Prints

This is an original etching and aquatint by French artist Georges Rouault, take from his Miserere Series.   Plate 56: En ces temps noirs de jactance et d'incroyance, Notre Dame de la Fin des Terres Vigilante / In these dark times of vainglory and unbelief, Our Lady of the Ends of the Earth keeps watch (C&R. 109c). Original aquatint, drypoint, burnisher, roulette, scraper, 1927. 450 impressions for the Miserere, Rouault's masterpiece and one of the most important series of the twentieth century. Signed in the plate and dated 1927 at lower center left (there are no pencil-signed proofs). A beautiful impression of this climactic image. Image size: 23X17 inches.

Engraving after J. Andray, image size 21 1/4 x 16 1/4 in, sheet 22 7/8 x 16 7/16 in, engraved at the age of 19, Randall 3927, Fogg Museum provenance

This is an original pencil signed etching of New York City by American artist Joseph Pennell.  The title is: Trinity Church from the River, 1904.  The image measures 11 3/4X8 3/8 inches.  Printed in an edition of 25.  This image appears in the Kennedy Catalog as image number 324...  This etching was last sold by Kennedy Galleries in New York in 1920.  This image is the 2nd state with some changes mostly in the dramatic sky.

This is an original etching by British artist Edmund Blampied.   The title is: "The Vraic Season (No 1)" , it was created and printed in 1936 in an edition of 125 for the American College Society of Print Collectors.  The image measures 12X14 1/4 inches.  Very fine condition, hand signed in ink.  Vraic is seaweed that was harvested on the Channel Islands and used for potato fields.  The usual method was gathering it up with horse drawn carts.  A rich impression.

This is a fine engraving with drypoint by French artist Philippe Mohlitz.  This image is titled: C'est arrive a la antiquaire, created and printed in 1972.  The image measures 9 1/4X6 3/4 inches.  Hand signed in pencil and numbered 14/60.  A fine impression in nice condition, nicely framed.  Kersten 44.

A soft ground etching by German Expressionist artist Lovis Corinth, this image measures 12 1/2 x 9 3/8 inches, published in 1910 in an edition of 50 impressions, state I/III, cat: Schwarz-41,"LC" monogram in the upper left of the image, a faded signature below the image, framed. Corinth began his career studying at the Academy of Fine Arts Munich and went on to study under Bouguereau at the Academie Julian in Paris. He later returned to Germany and became a member and eventually president of the Berlin "Sezession." Corinth is best known for his prints and paintings of figures and portraits.

A well inked impression with plate toning and a rich drypoint burr. Plate measures 5 1/4 x 7 inches on 7 1/2 x 11 inch laid paper. State IV/V. Catalog: Delteil 1. Published by the Gazette des Beaux-Arts in 1903 to illustrate the obituary article on Corot by Louis Gonse. Printed by A. Salmon in Paris, France in 1875. Plate signed in the lower left. The plate for this image was discovered by Felix Bracquemond in a box of nails in Corot's home.

This is an original etching by American artist Joseph Pennell.  The title of this etching is "Madison Avenue" also known as "Rebuilding Madison Avenue".  This etching was created and printed in 1923 in an edition of 50 impressions.  This proof is hand signed in pencil by the artist with the "imp" after his name meaning that he printed this impression himself.  It is printed on an antique laid type paper.  The image measures 12X9 1/8 inches.  The image appears in the Wuerth catalog as image number 811.

This is a very fine original etching by Stephen Parrish, published by Keppel in 1881. The image size is 12 x 19 inches, cat: Schneider-49, plate signed and titled, pencil signed. According to Schneider, this atmospheric image of the Massachusetts shore was one of Parrish's most popular etchings. This print features a very richly inked impression with beautiful plate tone, printed on a medium weight wove type paper with ample margins.

This is an original pencil signed and titled lithograph by American Artist Stow Wengenroth.  The title is: Abandoned Light, Dark Harbor, Maine, created and printed in 1940 in an edition of 132.  The image measures 8 7/16X12 3/4 inches.  Very nice condition printed on a medium weight wove type sheet.  This image appears in the Stuckey catalog as image number 102.

This is a fine drypoint etching by British artist William Walcot.  This image of the Brooklyn Bridge was done in his series of 5 etchings of New York City published in 1923 as a portfolio.  This etching is hand signed in pencil in the lower border.  The image measures 8 1/4X9 3/4 inches.  Nicely Framed with archival materials.

Engraving after LeBrun, image size 20 5/8 x 24 7/8 inches, sheet size 21 7/8 x 25 1/2 inches, LeBL. 9. Fogg Museum provenance, JW Randall Collection #4045. Framed.

Etching and dry point, image size 8 1/2 x 11 1/8 inches, 1906, cat. Schiefler- 55, pencil signed.

This is a very fine etching with drypoint by French artist Edgar Chahine (1874-1947)  The title of this work is: "Mademoiselle Delvair de la Comedie Francaise,", it was created and printed in 1901, pencil signed lower left border.  The image measures 18X11 1/2 inches.  Printed on a medium weight wove type paper.  This image appears in the Tabanelli catalog as image no. 73.  It also appeared in the Holme's book, Modern Etching and Engraving, published 1902.

Engraving after Giulio Romano; Holy Family "with the Lizard" Prov. Gray: 753; Thies: The picture is in the Gallery of the Pitti palace in Florence. Passavant, Rafael, 11.No.230,Copy a.A repetiton of Raphael's Holy Family "under the Oak Tree" in the Madrid Gallery. Passavant,II.230.
Impression with the engraver's address