This is an original hand signed drypoint etching by British artist Sir William Russell Flint. The title of this work is "A Rendez-Vous,Vincenzia". It was created and printed in 1929 in an edition of 75. The image measures 9 1/2X6 5/8 inches, printed on a watermarked laid type paper, signed in brown in and editioned as "VI " in the lower left border.
This image appears in the Wright catalog as image number 19.
This is an original hand signed and titled lithograph by American artist John A Noble. The title of this image is: "Oncoming Night", from his series "Mast and Man", this is image number 1.
This lithograph was created and printed in 1966. The image measures 11 7/8X15 3/4 inches. "From 1928 until 1945, Noble worked as a seaman on schooners and in marine salvage. In 1928, while on a schooner that was towing out down the Kill van Kull, the waterway that separates Staten Island from New Jersey, he saw the old Port Johnston coal docks for the first time. It was a sight, he later asserted, which affected him for life. Port Johnston was "the largest graveyard of wooden sailing vessels in the world." Filled with new but obsolete ships, the great coalport had become a great boneyard. In 1941, Noble began to build his floating studio there, out of parts of vessels he salvaged and from 1946 on, he worked as a full-time artist, setting off from his studio in a rowboat to explore the Harbor. "information from The Noble Maritime Collection.
This 14 3/8 x 11 5/8 inches color etching is printed on thin Japan paper, edition of 100. Pencil signed and editioned. Provenance Arthur Ackerman & Son Inc., New York.
Elyse Lord lived her entire life in Britain and although her work shows a strong Asian influence, she never actually traveled the continent. Her inspiration instead came from Chinese literature, artwork and her own imagination. Her unique style uses fine drypoint lines and delicate, yet vibrant colors to create images that that have a serene, almost dreamlike quality. She was a member of the Society of Graver-Printers in Colour and the Royal Institute of Painters in Water Colours and showed her work in many exhibitions including at the Royal Academy, Royal Institute of Painters in Water Colours, Royal Scottish Academy, Walker Art Gallery, Liverpool, and the Paris Salon.
This richly inked etching of St. Martin's Bridge near Toledo, Spain, by Sir Frank Brangwyn, measures 19 3/4 x 23 3/4 inches, pencil signed, 1923, printed in two color ink, black and brown. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.
Pencil signed and titled etching by the Austrian Expressionist Wachelmayr. Image size is 7 3/4 x 9 3/4 inches on 10 3/4 x 12 3/4 inches wove-type paper. Circa 1917.
Etching,on olive toned laid paper,image size:8 3/4X3 1/2 inches,pencil signed
Etching, dry point, image size 12 1/4 x 8 1/4 inches, 1922, edition of 100, Tabelli #345, pencil signed l.l. "Edgar Chahine", titled l.r. "Groupe de Sail - Venice".
This wood engraving by John Buckland Wright measures 5 1/4 x 7 inches, published in 1917 in an edition of 30. It is pencil signed, dated and numbered on the lower margin. Wright help to found "Atelier 17" in Paris, an experimental workshop for the graphic arts in 1927.
This is an atmospheric scene of a ship coming into port, pulled by a tugboat; it is rendered with remarkabley delicate lines and a rich yet quite subtle tonal range, giving a strong sense of a soft morning fog over calm waters. The canvas sails of the ship beautifully contrast with the steam of the tug as is dissipates into the misty air. The image measures 19 x 23 inches, published in 1887, pencil signed on the lower right margin. "Copyright R. Cleveland Coxe, 1887, NY" is printed on the lower center, with a remarque of an anchor in the lower left margin. Framed. Coxe studied at the National Academy before going to Paris to study with Leon Bonnat. A painter and etcher, Coxe best works were of seascapes of the New England Coast.
Lithograph, image size 10 1/4 x 14 3/8 inches, c. 1940, pencil signed and titled, "Bridge in Astoria, L.I." Tanzer was active in New York during the depression and was a member of the WPA.
This is an original drypoint etching by British artist Edmund Blampied. The work is titled: "Night Time in Dieppe, created and printed in 1926, editioned as 62/100. The image measures 7 3/4X10 3/4 inches. Fine use of plate tone on the street and background. A rich feathered Burr. A very fine and atmospheric image.
William Russell Flint etching titled: "Celinda's Precaution", this etching was created and printed in 1930 and is editioned as 60/75. The etching is hand signed in pen and ink lower border, and printed on an antique wove type paper, identifuied as "Weatherley, 1829" The image mesasures 7 1/4X4 3/4 inches.
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