Prints

Etching, image size 5 1/4 x 8 1/2 inches, 1888, plate signed l.l. "Stephen Parrish", Schneider 136.

This is a finely detailed etching by American artist Max Kuehne.  The scene is: New York from Weehawken, N.J.  It was created and printed circa 1930's.  The image measures 10X13 1/2 inches.  Pencil signed and titled in the lower border.  Printed on a J. Whatman medium weight laid type paper.

This is an original period engraving by British printmaker, James Sayer.  This image is titled: The Patriot Exalted, created and printed in 1792.  The patriot exalted' (Charles James Fox; Catherine II, Empress of Russia)

by James Sayers, published by Thomas Cornell
etching and aquatint, published 15 March 1792
15 1/4 in. x 10 7/8 in. (388 mm x 276 mm) plate size; 16 in. x 11 5/8 in. (408 mm x 295 mm) paper size17 1/2X13 1/4 inches.

This is a fine original pencil signed etching by American artist Ernest Roth.  This New York View is of Union Square, created and printed in 1929.  The image measures 9 7/8X7 1/2 inches.  Printed on a medium weight "F.J. Head" watermarked laid type paper.

This is an original lithograph by American artist Michael Mazur.  From his Locked Ward series, this image is Portrait, #12.  created and printed in 1965 this image measures 26X20 inches, hand signed lower border in pencil.  The edition was 75, published by Impressions Workshop.  Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he  created the series, "Closed Ward"  and later "The Locked Ward".  This is image number 12  from The Locked Ward Series.

This is an original etching by French artist Alphonse Legros.  It is a portrait of British etcher Sir Charles Holroyd.  Created circa 1889.  This image has a plate size of 11X7 inches, printed on a medium weight laid type paper.  This etching is hand signed in pencil lower right corner of the border.  

"Sir Charles Holroyd was one of the most prolific etchers of his generation. He was taught by Alphonse Legros at the Slade School of Art and his work shows the considerable influence of his close friend William Strang. Sir Charles Holroyd was appointed first Keeper of the Tate Gallery and later Director of the National Gallery. These posts ensured that he did not need to depend upon printmaking for his livelihood; consequently, his etchings were not issued in formal editions. Impressions of his etchings were only taken when required and, as a result, many of his printed works are very scarce indeed.

Alphonse Legros was the single most influential European printmaker upon the development of the etching revival in England. Born in Dijon, Legros was persuaded to move to London by Whistler, whom he had met in Paris. Legros rapidly achieved recognition for his highly accomplished etchings and in 1875 was placed in charge of the etching class at the Royal College in South Kensington and the following year was made Professor of Fine Art at the influential Slade School. It was during his eighteen years in this post that Legros was to exert a formidable influence upon the direction of an entire generation of British printmakers." (  thank you, Mr. Campbell)

 

Etching, image size 9 3/8 x 12 1/2 inches, 1910, edition of 50, cat: Wuerth-602, pencil signed and titled.

Printed on laid-type paper. Pencil signed with an "imp" after his name indicating he was the printer. Inscription in the lower left says "Rose." Image is 11 2/8 x 12 3/8 inches on 11 3/4 x 14 1/2 paper. c. 1910.

Etching and drypoint from 1922. Pencil signed in the lower right. One of a series of five etchings from his series "The Arteries of Great Britain." Published by Dickins in 1922, in an edition of 425. Catalog: Dickins 73. Image measures 5 1/2 x 7 1/2 inches on 9 1/2 x 12 1/4 inch wove type paper. The scene is of the open Swing Bridge, from a vantage point of the High Level Bridge, Newcastle upon Tyne. An atmospheric print with selectively wiped plate tone. Walcot was born in Russia, the son of a British father and Russian mother.

This is a  rare etching by American modernist Leonard Baskin.  The title is Oedipus at Collonus, created and printed in 1969 in an edition of 100.  This impression is hand signed, titled and numbered as 36/100.  The platemark measures 23 1/2X17 1/2 inches.  It appears as image number 553 in the Baskin Catalog.  Very nice condition.

This is an original drypoint etching by British artist Stanley Anderson.  The title is: Quai Duperre, La Rochelle, This etching was created and printed in 1928 in an edition of 85.  The image measures 8 1/4X13 1/4 inches.  Printed on an old laid type paper.  Hand signed in pencil lower border.  This image appears in the R.A.A. catalog as image number 183.

Locked Ward Series, This Trip Has Walls, 1965 , in an edition of 75. Printed on an Arches, wove type sheet. This  lithograph  measures 20X26 inches.  Hand signed lower border in pencil.  Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he  created the series, "Closed Ward"  and later "The Locked Ward".  This is image number 85 from The Locked Ward Series.

This is an original engraving by French artist Jean-Emile Laboureur (1877-1943)  The title is: La Promenade Sur Le Port, it was created and printed 1933 and was used as the presentation print for the Print Club of Cleveland.  In an edition of 235.  This engraving is hand signed in pencil lower left border, printed on a medium weight wove type paper.

This is a fine original etching by American artist Joseph Pennell.  This etching was part of his Panama Canal Series created and printed in 1912.  This pencil signed impression measures 9 3/8X12 1/4 inches.  Printed on a medium weight, watermarked laid type paper.  Very nice original condition.  This image appears in the Wuerth catalog as image number 625.

This is an original etching by American artist Peter Moran.  The title is: "Harvest at San Juan Pueblo", this etching was created and printed in 1883.  The image measures 6X12 1/4 inches.  This image is not pencil signed.  A scene of the Pueblo Indians of New Mexico Herding horses.

Printed on a buff toned wove type paper, very good condition.