This is an original pencil signed etching by American artist Stephen Parrish. This etching titled: "Gloucester Harbor", also known as "Rainy Day Gloucester", was created and printed in 1882. It is a rare work, one of the few that Parrish did after another artists composition. This was after the painting by W.M. Hunt. Hunt's initials are etched into the plate lower left. The image measures 13 1/8X19 3/4 inches. Printed on a simulated parchment wove type paper, laid onto a thicker sheet. This is an early signed proof but done without the sailboat remarque . This etching appears in the Schneider catalog as image number 74. From the artists catalog, "June 1882, From the head of the harbor,looking south, In the right foreground, an old black hulk" beyond wharves and shipping and part of the town....In mid distance Five Pound Island."
This is an original pencil signed lithograph by European artist Maurice deVlaminck. The subject is Marine, L'Eglise, it was created and printed circa 1925, Published by Galerie des Peintres Graveurs, Paris with the blind stamp lower right. The image measures 8 7/8X12m 1/4 inches.This image appears in the Walterskirchen catalog as image number 182.
This is an original etching and aquatint by French modernist Georges Rouault. The title is: Incantation from Le Reincarnations du Pere Ubu, This was the frontispiece The first etching from the series Le Reincarnations du Pere Ubu, created and printed in 1928. This is a rare hand signed impression. An edition of 225. The image measures 11 3/4X7 3/4 inches. Printed on a medium wight wove type paper.
This is a fine hand signed etching by American Artist Stephen Parrish. The title of this work is "Evening, Gloucester, 1883". The image measures 8 5/8X14 inches. This image appears in the Schneider catalog as image number 77. "To the right of the mast is the tower of the 1869 City Hall, still standing, Next to the right is the sharply pointed spire of the Baptist church, now gone. At the far right are the buildings of the Rocky Neck Marine Railways." Fine use of plate tone in the sky and sea.
This is an original etching and aquatint by French artist Louis Legrand. This image was created for his series, La Petite Classe, created in 1908. This pencil signed and editioned etching is titled: Entree de Scene (stage Entrance) It has a plate size of 15 3/4X11 1/4 inches. It has the number 7/100 from the edition of 100, published by G. Pellet, Paris. A fine impression on Japon ou velin paper.
This is an original color etching and aquatint by Austrian artist Luigi Kasimir. The scene is the New York Public Library done circa 1930. This pencil signed etching has an image size of 17 5/8X11 7/8 inches. Nicely presented in the original frame.
Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.
A very fine original etching by American sporting artist Aiden Lassell Ripley, image size 8 3/4 x 13 7/8 inches, c. 1930, pencil signed and titled. Ripley studied at the Boston Museum School under Phillip Hale and Frank Benson, then spent several years traveling throughout Europe. He became quite well known for his landscapes and sporting scenes, and also worked throughout his life in wildlife and endangered species preservation. He was a member of many prestigious artist groups of the 20th century, including the National Academy of Design, the American Watercolor Society, and the Audubon Artists; he served as the president of the Boston Guild of Artists from 1959 to 1969.
Etching, image size 10 3/8 x 7 3/4 inches, signed and titled in pencil
This is an oriignal aquatint etching by British artist Leonard R. Squirrell, this etching was created and printed in 1924 in an edition of 75 signed proofs. The image measures 11X16 1/4 inches. Pencil signed by the artist in pencil lower right border. Fine use of highlight and shadow making a dramatic composition. Printed on a medium weight wove type paper. A rare image only found in Museums.
Original color aquatint etching, created and printed in 1989. This is hand signed and editioned as Eprevues d'artist, artist proof. EA, lower left. The image measures 17 3/4 X 25 1/4 inches. Printed on wove-type paper.
Original etching by the British artist, Arthur Brisco, measuring 6 1/2 x 10 7/8 inches, 1926, signed and numbered; 62/75, cat: Hurst-158. Britain's "General Strike" was the theme of Brisco's dramatic image of "The Orator". The strike, mainly by coal-miners upset with their goverments' reduction in wages and worsening conditions, also included dockers, printers, power station workers and transport workers, thus Brisco's interest in the subject.
Drypoint etching. Catalog: Beraldi 778. C. 1882. A very detailed etching with meticulous linework and a unique composition. Initialed in ink in the lower left, pencil signed in the lower right. Plate measures 13 3/4 x 10 3/8 inches in a gold colored 21 x 17 inch frame.
Copyright 2021· All rights reserved