This is an original drypoint etching by British artist Stanley Anderson. The title is: Quai Duperre, La Rochelle, This etching was created and printed in 1928 in an edition of 85. The image measures 8 1/4X13 1/4 inches. Printed on an old laid type paper. Hand signed in pencil lower border. This image appears in the R.A.A. catalog as image number 183.
This is a finely detailed etching by American artist Max Kuehne. The scene is: New York from Weehawken, N.J. It was created and printed circa 1930's. The image measures 10X13 1/2 inches. Pencil signed and titled in the lower border. Printed on a J. Whatman medium weight laid type paper.
This is an original pencil signed and titled etching by American artist Warren Davis. This image titled: The Echo, was created and printed Circa 1920. The image measures 6X8 inches. Printed on a wove type sheet with the Rives B.F.K. watermark. Warren Davis is best known for his depictions of idealized female figures. He studied at the Art Students League in New York. Davis is particularly well known as a magazine illustrator and many of his depictions of ethereal appearing women adorned the covers of Vanity Fair. (NVFA)
This is a fine drypoint etching by British artist Sir Henry Rushbury. The subject is the destruction of St. Olave's cathedral on Tooley Street in Bermondsey. This drypoint is hand signed by the artist with pen and ink in the lower border. The image measures 11 3/8X8 1/16 inches. Very richly printed on a medium weight wove type paper. This image created in 1927. "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."
This is an original pencil signed etching by American artist Warren Davis. This image is titled After the Bath, created and printed circa 1920. The image measures 8X6 inches. Printed on Rives watermarked wove type sheet. Warren Davis is best known for his depictions of idealized female figures. He studied at the Art Students League in New York. Davis is particularly well known as a magazine illustrator and many of his depictions of ethereal appearing women adorned the covers of Vanity Fair. (NVFA)
This is an original etching of the artist's wife, Anais Brockhurst. It is titled Anais II and was created and printed in 1930 in an edition of 111. The image measures 9X7 inches. It is signed in the plate and also signed in pencil lower right. Printed on a medium weight wove type sheet. This image appears in the Brockhurst catalog as image number 67. Very fine condition, a rich impression.
The Spirit of Rain, 1936
Drypoint The image measures 4 7/8X4 inches.
Flint 131. Signed in pencil lower right: “Peggy Bacon.”; titled in pencil lower left: “The Spirit of Rain.” A fine impression in fine condition, with full margins. Published by Associated American Artists in New York, in 1937; in edition of 250. Painter, portrait painter, caricaturist, illustrator, lithographer, writer, art educator. Peggy Bacon studied with John Sloan and Kenneth Hayes Miller.
This is an original pencil signed etching by American artist Joseph Pennell. The title is The Woolworth Building, created and printed in 1915 in an edition of 100. The image measures 11 3/4X7 3/8 inches. THis image appears in the Wuerth catalog as image number 675. This is a fine impression with 1/8 inches borders on two sides. Typical of the printing of Pennell. Framed.
The is a beautiful original wood engraving by American artist Leo Meissner. The title is: Canyon Grandeur, Sabino Canyon, Arizona. This pencil signed and titled image was created and printed in 1954. This is numbered as 7/65. The image measures 7 1/2X8 1/2 inches. Beautiful condition. Printed on a medium weight wove type sheet.
This is a fine original wood engraving by Leo Meissner. It is titled: Chesapeake Boats, created and printed in 1934. Hand signed, titled and dated in pencil lower border. The image measures 10X7 inches. Printed on a medium weight wove type sheet.
Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", Schneider 136.
This is an original etching by British artist Sir Francis Seymour Haden. The title is: The Inn, Purfleet, It was original composed and created in 1869. This etching was done in 11 states, this was the published version and designated as X/XI before the plate was cut down. This etching is pencil signed, the image measures 7X10 inches, printed on a medium weight laid type paper. The image appears in the Schneiderman catalog as image number 127. The scene was taken "from the left bank of the tidal waters of the lower Thames, some twelve miles east of London."
This drypoint etching of the English landscape painter, Charles March Gere, c. 1927, measures 12 x 10 1/4 inches and is pencil signed on the lower right margin. Francis Dodd was born in Wales and trained at the Glasgow School of Art winning the Haldane Scholarship in 1893 enabling him to travel and study in France, Italy and Spain. During WWI he became a portrait war artist producing more than 30 portraits of senior officers. After the war he gained considerable notoriety for his watercolors as well as his printmaking.
This is a fine block print by Kansas artist Clara Colline (1881-1945) The title written in pencil lower left is: Wind in the Cottonwoods. THis image done circa 1920 is hand signed in pencil and has an image size of: 9X11 3/4 inches. Colline was a student of Birger Sandzen. His influence is clearly seen here.
This is an original etching with aquatint by French artist Manuel Robbe. The title is: Dans les Rochers, created and printed in 1910. The image measures 17 7/8X23 inches, printed on a medium weight laid type sheet with crown watermark. Blind stamped lower left border. A fine impressionistic view of an older couple watching the Fishing fleet set sail at sunrise.
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