Prints

This engraving and aquatint by Jean Emile Laboureur measures 5 x 5 7/8 inches and is pencil signed and numbered. Created in 1925, L-292.

Engraving after Annibal Caracci; Thies: See Hecquet, 17; Brandes, 1p.57; 1st state, with the inscription on a stone in the landscape[l.l.] "AnnibalCarratius pinxit. F. Poilly Scuypsit cum Pr.Re. A Paris, Rue St. Jacques a l'image St. Benoist"

Lithograph, image size 12 3/4 x 19 3/4 inches. Signed, titled and inscribed "To Edna-with Love, Renee & Chaim Gross 72" l.r., numbered "9/10" l.l. One of the first generations of direct carvers, Gross came to the US in 1921 and worked for the WPA in the late 1930's. He was an illustrator, sculptor and instructor teaching at the Education Alliance School in NYC.

Engraving after H. Pothoven, 1750, image size 13 5/8 x 8 5/8 inches

This is a fine pencil signed and titled etching by American artist Marguerite Kirmse.  The title is: Idle Hours, created and printed in 1926.  The image measures 7 1/8X5 1/4 inches.  Very fine condition, printed on a medium weight wove type sheet.

This is an original drypoint etching by German artist Ernest Oppler.  The subject is: Along the Riva degli Schiavoni, Venice,  created and printed C.1920.  This impression is hand signed in pencil and numbered 42/100.  The image measures 6 1/4X9 1/4 inches.  Printed on a medium weight laid type sheet.

This is a fine original etching by German artist Ferdinand Schmutzer.  The title is: Die Unterhaltung (The Conversation) it was created and printed in 1897.  Hand signed in pencil lower border and also signed and dated within the plate.  The image measures 9 1/4X7 5/8 inches.  This etching is in an early frame.

Engraving after L. Lagrenee, image size: 10 3/4 x 9 1/4 inches, sheet size: 12 1/2 x 10 inches, Fogg Museum provenance, J W Randall collection #7061

A great original etching by Leonard Baskin, from his 'Portraits of 10 Artists' series. Plate size 14 1/2 x 17 5/8 inches, published in 1964 in an edition of 50 by Herman D. Schickman, Delphic Arts, New York, cat: Fern & O'Sullivan- 473, pencil signed, titled, and numbered "31/50".

Engraving, after the painting by Salvatore Rosa in the Imperial Gallery St. Petersburg; 1st state, pub. Nov.24,1767 No. 41,Boydel, London for the Houghton Gallery; plate size 20 1/4 x 14 7/8 inches; image size 18 1/4 x 14 1/16 inches;

Etching from 1910. Catalog: Forster 30. Plate measures 12 1/4 x 8 3/4 inches on 15 x 11 inch laid type paper. Pencil signed in the lower right. This scene in London of the Immaculate Heart of Mary Church, otherwise known as the Brompton Oratory. The domed building in the background is the Royal College of Arts, where Anderson was studying at the time. Edition of 58. A finely detailed and well inked print with a rich drypoint burr.

This series of thirteen townscapes are images of shipping ports, market places, hotels, busy neighborhoods, historical buildings, castles, and cathedrals all surrounded by the element of water. They show the interplay and the importance of the waterways to the towns and their dependance on each other. Individual prints are titled in Dutch at the top center and were done c. 1660-1690.

Etching, image sizes 7 x 5 1/8 inches, 1920, eight original etchings in a portfolio, 12/500, edition in pencil l.l.

Etching, drypoint, image size 6 7/8 x 8 7/8 inches, edition of 100, pencil signed l.r. "Max Kuehne".

Etching, image size 5 3/8 x 6 3/4 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.