloged as Bourcard-Goodfriend 125.  Printed on a medium weight laid type sheet with "C.F." watermark.

This is a fine drypoint etching by Scottish artist James McBey.  This scene from his Venice series is titled: Bridge at Night, it was created and printed in 1925.  This image is hand signed in sepia ink and numbered as XL.of an edition of 60 impressions.    The image measures 9 3/8X5 15/16 inches.  Printed on a laid type sheet, blue hued paper.  Catalog number Hardee 232.

This is an original lithograph by American artist from the Ash Can school of painters, Raphael Soyer.  This image created and printed in 1943 is hand signed and titled: "Farewell"  It is a large image measuring  16X12 1/4 inches. The image appears in the Cole catalog as image number 61.  Printed in an edition of 100.  Very good condition apart from some spots of thinning to the sheet in the outside border area well away from the image.

1983, 18 1/2 x 28", pencil signed lower right

This is a fine original etching, pencil signed by British artist Gerald Brockhurst.  The title is: Caspar, created and printed in 1933 in an edition of 91.  The image measures 7 1/2X6 inches.  Catalog Raisonne: Fletcher 76 iv/IV.  Casper, also called Casper, Son of 'Chenil'

This is a scarce etching by American artist Joseph Pennell.  The title is Madison Avenue Fraternity House.  It was created and printed in 1923 in an edition of only 30.  The image measures 12 1/4X9 1/4 inches printed on an antique laid type paper.  The etching appears in the Wuerth catalog as image number 818...

Etching and aquatint, image size 9 3/8 x 6 1/4 inches, Bliss 83, pencil signed, l.r "A. Legros", laid watermark paper, collectors stamp.

This is an original hand signed wood block print by Jamaican artist Albert Huie.  The title of this work is Road Mending, created and printed circa mid 1940's.  The image is signed and titled lower border, the image measures 7 3/4X5 7/8 inches, Good condition. 

Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.”