A large drypoint etching by Sir Frank Brangwyn. Plate measures 19 x 20 3/4 inches in a 26 3/4 x 28 inch frame. The plate was etched on the spot. C 1906. Catalog: FASL 65. A somber and well inked print with a rich drypoint burr. A rare print!
This is a fine original drypoint etching by Scottish artist David Y. Cameron. The title of this etching is: Craigievar Castle, It was created and printed in 1908. The image measures 9 1/2X13 3/4 inches. It is pencil signed lower right border. printed on a medium weight laid type paper. Very richly printed. This image appears in the Rinder catalog as image number 402. The thired state of three. The setting is amoung the scenic rolling foothills of the Grampian Mountains south of Alford, Aberdeenshire, Scotland.
This is an original etching by British artist James McBey. The title is: Laguna Veneta, it was created and printed in 1924. The image measures 7X147/8 inches. Hand signed in sepia ink, Numbered lower left XX. Fine use of plate tone in the sea and sky. Printed on an antique laid type paper. This image appears in the Salaman catalog as image number 73. Last sold by M. Knoedler and Co in New York.
Drypoint from 1932. Signed in ink below the image. Inscription in lower right reads: "Impression selected for my friend Harold Bailey - E. Blampied" 1/100. Plate size measures 8 3/8 x 11 7/8 on 11 1/2 x 17 1/4 inch laid type paper. A richly inked, atmospheric print.
This is an original etching by Swedish artist Anders Zorn. The title is De Tva, created and printed in 1916. Hand signed in pencil .Printed on a wove type sheet with the Van Gelder Zonen watermark. The image measures 7 7/8X5 7/8 inches. This image from his nude series is number 278 in the Hjeret catalog.
This is an original drypoint etching by French artist Maurice de Vlaminck (1876-1958) The title of this etching is: Village de Louvillers-les-Perches. It was created and printed in 1926 in an edition of 75. The image measures 8 3/4X12 5/8 inches. This etching is hand signed in pencil by the artist and published by Marcel Guiot, Paris. This town is located in the Loire Valley. This etching is nicely framed with archival materials.
This is an original pencil signed etching by British artist Stanley Anderson. The title is: The National Gallery, created and printed in 1925 in an edition of 109. This image is pencil signed by the artist. This impression is the second state an edition of 8, before the print collectors edition which was printed in an edition of 100 for the members.The image measures 8 3/4X11 1/4 inches. Printed on a medium weight wove type sheet. This image appears in the Meyrick catalog as image number 167. "One of the earlier group of Stanley Anderson’s scenes depicting the tramps of London, this image casts a somewhat cynical eye upon the established art in our major public galleries. The paintings hang unnoticed as the visitors sit, reading the newspaper or knitting, and the tramps lie asleep". (Campbell)
This is a fine example of the excellent portraiture by British artist Gerald Brockhurst. THis portrait created and printed in 1944 is of Mary Mellon, the wife of well known founder of Washington's National Gallery of Art Paul Mellon. The image measures 10X8 inches, and is hand signed and dated in pencil lower right border. Printed on a medium weight wove type sheet. A beautiful rich impression, Brockhurst at his best... Reference, Fletcher 81, printed in an edition of 75.
This is an original drypoint etching by British artist William Lionel Wyllie. The title is: Old Waterloo Bridge, London, created and printed circa 1920. The image measures 7 1/2X14 inches. hand signed in pencil lower left border. Wyllie was one of the leading British marine artists at the turn of the century . Nicely framed, last sold by Harrods LTD in London.
Etching, aquatint and drypoint, image size 7 1/2 x 12 inches, 4th state, "Louis Legrand" pencil and plate signed l.r., Arwas A74.
A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.
This is an original etching and aquatint by French modernist Georges Rouault. The title is: Incantation from Le Reincarnations du Pere Ubu, This was the frontispiece The first etching from the series Le Reincarnations du Pere Ubu, created and printed in 1928. This is a rare hand signed impression. An edition of 225. The image measures 11 3/4X7 3/4 inches. Printed on a medium wight wove type paper.
This is a very rare etching from a scarce, unpublished plate by Francis Sydney Unwin. The image size is 12 1/8 x 16 inches, 1916, pencil signed; a richly inked impression on a fine cream colored Japan paper. Unwin studied at the Winchester School of Art and the Slade School; he traveled extensively throughout Europe and spent several months in Egypt drawing the tomb interiors for an archaeological expedition. He then settled in London, becoming known for his landscapes and remarkable interior architectural views, such as this finely detailed image of the Albert Hall. Unwin died at the age of 40, after suffering from tuberculosis for much of his adult life.
This is a fine line engraving by British artist Stanley Anderson. The title is The Old Tinker. This pencil signed impression measures 7 X5 1/2 inches, created and printed in 1933. This image appears in the Anderson Catalog as image number 208. The tinker is depicted soldering a patch to a leaking kettle while his wife is about to renew the cane seat of an old chair. Anderson often returned to the subject of the wanderer, of itinerants such as wayfarers pedlars and gypsies making their way through town. This engraving is in a modern frame with archival materials.
This is an original etching and aquatint by French artist Louis Legrand. This image was created for his series, La Petite Classe, created in 1908. This pencil signed and editioned etching is titled: Entree de Scene (stage Entrance) It has a plate size of 15 3/4X11 1/4 inches. It has the number 7/100 from the edition of 100, published by G. Pellet, Paris. A fine impression on Japon ou velin paper.
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