Prints

This is a drypoint etching from April 1931. Edition of 100. Catalog: BPL 105. Pencil signed in the lower right, pencil numbered 3 out of 100 in the lower left. Plate measures 11 x 12 inches on 14 x 15 inch Rives watermarked wove paper. Chamberlain captures this brightly lit scene with breathtaking detail. Samuel Chamberlain studied architecture at MIT, but interrupted his studies to serve in France during WWI. After the war, Chamberlain worked as an architectural draftsman in Boston before leaving the US to travel throughout France and Europe. During his time overseas, Chamberlain began sketching the countryside and architecture, eventually studying at the Royal College of Art in London. He became well known for his carefully rendered etchings and drypoints of both European and American buildings and cityscapes.

Etching ca. 1919. Printed on laid-type paper, pencil and plate signed in the bottom right corner. This print is very rate: it is the second state out of three, and is one of only two proofs of this state. The etching depicts Glanworth Castle in Cork, Ireland. Image measures 8 x 15 1/4 inches on 11 1/4 x 18 inch paper.

This is a fine  pencil signed etching by American artist Edith Penman (1860-1929)  The title is Landscape, thought to be the Orchard at St. John's College, created and printed in 1888.  This etching has an image size 3 1/4X4 7/8 inches.  Printed on Japanese vellum paper.  Another impression of this etching is in the collection of The Parrish Art Museum in Southampton.  Nicely framed with archival matting.

Etching image size 11 7/8 x 9 3/8 inches, plate signed lower left, Vivares founded an engravers school, member of the Society of Artists he exhibited in 1766 and 1768. His reproductions of Claude de Lorrain were widely appreciated.

THis is a fine original lithograph by Chicago artist Helen Noel.  This pencil signed impression showing a group waiting for the subway was created and printed circa 1940's.  The image measures 9X11 inches, some minor spots of rust, unobtrusive.

Lithograph, image size 14 1/2 x 10 5/8 inches, c. 1930s, edition of 34, pencil signed.

This is an original color etching by American artist Dorsey Potter Tyson.  The title is Siamese Dancers, created and printed in 1928 in an edition of 100.  This impression is numbered as XXVIII.  It is also hand signed in pencil. The image measures 8X9 7/8 inches.  It came to us in the original frame from Casson Galleries in Boston.  

This is an original etching by French artist Felix Buhot, the title is Les Voisins de Campagne (Country Neighbors)  This unsigned proof has an image size of 7 3/8X9 5/8 inches.  This impression was created and printed in 1879.

This is a fine etching by American sporting artist Roland Clark.  The title of this work is: The Welcome, created and printed in 1926 in an edition of 65.  The image measures 10X8 inches.  Hand signed in pencil lower right and also titled lower in the border.  Printed on a wove type sheet with the Gelder Zonen watermark.  Fine use of plate tone in the water and sky.

This is a fine original lithograph by American artist Daniel Putnam Brinley 1879-1963.  This image is a view of Assisi that he created on a European trip he took in the 1920's.  This image is hand signed in pencil, and has an image size of 14X10 7/8 inches.Brinley was a MacDowell Colony Fellow and exhibited at the Stieglitz gallery in New York City.  The image is numbered lower left 12.

This is an original etching by Scottish artist David Young Cameron.  The title is Beauvais,  created and printed in 1910.  State X/X printed in an edition of 39, hand signed in pencil lower right.  Catalog Rinder 412.  Printed on a medium weight laid type sheet.

Engraving, image size 8 1/4 x 7 1/4 inches, pencil signed. Presentation Print for the Society of Print Connoisseurs, Society blindstamp lower left. Provenance: Baldwin-Wallace College.

This is a large original etching by British artist William Lee-Hankey.  The title is: The Drapery Market, circa 1920-30's...The image is in nice condition, hand signed in pencil in the lower border, with the artists blind stamp lower left.  Printed on a medium weight laid type sheet with watermark.  The image measures 12x13 3/4 inches. (Our photo shows only a partial view of this etching)

This is an original pencil signed and titled lithograph by American artist Lilly S. Converse.  The title is Cotton-Wood Grove, Taos, created and printed circa 1940's numbered as 8/25.  The image measures 9 3/4X13 3/4 inches.  Printed on a wove type sheet.  This came from the collection of Henry Emil Scherer.

This is an original copper engraving by Pierre Lombard (1613-1682) It is a portrait of "Anna Comitissa De Bedford", The wife of William the Fifth, Earl of Bedford.
This engraving circa 1660 was a copy of the Van Dyck painting at Woburn Abbey The platemark measures 13 7/8X9 1/2 inches. This engraving is tipped to a thicker mounting sheet with collectors annotations on the bottom.