Prints

This is an original etching  by American artist Thomas Moran, this image done with roulette, sandpaper ground, drypoint and retroussage to create the etching.  The title of this work is: 

"The Coyote-Arizona, also known as "Twilight in Arizona".. This etching was created and printed in 1880.  It is plate signed with the TM monogram in the lower left corner of the image, printed on a medium weight wove type paper.  The image measures 5 7/8X8 3/4  inches, A very rich impression of this important etching by Moran.  This image appears in the Gilcrease catalog as image number 36.

This is an original drypoint etching by American artist Chauncey F. Ryder.  The title is: French Hill,  it was created and printed in 1941 for the Albany Print Club.  This one is inscribed as AP, artist's proof.  The image measures 10 1/2X13 inches.  Printed on a medium weight laid type paper.  Hand signed and titled in pencil.

A delicately rendered original etching with drypoint, plate size 5 3/8 x 7 3/8 inches, published in 1923, cat: Dickins-78, pencil signed. Walcot was born in Russia, the son of a British father and Russian mother. His family traveled extensively throughout Europe as well as South America, and Walcot was educated in Paris and Russia, graduating with a degree in architecture from the Imperial Academy of the Arts in Moscow. He worked as an architect briefly in Russia before moving to England in 1906. He became well known for his etchings which portray an impressive knowledge of architectural details along with a distinctive impressionistic influence in the atmosphere and immediacy of the images. This scene of York Minster is a great example of this sense of light and atmosphere, the delicate details of the cathedral contrasting with the quickly rendered people in the foreground.

Printed in 1919, from the edition of 4 proofs. Plate and pencil signed. Image measures 4 3/8 x 4 3/8 inches. Printed on laid-type paper.

This is a very fine original etching with beautiful plate tone by French artist Louis Legrand. The image size is 5 7/8 x 8 1/4 inches, published in 1911 in an edition of 50 impressions, cat: Arwas- 426, state II/II, pencil signed.

7 x 7 inch etching on 8 3/4 x 11 1/2 inch watermarked wove-type paper. Pencil signed in the lower right, plate initialed in the lower left. 1st state, C. 1898. Catalog: Bliss 593.

Etching, image size 11 1/2 x 9 inches, pencil signed

Color woodblock print c. 1859. From the series "Miracles of Kannon," a large series that pairs miracles performed by Kannon, the Buddhist Goddess of Mercy, with scenes of temples in the Western, Central, and Eastern provinces of Japan. Print measures 13 1/2 x 9 inches on 13 7/8 x 9 3/4 inch handmade japan paper. A very detailed print with embossing in the white clouds.

Etching on laid-type paper, printed in brown-toned ink. Pencil signed in the lower right. C. 1925.
Image measures 9 3/4 x 7 inches, sheet size measures 15 x 12 inches.

This is an original etching by American artist Joseph Pennell.  One of his London image, this is titled: The Marble Arch, created and printed in 1905 in an edition of 50.  The image measures 7 1/2X10 1/2 inches.  Printed with thin margins on the right side.  This image appears in the Wuerth catalog as image number 382.

This c. 1920 drypoint etching by the American artist, Warren Davis, measures 7 7/8 x 4 7/8 inches and is pencil signed on the lower right. Warren Davis studied at the Art Students League in New York and became known for his etchings of idealized female figures, many of which were used on the covers of Vanity Fair and Life magazines. Later in his career Davis exhibited in Europe and the United States including the Pennsylvania Academy and the Salmagundi Club.

This is an early impression of the etching, The Golden Cornice no,1 by American artist Joseph Pennell.  It was created and printed in 1904 and appears in the Wuerth catalog as inage number 349.  The image measures 10 3/4X7 1/4 inches.  We have another impression that was created with much more dramatic inking.

Etching, image size 13 5/8 x 9 1/4 inches, plate size 15 x 10 inches, 1884, printed on medium weight laid paper, plate signed "Otto H. Bacher Forest City", "A Wheel Of Three Generations In 1884" on bottom of print. Bacher began etching in Cleveland in 1876 and continued his art in Munich, Paris and Venice.

This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Engraving 13 in an edition of 30. Pencil signed, titled and editioned. C. 1930. 4 1/4 x 7 inches on 10 3/4 x 13 3/4 inch light wove type paper.