This is an original pencil signed etching by American artist Joseph Pennell. The title is The Woolworth Building, created and printed in 1915 in an edition of 100. The image measures 11 3/4X7 3/8 inches. THis image appears in the Wuerth catalog as image number 675. This is a fine impression with 1/8 inches borders on two sides. Typical of the printing of Pennell. Framed.
This is an original etching of the artist's wife, Anais Brockhurst. It is titled Anais II and was created and printed in 1930 in an edition of 111. The image measures 9X7 inches. It is signed in the plate and also signed in pencil lower right. Printed on a medium weight wove type sheet. This image appears in the Brockhurst catalog as image number 67. Very fine condition, a rich impression.
This is an original pencil signed and titled etching by American artist Warren Davis. This image titled: The Echo, was created and printed Circa 1920. The image measures 6X8 inches. Printed on a wove type sheet with the Rives B.F.K. watermark. Warren Davis is best known for his depictions of idealized female figures. He studied at the Art Students League in New York. Davis is particularly well known as a magazine illustrator and many of his depictions of ethereal appearing women adorned the covers of Vanity Fair. (NVFA)
This is an original pencil signed etching by American artist Warren Davis. This image is titled After the Bath, created and printed circa 1920. The image measures 8X6 inches. Printed on Rives watermarked wove type sheet. Warren Davis is best known for his depictions of idealized female figures. He studied at the Art Students League in New York. Davis is particularly well known as a magazine illustrator and many of his depictions of ethereal appearing women adorned the covers of Vanity Fair. (NVFA)
This is a fine original pencil signed and titled etching and drypoint by American sporting artist Roland Clark. The title is: The Conference, created and printed in 1925. The image measures 8 3/4X11 3/4 inches. Fine use of plate tone in the sky. A rich impression printed on a medium weight wove type sheet. Numbered as 15/62 impressions.
This is an original period engraving by British printmaker, James Sayer. This image is titled: The Patriot Exalted, created and printed in 1792. The patriot exalted' (Charles James Fox; Catherine II, Empress of Russia)
by James Sayers, published by Thomas Cornell
etching and aquatint, published 15 March 1792
15 1/4 in. x 10 7/8 in. (388 mm x 276 mm) plate size; 16 in. x 11 5/8 in. (408 mm x 295 mm) paper size17 1/2X13 1/4 inches.
This is a fine drypoint etching by British artist Sir Henry Rushbury. The subject is the destruction of St. Olave's cathedral on Tooley Street in Bermondsey. This drypoint is hand signed by the artist with pen and ink in the lower border. The image measures 11 3/8X8 1/16 inches. Very richly printed on a medium weight wove type paper. This image created in 1927. "the demolition in process of a historic London dockside church, St Olave's, Bermondsey/ Southwark. This took place because of local depopulation and the church being given 'redundant' status. Demolition took place in two stages and Rushbury has cleverly seized the moment when the nave was all but destroyed (1926) but the tower was still intact. This didn't last long, and it was demolished in turn in 1928. Building materials and debris litter the foreground."
This is a fine original etching by American artist Joseph Pennell. This etching was part of his Panama Canal Series created and printed in 1912. This pencil signed impression measures 9 3/8X12 1/4 inches. Printed on a medium weight, watermarked laid type paper. Very nice original condition. This image appears in the Wuerth catalog as image number 625.
This is an original pencil signed etching by American artist Joseph Pennell. The title is The Debacle of De Lesseps, Panama. This was part of his Panama Canal series that Pennell created in 1912, showing the construction of the Canal through Panama. THe title refers to The French diplomat Ferdinand de Lesseps, who undertook the project in 1875 and failed. The image measures 9 3/8X12 1/4 inches. Printed on a medium weight watermarked laid type sheet.
This is a pencil signed etching by American artist Charles Adams Platt. The title is: Inner Port, Trouville, France, created and printed in 1888. The image measures 6 1/4X9 1/4 inches. Nicely framed with archival boards.
This is an original pencil signed etching by American artist John Taylor Arms. The subject is: Destroyers in Wet Basin at Federal Shipbuilding and Drydock Company, South Kearny, N. J. U.S.S. Radford, Quick, Mervine - 1942. This image measures 10X17 1/2 inches. In the Fletcher catalog as image number 377
Locked Ward Series, This Trip Has Walls, 1965 , in an edition of 75. Printed on an Arches, wove type sheet. This lithograph measures 20X26 inches. Hand signed lower border in pencil. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 85 from The Locked Ward Series.
This is a fine original etching by French artist Auguste Brouet (1872-1941) The title is: Un rassemblement en Camargue, it was created and printed in 1925. This image is numbered as 44/75 ..The image measures 8X12 1/4 inches. the Cercle de la Librairie drystamp. in the lower right border. Hand signed and numbered in pencil. Fine condition with elaborate remarque in the lower border. Boutitie 320, IFF 36.1, BPL 13, Universität Osnabrück, EH 4.
Locked Ward Series, The Bench, 1965 , in an edition of 75. Printed on an Arches, wove type sheet. This lithograph measures 20X26 inches. Hand signed lower border in pencil. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 6 from The Locked Ward Series.
This is an original lithograph by American artist Michael Mazur. From his Locked Ward series, this image is Portrait, #12. created and printed in 1965 this image measures 26X20 inches, hand signed lower border in pencil. The edition was 75, published by Impressions Workshop. Mazur volunteered to conduct art therapy sessions at the Howard State Institute in Providence R.I. there he created the series, "Closed Ward" and later "The Locked Ward". This is image number 12 from The Locked Ward Series.
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