Prints

This is a fine drypoint etching by British artist Sir Henry Rushbury.  The subject is the destruction of St. Olave's cathedral on  Tooley Street in Bermondsey.  This drypoint is hand signed by the artist with pen and ink in the lower border.  The image measures 11 3/8X8 1/16 inches.  Very richly printed on a medium weight wove type paper.  This image created in 1927.  "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."

This is a fine color woodcut by German artist Martin Erich Phillipp.  This artist known for his color woodblock prints printed in the 1920's in the Arts and Crafts style.  This image of Two Red Parrots is hand signed and titled as " Rote Arar I"..The image measures 9 1/8X6 1/2 inches.  Very richly colored, it looks like a monoprint.  The work of this artist is quite scarce in the USA.  Printed on a handmade Japan type sheet.

This is an original pencil signed etching by American artist Joseph Pennell.  The title is The Debacle of De Lesseps, Panama.  This was part of his Panama Canal series that Pennell created in 1912, showing the construction of the Canal through Panama.  THe title refers to The French diplomat Ferdinand de Lesseps, who undertook the project in 1875 and failed.  The image measures 9 3/8X12 1/4 inches.  Printed on a medium weight watermarked laid type sheet.

This is a fine original etching by American artist Joseph Pennell.  This etching was part of his Panama Canal Series created and printed in 1912.  This pencil signed impression measures 9 3/8X12 1/4 inches.  Printed on a medium weight, watermarked laid type paper.  Very nice original condition.  This image appears in the Wuerth catalog as image number 625.

This is an original etching by American artist Peter Moran.  The title is: "Harvest at San Juan Pueblo", this etching was created and printed in 1883.  The image measures 6X12 1/4 inches.  This image is not pencil signed.  A scene of the Pueblo Indians of New Mexico Herding horses.

Printed on a buff toned wove type paper, very good condition.

This is an original engraving by French artist Jean-Emile Laboureur (1877-1943)  The title is: La Promenade Sur Le Port, it was created and printed 1933 and was used as the presentation print for the Print Club of Cleveland.  In an edition of 235.  This engraving is hand signed in pencil lower left border, printed on a medium weight wove type paper.

This is a great London etching by American artist Clifford Addams, image size 8 7/8 x 7 1/2 inches, c. 1902, edition of 75, inscribed in the plate, "Loci dulcedo nos attinet" (the sweetness of the place holds us), pencil signed and numbered. Clifford Addams grew up outside Philadelphia and studied art in the U. S. before leaving to further his studies in Europe. He traveled extensively throughout Holland, France, Spain, Italy and Britain, and spent several years in London studying etching with Whistler. He later returned to the U. S. and worked out of studios in both New York and London. He was known for his European city scenes, such as this Whistleresque image of a man gazing out over the busy Thames.

This is an original pencil signed etching by American artist John Taylor Arms.  The subject is: Destroyers in Wet Basin at Federal Shipbuilding and Drydock Company, South Kearny, N. J. U.S.S. Radford, Quick, Mervine - 1942.   This image measures 10X17 1/2 inches.  In the Fletcher catalog as image number 377

This is an original etching by British artist Sir Francis Seymour Haden.  The title is: The Inn, Purfleet,  It was original composed and created in 1869.  This etching was done in 11 states, this was the published version and designated as X/XI before the plate was cut down.  This etching is pencil signed, the image measures 7X10 inches, printed on a medium weight laid type paper.  The image appears in the Schneiderman catalog as image number 127.  The scene was taken "from the left bank of the tidal waters of the lower Thames, some twelve miles east of London."

This is an early color woodblock print in triptych form by Utagawa Kunisada.  This image of Kubuki Figures was from the 1840's a time when he took the name of his teacher Toyokuni.  The signature is known as the Toshidama signature.  The image measures 13X26 1/4 (site size)  This woodblock is framed and matted.

This is a pencil signed etching by American artist Charles Adams Platt.  The title is: Inner Port, Trouville, France, created and printed in  1888.  The image measures 6 1/4X9 1/4 inches.  Nicely framed with archival boards.

This is an original etching by American artist Thomas Moran.  The title of this work is: "A Tower of Cortes, Mexico", it was created and printed in 1883.  The image measures 12X9 3/4 inches.  Very rich impression, plate signed only.  This etching was printed on a medium weight buff toned wove type paper.

This is an original etching with aquatint by French artist Manuel Robbe.  The title is: Dans les Rochers,  created and printed in 1910.  The image measures 17 7/8X23 inches, printed on a medium weight laid type sheet with crown watermark.  Blind stamped lower left border.  A fine impressionistic view of an older couple watching the Fishing fleet set sail at sunrise.

This is an original etching by French artist Auguste Lepere.  The title of this work is: "Quartiers de pecheurs", it was created and printed in 1915.  This etching is pencil signed and has the edition number of: 38/50.  The image measures 7 1/4X7 3/4 inches.  Printed on a thin laid type paper.

Etching, image size 8 1/2 x 12 1/2 inches, 1931, pencil signed. Chahine studied at the Academia Di Belle Arti in Venice and then at the Academy Julien in Paris. He was a very well respected artist in his time, winning many awards and honors for his work. However his prints and paintings are hard to find, many of them were destroyed in a fire at his studio in 1926 or in a later flood in 1942.