Prints

Pencil signed etching on laid-type paper c. 1929. 7 1/2 x 13 1/2 inches on 11 x 17 1/4 paper. Malcolm Osborne was known for his prints of landscapes, urban views and portraits. Between 1901-1906 he studied etching and engraving under Sir Frank Short at the Royal College of Art in South Kensington. During 1918 he was elected Associate Engraver of the Royal Academy and succeeded Sir Frank Short as the Head of the etching and engraving school when Short retired, and he was elected a full member of the Royal Academy in 1926.

This lithograph by Dexter Dawes measures 12 1/4 x 15 inches and pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

This is an original lithograph by American artist Lester Hornby.  It is titled: East Gloucester.  Created and printed in 1943, hand signed, titled and inscribed "to Virginia".  The image measures 12X16 inches.  A whimsical view of Summer on the water in Gloucester Harbor..

This drypoint etching was created by American artist Samuel Chamberlain.  It is titled: Far West Junk Shop, created and printed in May of 1929.  The image measures 4 5/8X8 3/4 inches.  Hand signed in pencil and editioned as 87/100.  This etching appears in the Chamberlain catalog as image number 77.  Very fine condition, a highly detailed image.

This is a fine award winning etching by American artist Luigi Lucioni.  The title is: The Big Haystack, created and printed in 1947.  Sold by Associated American Artists in New York.  This pencil signed etching measures 8 1/4X11 7/8 inches.  Printed on a medium weight wove type sheet.  A fine rich impression.

C. 1919, printed in 1929. Plate measures 7 3/4 x 6 1/2 inches on 12 x 8 3/4 inch on watermarked laid type paper. Estate stamp signed in the lower right, pencil signed in the lower left by the printer, Frank Nankivell. Edition of 200. Third and final state. Plate destroyed. This soft ground etching with aquatint print is bold in both contrast and its abstract composition.

Etching, image size 17 x 13 7/8 inches, 1957, ed. of 25, pencil signed and numbered. The gallery has two impressions of this print, 6/25 and 16/25.

This lithograph of the First Congregational Church in Old Lyme measures 12 3/4 x 17 inches. It is pencil signed on the lower margin. Dawes was born in Englewood, NJ and went on to study at New York City's Art Student League. He summered in Marlboro, NH surrounded by beautiful gardens with views of Mount Monadnock which became the inspiration for many of his lithographs and paintings. He belonged to a number of associations including the National Arts Club.

Pencil signed "H A Webster" in the lower right. C. 1930. Catalog: Webster 105. Plate measures 7 3/4 x 10 7/8 inches on 9 3/4 x 12 7/8 inch watermarked arches laid type paper. Signed artist's proof. Plate destroyed. This print has a rich drypoint burr and dramatic use of light and shadow. Herman Webster was an American artist who moved to Paris in the early 20th century to attend the Academy Julien. There he studied under J. P. Laurens and Eugene Bejot, and was also greatly influenced by the etchings of Whistler and Meryon. He traveled extensively throughout Europe, specializing in finely detailed architectural views, cityscapes and landscapes.

Etching, image size 6 7/8 x 3 3/4 inches, 1917, pencil signed and dated, framed

Etching and engraving, image size 7 x 10 inches, edition of 50, plate signed l.r. "Haskell" and pencil signed l.c. "Ernest Haskell".

Engraving after de Latour, 1747, image size 13 1/2 x 9 1/4 in, plate size 14 5/8 x 10 in, sheet size 20 3/4 x 15 1/4 in, Randall Coll. #4356, Fogg Museum provenance

Etching with drypoint by Ernest Haskell measures 10 5/8 x 5 inches, plate signed, 1923. This was a presentation print for the Brooklyn Society of Etchers. Ernest Haskell was born in Connecticut and in the early 20th century spent time in both New York and Paris. While in Europe he met Whistler and was inspired to take up etching; his style was greatly influenced by the work of Whistler as well as that of Rembrandt, Da Vinci and Durer.

This original etching by the American artist Gordon Grant measures 7 7/8 x 9 3/4 inches and is signed in pencil, l.r. Gordon Grant was born in California and was sent alone to Great Britain around Cape Horn when he was thirteen years old for his education. He worked as a staff artist for New York World and Harper's Weekly, covering both the Boer War and the Mexican Revolution, but became most widely known for his marine paintings and fine prints. He was a member of many artist's associations, including the National Academy of Design; American Federation of Art; Salmagundi Club; National Arts Club; American Watercolor Society; New York Society of Painters; and the New York Watercolor Club.

This is a fine aquatint etching by British artist Percival Gaskell.  The title is: The Lonely Tower, Roman Campagna, it was created and printed in 1924 in an edition of 150.  The image measures 10X14 1/4 inches, hand signed lower border in pencil.   Gaskell was born at Shipley in Yorkshire and educated in Cambridge. He studied art at the Royal College of Art, in Paris, and in Italy.