Prints

This is an original lithograph by French artist Georges Rouault.  This is a portrait of Gustave Moreau, the teacher and mentor of Rouault.  It is known as the portrait in the little hat.  This pencil signed impression is the 3rd state of 4 with the edition of 25.  It was later published in state 4 with an edition of 350.  This lithograph was created and printed in 1926.  The image measures 9 1/8X6 3/4 inches.  This image is cataloged as F. 57.

This is an original etching by American artist Gottlob L.Briem (1899-1972)  This etching titled lower left in pencil, "Tower Under Construction, George Washington Bridge" has an image size of 14 3/4X9 5/16 inches.  Pencil signed, dated, 1930 and numbered, 47/100.  Printed on a watermarked laid type paper.  A very dramatic composition, one of his best efforts.

This is a fine award winning etching by American artist John Taylor Arms.  The title is: Reflections at Finchingfield, it was created and printed in  1938.  From his English Series, this is the 2nd state of two, printed by David Strang in an edition of 100 as inscribed on the etching lower left also hand signed and dated in pencil lower right border.  This large etching measures 7 1/16X17 1/8 inches.  Found in the Fletcher catalog as image number 311.  This image won prices from the Chicago Society of Etchers, the Lotus Club and Northwest Printmakers.  One of his finest images with the  incredible reflection found in the pond below the buildings. ( our photo doesnt show a fraction of the image on the right side, this etching is overall complete with good borders all around.

This is a life time impression of the well known etching by Pierre Auguste Renoir, titled: Femme, Nue Couchee, Nude woman reclining facing right.  Created and printed in 1906, this impression done on a laid type sheet with the Fortuna watermark from the original printing.  The image measures 5 5/8X7 5/8 inches on a buff toned sheet.  Very fine condition.  Very light even toning over the image only, possibly as originally presented.  The image appears in the Melot catalog as image number R-14

This is an incredible rare impression of the well known Panama Canal etching, The Guard Gate, Gatun Lock.  It was created and printed in 1912. Both etching and drypoint, with a rich burr in the shadow areas.   Pencil signed and annotated "imp" meaning that he printed this impression on his own press.  It is printed on a blue toned laid type paper,  Very fine condition, richly printed.  The image measures 12 1/2X9 1/2 inches.  It appears in the Pennell catalog as Wuerth number 627.  The edition is about 60 impressions.

This is a fine original etching by American artist Joseph Pennell.  The subject is, The Ferry House, The Cortlandt Steet Ferry from the Jersey City Side.  THis etching is hand signed in pencil, the image measures 12X10 inches, printed on an antique laid type sheet.  This was sold originally by Schwartz Galleries in New York.  This impressive etching is nicely framed with collectors annotations on the back,

This is an original etching and aquatint by British artist Laura Knight.  The title is: Dressing Room no.2.  This pencil signed etching was created and printed in 1923 in an edition of 55 impressions.  The image measures 7X9 inches,  Printed on a medium weight laid type paper.  A very rich impression.

This is an original pencil signed etching by British artist Augustus John (1878-1961)  This etching is titled: Rambling By the Lake, it was created and printed in  1909 this impression is numbered as 23/50.  The image measures 7X5 inches, printed on an antique watermarked laid type paper.  In the lower border its annotated Plate no. 116 and then titled and editioned.  Very nice condition.

This is a fine original etching by American artist John Taylor Arms.  The title is: Notre Dame de Paris, created and printed in 1925 as part of his Churches of France series.  This impression is pencil signed, printed in an edition of 150, the image measures 12 3/8X13 15/16 inches.  It appears in the Fletcher catalog as image number 167.  A combination of etching with aquatint.  One of his finest etchings of europe.

This is a fine hand colored etching by British artist Elyse Ashe Lord.  The title is Kite Flying, created and printed circa 1925.   This pencil signed impression was sold by Arthur Ackermann in New York.  This came to us in the original Asian style frame with the Ackermann label on the back.  The image measures 12 7/8X18 inches.  The overall frame measures 20X26 inches.  Very fine condition.  Printed on a thin Japan type sheet.

This is a fine original etching by British artist Gerald Brockhurst, The title is La Tresse, a portrait of his wife Anais done in 1926.  This image is pencil signed and has an image size of 8 3/8X 6 7/8 inches.  Cat. Fletcher 56.  Nicely framed with archival materials.

This is an original pencil signed and numbered lithograph by American artist Stow Wengenroth.  The title is: Homeward Bound, Port Clyde, created and printed in 1956 in an edition of 45.  The image measures 10 3/4X15 5/16 inches.  Printed on a medium weight wove type sheet.  This image appears in the Stuckey catalog as image number 232.

Etching, plate size: 15 5/8 x 23 5/8 inches, image size: 13 3/8 x 21 5/8 inches, 1887-1888, cat. Schneider-133, remarque lower left, inscribed lower right: "Selected for Mr. E. Q. Kennedy", printed by H. Wunderlich & Co., New York, on parchment, pencil signed lower right.

This is a fine original etching by American artist George Elbert Burr.  The title is Evening, a very atmospheric impression, both pencil signed and titled.  The image measures 12X10 inches.  Printed on a medium weight buff toned laid paper.  Very rich and fine inking on this image.  It appears in the Burr catalog as image number 124.

This is a fine industrial etching by American artist   Otto Kuhler.   "Monster & Midgets". 1928. The image measures 9 3/8 x 12 7/8. inches.  Etching. Signed in pencil. Edition: 75. Excellent condition. Although best known for his industrial Designs, Otto Kuhler  is well regarded as a fine artist and draftsman. Born in Germany, Kuhler was the sole heir to his family's successful steel business, Kuhler Forges. After WWI however, the business and his family's fortune were in ruins. After living briefly in Dusseldorf, and partly due to the advice of friend Joseph Pennell, he took up etching and emigrated to the States in 1923. Otto Kuhler's etchings of begrimed industry sprang from the same optimistic response to technology that led to his colorful streamlined designs for the Milwaukee, Lehigh and other railroads in the 1930's. "This merging of industry and art proved so successful that after years of submitting designs, a locomotive based on Kuhler's designs was built. The engine, Hiawatha, rolled out of the Schenectady, New York yard in May, 1935. It was the first streamlined steam locomotive to be built from scratch in America. This signaled the start of the next phase of his career- as a successful industrial designer."