Prints

Engraving after Charles Coypel, 2nd state with the correction "modele," image and plate size 16 1/8 x 11 7/16 in, Gray Coll. #1028, Fogg Museum provenance

A beautiful sun drenched scene by Walter MacEwen, etching, image size 10 x 5 7/8 inches, c. 1910, printed by Delatre, pencil signed. Born in Chicago, MacEwen traveled to Europe to study art, first in Munich with Frank Duveneck, then in Paris with Corman and Robert-Fleury. He stayed in Europe for many years with studios in both Paris and Holland, where he was also a founding member of the Egmond Artist Colony. Primarily a painter, MacEwen was known for his impressionistic portraits and genre scenes which were quite well received in both Europe and America. His etchings, which are quite scarce, are developed in a very painterly style, reflecting the delicate use of light and shadow of his paintings.

This is one of the most impressionistic mezzotint studies created by British artist Sir Francis Seymour Haden.  It is titled: "Grayling Fishing", it was created and printed in 1897.  It is state II/V.  This is a beautiful impression but does have a long touched up scratch on the right side of the composition.  Pencil signed,  by Haden and also signed by Golding, his printer.  There are printing instructions on the lower left of the border by Golding.  The image measures 7 1/2X11 3/4 inches.

Etching & drypoint, image size 7 7/8 x 10 1/4 inches, 1921, ed. of 54, Beetles 249 VIII/VIII, pencil signed.

This is an original hand colored engraving by French artist Mily Possoz.  The title is: Jeunes Filies a la fenetre.  Created and printed in 1930, editioned as 26/75, hand signed in pencil.  the image measures 9 1/8X8 1/2 inches.  Printed on a medium weight wove type paper with publishers blindstamp/Paris lower right border

This is a very large mezzotint by British artist Percival Gaskell.  We are unsure of the title, it shows a fine landscape with pond at sunrise.  This mezzotint is pencil signed by the artist and printed on a thin chine collet attached to a thicker sheet of wove type paper.  The image measures 12 3/34X18 1/4 inches.  Some light foxing in the outer border area.

This is an original hand colored lithograph by British artist David Roberts.  The subject is: Grand Approach to the Temple of Philae, Nubia, created and printed in 1846 as part of his Holy Land series.  This image is signed and titled in the plate with an image area measuring 13 1/2X20 inches.  Framed, some foxing marks in the sheet.  Very rich color.

This is an original hand colored lithograph by British artist David Roberts.  The subject is: Ruins of Baalek, Heliopolis, Egypt, Created and printed in  1839.  This image measures 13 3/8X19 1/2 inches.  Signed and titled in the plate.  This litho was created by Louis Haghe and published by E.G. Moon as plate 77 of his Holy Land series.  This lithograph is in fine condition, matted and framed.

This is an etching by British artist Robert S. Austin titled: High Bridge pencil signed lower border.  This etching measures 4 3/8X5 1/8 inches, printed on medium weight laid type paper.  Created and printed in 1928 in an edition of 75.  This image was illustrated in the Salaman book, Modern Masters of Etching.  Dodgson 77.

Etching, image size 9 7/8 x 13 7/8 inches, 1881, catalog Schneider 44, thread margins on 2 sides, pencil signed within the image.

Engraving after Albani, image size 10 3/4 x 13 3/4 inches, plate size 11 3/4 x 13 5/8 inches. Provenance: Schwerin Museum, Hamburg.

Engraving after a painting by Correggio, image size 16 1/2 x 14 5/8 inches, c. 1680s, period printing.

Engraving after Correggio, image size 16 3/8 x 14 1/2 inches, Randall 2523, Fogg Museum provenance

Etching, image size: 3 7/8 x 5 inches, 1888, cat. schneider-145, pencil signed lower right.

Engraving after Van Dyck, image size 21 x 16 5/16 in, published by Georges Petit, Paris