This is an original etching by American artist John Taylor Arms. The title is: The Old Order, The Church of Saint Mary and Arlington Row, Bridge over Coln River at Bibury. This etching was created and printed in 1948 in an edition of 200. The image measures 5 3/8X8 inches. Printed by David Strang. This image appears in the Fletcher catalog as image number 412. Nice condition, printed on a medium weight laid type paper.
This is an original drypoint etching by American Sporting artist Aiden Lassell RIpley. This etching is pencil signed, titled and dated by the artist. The title is Pheasant Meadow, it was created and printed in 1937. The image measures 7X9 7/8 inches. Printed on a medium weight wove type sheet. A fine and rich impression with plate tone in the sky and foreground.
This is an original pencil signed wood engraving by American artist Thomas Nason. This image is titled: The Sheepfold it was created in 1947 in an edition of 100. The image measures 3 1/8X7 1/2 inches. Nicely Framed. This image appears in the BPL catalog as image number 421.
This is a fine color woodcut by German artist Martin Erich Phillipp. This artist known for his color woodblock prints printed in the 1920's in the Arts and Crafts style. This image of Two Red Parrots is hand signed and titled as " Rote Arar I"..The image measures 9 1/8X6 1/2 inches. Very richly colored, it looks like a monoprint. The work of this artist is quite scarce in the USA. Printed on a handmade Japan type sheet.
This is an original pencil signed etching by British artist Symour Haden. The title is: The Island Opposite Boyle's Farm, created and printed in 1869. The image measures 6 7/8X9 7/8 inches. Catalog: Schneiderman 126. This is the forth state of five. "This island, Boyle Farm Island, is the second largest of three islands in the Thames River. It contains a single house, home to just one family. It is directly opposite the historic mansion of Boyle Farm, which is now known as the Home of Compassion in Thames Ditton in the Elmbridge borough of Surrey, England." (Annex)
This is a fine drypoint etching by British artist Sir Henry Rushbury. The subject is the destruction of St. Olave's cathedral on Tooley Street in Bermondsey. This drypoint is hand signed by the artist with pen and ink in the lower border. The image measures 11 3/8X8 1/16 inches. Very richly printed on a medium weight wove type paper. This image created in 1927. "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."
This is an original period engraving by British printmaker, James Sayer. This image is titled: The Patriot Exalted, created and printed in 1792. The patriot exalted' (Charles James Fox; Catherine II, Empress of Russia)
by James Sayers, published by Thomas Cornell
etching and aquatint, published 15 March 1792
15 1/4 in. x 10 7/8 in. (388 mm x 276 mm) plate size; 16 in. x 11 5/8 in. (408 mm x 295 mm) paper size17 1/2X13 1/4 inches.
This is a fine original pencil signed and titled etching and drypoint by American sporting artist Roland Clark. The title is: The Conference, created and printed in 1925. The image measures 8 3/4X11 3/4 inches. Fine use of plate tone in the sky. A rich impression printed on a medium weight wove type sheet. Numbered as 15/62 impressions.
This is an original pencil signed etching by French artist Auguste Lepere. The title is: Nivellement de la Place Maubert, (leveling of La Place Maubert) created and printed in 1890 in an edition of 30 of which this one is numbered as 14. The image measures 6 3/8X6 1/4 inches. Printed on a buff toned laid type sheet. Cat. LB 14. Place Maubert is an open air market in the 5th arrondissement of Paris, near Notre Dame.
This is an original engraving by French artist Jean-Emile Laboureur (1877-1943) The title is: La Promenade Sur Le Port, it was created and printed 1933 and was used as the presentation print for the Print Club of Cleveland. In an edition of 235. This engraving is hand signed in pencil lower left border, printed on a medium weight wove type paper.
This is a rare early state etching by American artist Frank Benson. The title is On Set Wings, created and printed in 1923. This is a trial proof, hand signed in pencil, before the addition of the clouds and lines at the shore. This image was later used as a frontispiece for Volume III of the Paff catalog. The image measures 4 1/2X5 7/8 inches. The image appears in the Ordeman catalog as image number 223.
This is a fine drypoint etching on copper by American artist Frank Benson. The title is Rising Geese, it was created and printed in 1924 in an edition of 150, printed on Whatman Paper. The image measures 6 7/8X8 3/4 inches. This image appears in the Ordeman catalog as image number 238
This is a very richly inked original etching, image size 8 5/8 x 11 1/8 inches, 1939, published by the Print Club, Cleveland, Ohio, plate signed and dated, pencil signed. Edmund Blampied was a very successful artist and illustrator in early 20th century Britain. He illustrated many books and magazines, but is best known for his remarkable skills as a printmaker. He was an important figure in the 'British Etching Revival' of the early 20th century, and was elected to the Royal Society of Painter-Etchers and Engravers in 1920.
This is a large original pencil signed and titled lithograph by American artist Mark Freeman. This image is titled: Manhattan Cliffs, printed in 1947 in an edition of only 30 proofs. This image measures 19 1/2X15 inches. This composition is one that he created in multiple versions including in color. This is a rare impression of one of his best known images. Matted not framed .
This is a fine original wood engraving by Leo Meissner. It is titled: Chesapeake Boats, created and printed in 1934. Hand signed, titled and dated in pencil lower border. The image measures 10X7 inches. Printed on a medium weight wove type sheet.
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