This is an original drypoint etching by British artist Muirhead Bone. The title is: Walberswick Ferry. It was created and printed in 1913. The image measures 7 11/16X10 inches. Printed on a light weight wove type paper. Hand signed in pencil lower right border.
Timber Raft on the Rhine (after the watercolor by J.M.W. Turner in the National Gallery). 1898. Mezzotint. Hardie 66. 8 1/4 x 11 11/16 (sheet 10 5/16 x 13 1/2). Edition 100. A rich, tonal impression printed in black ink on simili-Japan paper. Signed in pencil.
This is an original pencil signed etching by American artist Chauncey Ryder. The title is: New Boston Farm, created and printed circa 1920's. The image measures 7 1/2X9 1/4 inches. Titled in pencil lower left corner of the sheet.
This is an original etching, pencil signed by British artist George Marples, this rare image of a Farmer with his sheep measures 6X9 1/4 inches. Printed on a laid type sheet with the P.G. Heade watermark. A fine rich impression.
Etching from 1910. Catalog: Forster 30. Plate measures 12 1/4 x 8 3/4 inches on 15 x 11 inch laid type paper. Pencil signed in the lower right. This scene in London of the Immaculate Heart of Mary Church, otherwise known as the Brompton Oratory. The domed building in the background is the Royal College of Arts, where Anderson was studying at the time. Edition of 58. A finely detailed and well inked print with a rich drypoint burr.
Etching, image size 11 1/4 x 12 1/4 inches, titled and signed in pencil.
Etching, image sizes 7 x 5 1/8 inches, 1920, eight original etchings in a portfolio, 12/500, edition in pencil l.l.
This series of thirteen townscapes are images of shipping ports, market places, hotels, busy neighborhoods, historical buildings, castles, and cathedrals all surrounded by the element of water. They show the interplay and the importance of the waterways to the towns and their dependance on each other. Individual prints are titled in Dutch at the top center and were done c. 1660-1690.
Etching, image size 5 3/8 x 6 3/4 inches, c. 1935, from Warner's "Australia at Work" series of prints. Pencil titled and signed "G Marler", a pseudonym used by Warner in the 1930s.
This 1623 engraving by Ottavio Leoni measures 5 5/8 x 4 3/8 inches. It is a portrait bust of the artist Antonio Tempesta in a 12 sided frame. Bartsch 38. A collection seal is stamped on the back. Leoni did a series of 12 engraved portraits of fellow artists including Michelangelo, which is the only documented portrait of him by another artist.
Engraving, after the painting by Salvatore Rosa in the Imperial Gallery St. Petersburg; 1st state, pub. Nov.24,1767 No. 41,Boydel, London for the Houghton Gallery; plate size 20 1/4 x 14 7/8 inches; image size 18 1/4 x 14 1/16 inches;
Etching, drypoint, image size 6 7/8 x 8 7/8 inches, edition of 100, pencil signed l.r. "Max Kuehne".
Drypoint etching, image size: 12 3/8 x 8 1/4 inches, 1934, cat. Smith 92, inscribed "ED 100" in pencil on verso, pencil signed
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