This is a fine birds eye view of New York City in 1908. The title is: The West Street Building from the Singer Building, It was created and printed in 1908. The image is pencil signed and titled in the artists hand in the lower border. The image measures 11X8 3/8 inches. The image appears in the Wuerth catalog as image number 491.
This is a scarce etching by American artist Joseph Pennell. The title is Madison Avenue Fraternity House. It was created and printed in 1923 in an edition of only 30. The image measures 12 1/4X9 1/4 inches printed on an antique laid type paper. The etching appears in the Wuerth catalog as image number 818...
Drypoint etching from 1853. Catalog: Beraldi 111. Plate signed in the upper right, pencil signed in the lower right. Blindstamped in the lower left. Plate measures 8 7/8 x 11 1/2 inches.
This is a fine original wood engraving after Homer, published in Harpers Weekly in September 20, 1873. This is a wood engraving with the original Harpers written story on the back of the sheet. This is perhaps the best known of the large double paged images that were ever done for Harpers. The image measures 13 9/16X 20 5/8 inches on a total sheet size of 15 15/16X21 7/8 inches. Very nice condition, museum matted and framed. The title Snap the Whip, after the painting by Winslow Homer. This image was engraved by W. H. Lagarde.,.
Engraving, image size 6 7/8 x 5 5/8 in, plate signed, framed.
This is a fine drypoint etching by Scottish artist David Young Cameron. This image is pencil signed and measures 10 1/4X13 3/4 inches. The subject is The Scottish River Tay, the longest River in Scotland. This drypoint is richly printed and archivally framed. The image appears in the Rinder Catlaog as image number 437.
Etching, image size 6 x 9 1/8 inches, cat: Melot- C.7, later printing without Cadart lettering, possibly after it was removed. This is a very nice impression with wide borders, printed on a medium weight cream colored laid type paper. This atmospheric image from Corot's series of Italian landscapes is a great example of his ability to capture the life and movement of the scene with loose spontaneous lines and rich tones.
This is an original hand signed wood block print by Jamaican artist Albert Huie. The title of this work is Road Mending, created and printed circa mid 1940's. The image is signed and titled lower border, the image measures 7 3/4X5 7/8 inches, Good condition.
Albert Huie (1920-2010) was a seminal figure in the formation and development of a national Jamaican artistic identity, overcoming the hurdles of a colonial-based system of race and class distinctions to become the first native-born Jamaican artist to attain international renown and respect. Working primarily in the areas of landscape, portraiture, and figurative art, he established a multiple award-winning career that spanned seven decades and earned him the title of “the Father of Jamaican Painting.”
This is an original lithograph by American artist from the Ash Can school of painters, Raphael Soyer. This image created and printed in 1943 is hand signed and titled: "Farewell" It is a large image measuring 16X12 1/4 inches. The image appears in the Cole catalog as image number 61. Printed in an edition of 100. Very good condition apart from some spots of thinning to the sheet in the outside border area well away from the image.
This is an original drypoint etching by British artist James McBey. The title is: Margot as Lopokova, created and printed in 1920. numbered and signed in sepia ink lower border, VIII. This image is in the Hardie catalog as image number189. The image printed on a medium weight laid type sheet measures 12X8 1/2 inches on a sheet size of 13 1/4X9 1/2 inches. "Hardie writes, "Margot, the twelve-year-old daughter of Dr. and Mrs. Murray, in a fancy dress made to resemble that of Lopokova, the Russian dancer, stands with head slightly bent forward and arms at sides. On the left, her mother is sitting with arms outstretched altering the fop flounce of the dress."
This is a fine drypoint etching by Scottish artist James McBey. This scene from his Venice series is titled: Bridge at Night, it was created and printed in 1925. This image is hand signed in sepia ink and numbered as XL.of an edition of 60 impressions. The image measures 9 3/8X5 15/16 inches. Printed on a laid type sheet, blue hued paper. Catalog number Hardee 232.
This is an original etching by British artist Arthur Briscoe. The title is: "Manning the Pumps". This etching was created and printed in 1931 in an edition of 75. This etching is hand signed and editioned in pen and ink by the artist. The image measures 12 1/4X9 1/8 inches. "The action shows the men manning the pumps which are in the waist of the ship, the wettest part of all when seas are coming aboard". This etching is framed with archival materials.
This is an original engraving by French artist Philippe Mohlitz. This image is titled: The Abyss. It was created and printed in 1967. Pencil signed lower right and numbered as 28/50 lower left. The image measures 8 1/4X7 1/8 inches. Printed on a heavy weight laid type sheet. Mohlitz uses the refined technique of Original engraving, in the traditional manner. Born in Bordeaux in 1941 Mohlitz studied the techniques of engraving at the studio of Rene Delpech in Paris in the mid 1960's.
This is an original pencil signed and titled wood engraving by British artist Mary Elizabeth Groom. The title is: The Crucifixion, created and printed circa . 1929, it is numbered as 4/30. The image measures 9 1/2X7 1/4 inches. Printed on a thin japan type sheet. Groom was a well known artist and illustrator one of the Suffolk artists. She was also a founding member of the English Wood Engraving Society starting in 1926. Mary studied wood engraving at Leon Underwood's Art School, along with Underwood himself and with fellow-students such as Blair Hughes-Stanton, Gertrude Hermes and Agnes Miller Parker
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