This is an original pencil signed etching by French artist Jacques Villon. The title of this work is: "Maternite", it was created and printed in 1952, it is editioned as 15/75. The image measures 11X7 1/2 inches.
Framed, in very fine condition.
This is an original hand colored lithograph by American artist Don Freeman. The title is: "To see the mayor". This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist. This image is pencil signed, the image measures 12 1/8X9 inches. According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally. Freeman drew a group of constituents making appointments with the mayor's secretary" This lithograph is framed.
This is a striking original etching by British artist Gerald Brockhurst. The image size is 4 7/8 x 5 3/4 inches, published in 1928 in an edition of 111, pencil signed, framed, with a label from the Vincent Price Collection. Although Brockhurst is known for his remarkable portraits, this is one of his finest, most sought after etchings. Born in England and found to be artistically talented at an early age, Gerald Brockhurst was enrolled in the Royal Academy Schools. A scholarship enabled him to study in France and Italy where the work of the great masters, especially Botticelli and da Vinci, had a lasting influenced on him. He became well known for his classically styled portraits etched with a remarkable sense of detail and texture. Framed
A great sporting etching by American artist and member of 'The Ten', Frank W Benson. Image size 13 7/8 x 11 3/4 inches, 1928, edition of 150, cat: Ordeman-278, printed on Whatman paper, pencil signed. Frank Benson was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds. His etchings were in high demand from the very start, and have remained favorites for collectors ever since.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original hand colored lithograph by American artist Don Freeman. The title is: "Astor Lobby, Show Time" or "Under the Astor Clock". This lithograph was created and printed in 1932 in an edition of 30, far less were hand colored by the artist. The image measures 8 7/8X11 1/8 inches. Hand signed and titled in pencil in the lower border. Framed.
This is one of the most impressive etchings by American artist Stephen Parrish. It is titled: "A GLOUCESTER WHARF", it was created and printed in 1886. It was one of three plates that Parrish did exclusively in dry point. The image is quite large, measuring 17 7/8X11 7/8 inches, printed on a medium weight wove type hard paper, A beautiful impression with extensive use of plate tone in the sky and sea. Printed with brown ink, fine condition. The Oil,Sounds & Livers advertised on the building are important fisheries products. Sounds are fish air bladders ground up for use in making isinglass. Parrish made very few etchings in a vertical format. (rona schneider)
Etching, image size 13 1/4 x 24 3/4 inches, 1882, cat. Platt 40, pencil signed
Drypoint from 1930. Catalog: Appleby 144. Featured in Fine Prints of the Year in 1931. Plate signed on the bottom edge: "Blampied Jan. 1931". Signed in ink in the lower right, editioned in the lower left. Numbered 39 in an edition of 100. Plate measures 10 1/4 x 10 1/4 inches. This print is expressive in both line and content.
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
This 1875 etching by Johan Barthold Jongkind measures 5 3/4 x 8 3/4 inches, plate signed and dated, IV/VI, J-19. Title, publisher and artist printed below image. Framed.
This is an original color woodblock print by French artist Auguste Lepere (1849-1918) The title of this work is: Bucolique Moderne, Modern Arcadia. It was created and printed in 1882. Printed on a medium weight wove type paper. This printing is the first state of V. The image measures 10X15 inches. Pencil signed and dated in the lower right border.
A beautiful lithograph by the American artist, Stow Wengenroth, measuring 12 1/4 x 17 1/4 inches, pencil signed in an edition of 50. This image is of Winter Harbor, Maine, created in October of 1941, Stuckey cat: 110, framed. Wengenroth was one of the preeminent lithographers of 20th century America, known for his atmospheric, incredibly detailed images of the New England landscape and coastline. He studied at the Art Students League and the Grand Central School of Art in New York, and in the summers studied with John Carlson in Woodstock NY and George Ennis in Eastport ME. In 1931 he had his first one man show at the MacBeth Galleries, beginning a long and very successful artistic career.
Lithograph from May 1960. Scene from New York, New York. Image measures 15 3/16 x 11 3/4 inches on 19 3/4 x 15 inch medium weight wove type paper. Wengenroth has captured this majestic owl at high alert against a dramatic bright sky, framed with some plate tone on the edges. Catalog: Stuckey 269.
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