This is a very fine etching by Stephen Parrish after a painting by Henry Ward Ranger. The image size is 18 x 23 3/4 inches, published by Klackner in 1887, cat: Schneider-124, with a remarque in the lower center margin, pencil signed by both Parrish and Ranger. In her description of this etching, Schneider writes that "there is a good match between the sensibilities of the painter, Henry Ward Ranger (1858-1916), and the printmaker, Parrish, so the result is a masterful etching."
This is a beautiful original landscape by American artist Roi Partridge. Etching, image size is 8 3/4 x 11 5/8 inches, published in 1950 in an edition of 154 for the Society of Print Connoisseurs, pencil signed. This etching appears to be an early proof apart from the published edition, as there is no blindstamp from the Society of Print Connoisseurs. Partridge grew up in Seattle and was a member of "The Triad", along with John Butler and Claire Shepard Shisler; before traveling to study art in New York at the National Academy of Design, and then to Paris, where he studied etching with Bertha Jacques. In 1915 he settled in California where he married photographer Imogen Cunningham.
A powerful original woodblock print by American artist Isac Friedlander. The title of this work is "Entangled", it was created and printed in 1935 and is editioned as 13/50.
The image measures 13X8 7/8 inches. Printed on a medium weight wove type paper with partial watermark. One of this artists most expressive depiction of War.
Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
A very fine original etching by American sporting artist Aiden Lassell Ripley, image size 8 3/4 x 13 7/8 inches, c. 1930, pencil signed and titled. Ripley studied at the Boston Museum School under Phillip Hale and Frank Benson, then spent several years traveling throughout Europe. He became quite well known for his landscapes and sporting scenes, and also worked throughout his life in wildlife and endangered species preservation. He was a member of many prestigious artist groups of the 20th century, including the National Academy of Design, the American Watercolor Society, and the Audubon Artists; he served as the president of the Boston Guild of Artists from 1959 to 1969.
This is an original very early Giovanni Piranesi etching. It is titled: "Veduta interna della Basilica di S. Pietro in Vaticano vicino alla Tribuna", meaning
"Internal view of St. Peter's Basilica in the Vatican near the Tribuna." It was from the Vedute di Roma series, which Piranesi is best known for. These striking, monumental images of the ancient grandeur of the Roman Empire provided inspiration for many of the artists of the Neoclassical movement in the late 18th and early 19th centuries. It appears in the Hind catalog as image number 102. The image measures 19 1/4 X 26 1/4 inches on 21 X 28 1/4 inch laid paper. This printing is from the 1st Paris edition, created between 1800-1807 when the family brought the original plates to Paris. There is a "2V" after the signature that dates this etching and makes this the 2nd state of three. A very rich impression not seen in the later restrikes.
This is an original pencil signed etching by American artist Isac Friedlander. The title of this piece is "Whitter", a view of the aftermath of the war. This etching was created and printed in 1945 in a very small edition of only 30 signed proofs. This one is inscribed as a "Trial Proof #3", the image measures 10 7/8X12 3/4 inches. printed on a medium weight laid type paper. Isac Friedlander (1890-1968) was born in Latvia. In 1912 he went to Italy where he met and worked with Russian artist Maxim Gorky. During this period he also received his only art training, studying etching, drawing and relief printing at the Academy of Rome. In 1937, he emigrated to New York where he worked full time as an artist until his death. He is best known for his woodcuts and etchings, and many museums have works by the artist, including the Smithsonian, Bibliotheque Nationale, and the Brooklyn Museum.
This rare 1915 Benson etching measures 5 x 7 7/8 inches. It is signed, numbered and titled on the lower margin. In the Ordeman catalogue it is #84. Printed on Normandy vellum, only 54 proofs were made of which fifty are signed and numbered. Benson was a very successful painter and a member of "The Ten" along with Childe Hassam and J. Alden Weir, before he began the sporting paintings and etchings for which he is most widely known. He was a founding member of the Boston Guild of Artists and a long time teacher at the Museum School in Boston. In 1912, at the age of 50, Benson began his etchings and drypoints, mainly of wild fowl which he depicted with expressive lines and rich toning that exquisitely captured the life and energy of the wild birds.
This is an original pencil signed and titled etching by Charleston artist Elizabeth O"Neill Verner. The title of this work is: "Ravenel Doorway,Charleston" The image measures 7 1/8X5 inches. A very rich impression with nice use of plate tone in the street and sky. This etching is inscribed as the 2nd state. This etching was created before 1933. This etching is nicely framed with archival materials.
Etching/drypoint, image size 8x6 inches, 1919, Hardie 165, edition of 100, pencil signed with artists blind stamp.
Lee-Hankey was a very gifted drypoint artist known for his portrait studies of the local folk of Brittany.
This is an original etching by American artist Isac Friedlander. It is titled: "Lest we Forget", it was created and printed in 1942 this one is editioned as 2/14. The artist's view of the aftermath of war in europe. The image measures 10 1/4X13 7/8 inches. It is hand signed, titled, dated and editioned in the lower margin by the artist in pencil.
Isac Friedlander (1890-1968) was born in Mitau, Latvia. He was arrested in 1906 and imprisoned by Russian authorities for anti- Czarist Political activities from 1906 to 1912. He studied art at the Academy of Rome, Italy from 1913 until 1917. He was a friend of Russian writer Maxim Gorky. Friedlander began his printing career in 1915. In 1917 he repatriated to Russia during the Kerensky regime, but in 1929 Friedlander immigrated to the US with the encouragement of his cousin Joseph Hirshhorn.
Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.
Lithograph, image size 9 1/2 x 13 1/4 inches, 1st state of 2, cat. Walterskirchen-187, framed, pencil signed lower right
An etching from 1915 with a rich drypoint burr. Catalog: Wuerth 668. Edition of 80. Tab pencil signature. Plate measures 7 1/4 x 11 7/8 inches on 7 1/4 x 11 7/8 watermarked laid paper. Pennell was one of the foremost American printmakers of the early 20th century, and was close friends with James McNeill Whistler, whose influence is evident in many of Pennell's images as well as his sense of experimentation with etching technique. Pennell was especially known for his images of cityscapes and architecture.
This is an original etching by American artist Stephen Parrish. The title of this work is: "Gloucester Ferry, 1881", it was created and printed in 1881, this is the larger plate. It was recreated in a smaller version a year later. The image measures 9 3/8X14 5/8 inches. It is pencil signed lower right border and plate signed l.l. and titled l.r. image with the Stephen Parrish number 47, meaning this was his 47th etching that he created. "To the right, a schooner lies at anchor. Beyond, a foot bridge leads down to a small dock, on which are two figures" (Rona Schneider)
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