20th Century American Prints

This is an original drypoint etching by American artist Mary Cassatt.  The title is Denise holding her Child, created in 1905, this image is the first state of two, printed on an Ivory  laid type sheet.  The image measures 8X5 3/4 inches.  Unsigned as issued.  This image appears in the Breeskin catalog as image number 204.  

This is a fine original etching by American artist John Sloan.  The title is: Sculpture in Washington Square, created and printed in  1925 in an edition of 100, printed with a blue toned ink.  Pencil signed titiled and numbered in the lower border.  Printed on a medium weight wove type sheet.  This image appears in the Sloan catalog as image number 218.  The title refers to the Garialdi statue by the Washington Arch in Washington Square.

This is an original lithograph by Japanese American artist Yasuo Kuniyoshi.  It is titled The Cyclist.  It was created and printed in 1939 and originally sold through Associated American Artists in New York.  The image measures 12 1/2X8 3/4 inches.  Printed on a medium weight wove type paper.  This lithograph is clearly signed in pencil lower right by the artist.  One of his images from his circus series.

This is a fine dramatic study of old ships in the harbor by American artist Stow Wengenroth..  This image is from Boothbay Maine.  It was created and printed in 1937 in an edition of 65.  This lithograph is hand signed in pencil and has an image size of 8 7/8X15 3/4 inches.  It appears in the Stuckey catalog as image number 71.  A striking image, one Wengenroth's best..

This is a fine pencil signed and dated  lithograph by American artist Yasuo Kuniyoshi.  This image created and printed in 1928, has an image size of 11X6 inches, printed on an ivory toned chine colle, adhered to a thicker supporting sheet.  This lithograph is numbered as 28/30.  Very fine condition apart from a line of toning in the border where an earlier window mat once lay.  Catalog as Davis L-30.

This is one of the finest works by John Taylor Arms etching and aquatint.  It was created and printed in 1940 as image number 1 of his Scandinavian Series.  Pencil signed twice, dedicated to William Schaldach, lower border.  The image measures 7 9/16X13 9/16 inches.  It appears in the Fletcher catalog as image number 346.  It is the third state of three from the edition of 330 impressions.  Printed by David Strang.  This image won 5 prizes between 1941-1948,  Incredible detail, nicely framed with archival materials.

Etching, image size 7 7/8 x 9 7/8 inches, published state, 1923, Ordeman 226

Lithograph, image size 13 x 18 1/2 inches, 1949, edition of 30, pencil signed, titled and editioned. Spruance studied in Paris after winning the coveted Cresson Scholarship in 1928 while attending college at the Pennsylvania Academy of Fine Art. He studied with Edmond and Jaques Desjobert in Paris before returning to the US and continuing his nearly forty year career as a printmaker.

This is a fine original drypoint etching by American artist Walter Tittle.  The title is: Church of the Heavenly Rest, which was built in New York City in 1929.  This etching is hand  signed in ink and measures 12X10 inches, nicely framed with archival materials.  A very rich impression, Tittle at his very best...

Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.

This is an original hand colored lithograph by American artist Don Freeman.  The title is: "To see the mayor".  This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist.  This image is pencil signed, the image measures 12 1/8X9 inches.  According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally.  Freeman drew a group of constituents making appointments with the mayor's secretary"  This lithograph is framed.

Soft ground etching and aquatint, 8 x 11 7/8 inches, 1918, IV state, edition of about 21, printed by Ernest Haskell, cat. Czestochowski-60, alternatively titled "Autumn", pencil signed lower right.

Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.

This is an original drypoint etching by American artist Gottlob L. Briem.  The title of this work was : Base of the Chrysler Building, New York, It was created and printed circa 1930, pencil signed and titled in the lower border, the image measures 14 5/8X10 3/16 inches.  Printed on a medium weight wove type paper.

This is an original lithograph by American artist John S. deMartelly.  The image, Old Moon was created and printed in 1938 and sold by Associated American Artists in New York.  The image measures 10 1/8X13 3/4 inches.  One of his best regionalist images.  Much in the style of Thomas Hart Benton of whom the artist knew and worked with  while at the Kansas City Art Institiute in the 1930's and early 40's.  This lithograph is framed with the AAA label on the back.