Recent Acquisitions

This is an original etching by French artist Berthe Morisot.  The title is: Femme Nu de Dos,  this etching was created in 1889.  This is a later printing after the plate had the cancellation holes at the upper and lower ends of the plate. These holes were later filled in the 20th century and the etching was re-editioned,  This state is less common.   The image measures 5 7/16X415/16 inches.  Unsigned as issued.  This is a rich impression, nicely framed with archival materials.

This is an original etching and aquatint by American artist Kerr Eby.  The subject is Eby's home which he named Driftway, in Westport Connecticut.  This etching is hand signed in pencil and has an image size of 8 3/8X15 3/8 inches.  Printed in an edition of 100 in 1939.  This image appears in the Giardina catalog as image number 196.  Printed on a medium weight laid type paper.

This is an original etching by American artist Stephen J Ferris.  Titled: Dreamland it was created and printed in 1883, published by Klackner in New York.  This image was done after the painting by Charles D. Weldon.  One of the finest examples of reproductive etching from the 19th century.  The image measures 16X25 1/2 inches on a sheet size of 21X30 inches.  Hand signed by both the etcher and the painter in the bottom border.  A fine remarque of a lady lower border.  Printed on a medium weight wove type paper.  This large etching is in beautiful condition.

This is a rare original etching and drypoint by Scottish artist David Cameron.  The title is: Wingless Chimera, Amiens Cathedral,  it was created and printed in 1911.  Hand signed in pencil, this etching measures an image area of 7 5/8X9 3/8 inches.  Printed on a medium weight laid type sheet.  This image was exhibited at the Royal Academy in 1911.  This image appears in the Rinder catalog as image number 416.

This is a fine original etching by American artist Joseph Pennell.  The subject is, The Ferry House, The Cortlandt Steet Ferry from the Jersey City Side.  THis etching is hand signed in pencil, the image measures 12X10 inches, printed on an antique laid type sheet.  This was sold originally by Schwartz Galleries in New York.  This impressive etching is nicely framed with collectors annotations on the back,

This is a scarce original drypoint etching by British artist William Russell Flint.  The title is: "Eve", it was created and printed in 1930.  The image measures 7 1/4X10 1/8 inches.  Signed in a sepia ink lower border, printed on an antique laid type paper, identified in the artists hand as from 1753.  This image is numbered as LXVI.  Printed with a brown toned ink.  Some toning from an early window mat but does not affect the image area.  Collectors or printers information on the back of the sheet.

THis is a rare color etching with aquatint by French/Japanese artist Tsuguharu Foujita.  The title is: Le Petit Garcon, it was created and printed in 1929, This is numbered as ix/x  9 of 10.  Before the later edition of 100 Published by Editions Artistiques Apollo, Paris.  From his series, Les Enfants.  The image measures 14X11 1/4 inches, on a sheet size of 20 1/2X16 1/2 inches.  Pencil signed, printed on a Chine colle on Japan paper.  Catalog Buisson29..  Very fine condition.

This is an original etching by Belgium artist Jules DeBruycker.  It is titled Ruelle Gand.  It was created and printed in 1906.  Hand signed and titled in pencil.  The image measures 13 1/2X5 1/2 inches.  Printed on a medium weight laid type paper.  Van Gelder watermark.

Oil on canvas, sight size 9 1/4 x 15 1/2 inches, c. 1900, signed l.r., inscription on the back reads "Near Aber, North Wales". This is a beautiful landscape with a shepherd and his sheep set against a majestic mountain background, in an ornate period frame. John Fullwood exhibited at the 1877 Royal Birmingham Society of Artists Show. The Royal Birmingham Society of Artists, established in 1821, was highly influential during the Pre-Raphaelite and Arts and Crafts periods. Its members included some of the most significant figures in English art, and presidents during the period included artists of the stature of Edward Burne-Jones, William Morris, John Everett Millais, Frank Brangwyn, and Lord Leighton.

Watercolor, image size 14 1/4 x 18 1/4 inches, laid down on board, unsigned but identification of location on back in French which indicates it's Cascade Flumen near Saint Claude, a small town in France.

This is an original drypoint etching by American artist Chauncey F. Ryder.  The title is: French Hill,  it was created and printed in 1941 for the Albany Print Club.  This one is inscribed as AP, artist's proof.  The image measures 10 1/2X13 inches.  Printed on a medium weight laid type paper.  Hand signed and titled in pencil.

This is an original etching with aquatint by French impressionist Edward Manet .  The title is Theodore De Banville Facing Left, 1874.  This image was intended to be an illustration for his Les Ballades series.  This image measures 9 3/8X6 1/4 inches.  This impression was pulled from the cancelled plate in the early 20th century.  Printed on a Arches laid type paper.  This image appears in the Manet catalog as image number 64.  Théodore Faullain de Banville (14 March 1823 – 13 March 1891) was a French poet and writer. His work was influential on the Symbolist movement in French literature in the late 19th century.

Drypoint etching, image size 7 7/8 x 4 7/8 inches, edition of 100, 1919, Hardie 168, printed on wove paper, pencil signed with artist's blindstamp. This image is considered one of the artist's finest works.
Housed in a fine arts and crafts style gilt frame.

This is an original pencil signed etching by American artist George Elbert Burr.  The title is Storm on the Little Colorado River, Arizona.  Created and printed circa 1925, this etching has an image size of 4 1/2X6 inches.  This image appears in the Burr catalog as image number 260.00

This c. 1940 lithograph by the American artist Hannes Bok measures 9 1/4 x 13 5/8 inches, pencil signed and titled. AAA label with artist provenance included, edition of 250. Bok's real name was Wayne Francis Woodard, a talented artist, apparent at an early age, who went on to become an illustrator, writer of poetry and science fiction, painter and printmaker. His mentors were Maxfield Parrish and Ray Bradbury, both having profound influences on him and his work.