Featured Prints

This is one of the finest works by John Taylor Arms etching and aquatint.  It was created and printed in 1940 as image number 1 of his Scandinavian Series.  Pencil signed twice, dedicated to William Schaldach, lower border.  The image measures 7 9/16X13 9/16 inches.  It appears in the Fletcher catalog as image number 346.  It is the third state of three from the edition of 330 impressions.  Printed by David Strang.  This image won 5 prizes between 1941-1948,  Incredible detail, nicely framed with archival materials.

This is an extremely rare lithograph by American artist Louis Lozowick.  The title is: Skating, a view of Central Park in Winter.  This image is hand signed and titled in pencil.  It was published in an edition of 10 or less For the Federal Art Project, New York City.  In the bottom border next to the title is a very faint, faded, WPA stamp.  There is some old glued residue at the upper back of the sheet, it is not visible on the image side.  Overall in very fine condition.  This image appears in the Flint catalog as image number 139.  Printed on a medium weight wove type sheet.

Etching, image size 14 1/4 x 6 inches, signed and dedicated in pen "A Mon Ami Mil..." (To My Friend Mil...).

This is an original etching by American artist Stephen Parrish.  The title is A Gale at Fecamp, it was created and printed in 1886.  The image including the remarques measures 13 3/4X15 3/4 inches.  It is hand signed in pencil and also has the artist's estate stamp in the lower left border.  This is Parrish's only etching with such complete remarques.  Showing the influence of French artist Felix Buhot.  The remarques revel Parrish's lively sense of humor, showing sketches of books with such titles as Philadelphia as a Summer Resort, Etching in Summer and other gems.  This is a very rare etching by Parrish, and is from a trip he took to Fecamp in 1884.

This is an original etching on toned chin collet by French artist Charles Meryon.  The title is: La Pompe Notre-Dame, Paris.  This etching was created in 1852.  The image measures 6 3/4X10 inches.  It is the VII/IX state, 7th of 9.  In the bottom margin is printed the title, "Public Par L'Artiste" in the lower left.  In the lower right is "Imp. A. Delatre, R.s. Jacques 171"  This image appears in the Delteil catalog as image number 31...

This is a fine image from the series, Churches of France by American artist John Taylor Arms, created and printed in 1921 in an over all edition of 75.  This pencil signed impression measures 4 7/8X8 1/8 inches.  Printed by Frederick Reynolds, this is an early proof prior to the edition which was printed in 1937.  Part of his Gargoyle series #3.  Framed with archival boards.  Fletcher catalog number 101.

Original etching and drypoint by French artist of the Belle Epoque era, James Jacques Tissot.  The title is: L'Ete, this image was created and printed in 1878 in an edition of 100 unsigned proofs.  The image measures 14 3/4X8 3/8 inches.  Printed on a cream toned laid paper. The sitter is Kathleen "Kate" Newton (1854-1882), Tissot's Irish muse and mistress from 1871-82. Tissot portrayed her as a personification of summer in this etching. This image appears in the Wentworth catalog as image no. 43...A very fine impression in an archival picture frame.

This is one of the best known works by French artist Jean Francois Millet, Le Départ pour le travail, Leaving for Work, created and printed in  1863.  The image printed on laid paper measures 15 1/4X12 1/8 inches.  This etching is signed, "J.F. Millet" lower left image.  This image is in the Delteil catalog as image number 19  ii/vii...the second state of 7.  The image is in good condition, there is old tape residue on the left border, not into the image.  Unobtrusive.  A fine impression, matted and framed with archival materials.

This is an original etching by Mortimer Menpes, hand signed in pencil.  Its one of a series of portraits that he created of his friend James M Whistler.  This etching created circa 1890.  This etching has an image size of 5 1/2X7 1/4 inches.  The signature has the "imp" after the artist's name meaning that he printed this impression himself.  Printed on an antique laid type sheet.  'Born in Adelaide, South Australia, Mortimer Menpes came to England in 1875. By the time of his momentous meeting with Whistler in 1880, Menpes had already established a considerable reputation as an etcher. Through his friendship with Whistler, Mortimer Menpes learnt the finer techniques of etching whilst, in return, he assisted ‘The Master’ in printing his first Venice Set.' (Campbell)

This is a fine drypoint etching by American artist Gerald Geerlings.  The title is: Grand Canal,America, Electrical  Building at Night, created and printed in  1933 in an edition of 100.  The image measures 11 7/8X8 7/8 inches.  This image was created as a presentation print for the Chicago Society of Etchers.  Their blind stamp is in the lower left  corner of the border.  This impression is hand signed by the artist in pencil.  Printed on a medium weight wove type sheet.  A very rich impression. Catalogue Reference: Czestochowski 31

This is a fine original etching with drypoint portrait of James M Whistler by his friend and fellow artist Mortimer Menpes.  The title is: Whistler with a Roguish Smile, Evening, created and printed  Circa.1880.  The image measures 5 1/4X4 inches, printed on an antique laid type sheet.  This pencil signed impressiion has the "imp" after the artist's name meaning that he printed this impression himself.  .  'Born in Adelaide, South Australia, Mortimer Menpes came to England in 1875. By the time of his momentous meeting with Whistler in 1880, Menpes had already established a considerable reputation as an etcher. Through his friendship with Whistler, Mortimer Menpes learnt the finer techniques of etching whilst, in return, he assisted ‘The Master’ in printing his first Venice Set.' (Campbell)

This is an original etching by American artist James Whistler.  The title is: "La Marchande de Moutarde"  It was part of the series titled: "The French Set", published and printed in 1858.  This etching is signed lower left corner of the image, printed on a thin Japan type laid paper.  According to the Glascow catalog this is state V/V before the plates cancellation.  The image measures 6 1/4X3 1/2 inches.

This is a rare original pencil signed drypoint  etching of James M Whistler by his friend Mortimer Menpes.  The title is: Whistler the Proud-Two Faces, created circa 1892, the image measures 7 1/4X5 3/8 inches. A very rich impression .The signature has the "imp" after the artist's name meaning that he printed this impression himself.  Printed on an antique laid type sheet.  'Born in Adelaide, South Australia, Mortimer Menpes came to England in 1875. By the time of his momentous meeting with Whistler in 1880, Menpes had already established a considerable reputation as an etcher. Through his friendship with Whistler, Mortimer Menpes learnt the finer techniques of etching whilst, in return, he assisted ‘The Master’ in printing his first Venice Set.' (Campbell)

This is a very fine impression of the well known Whistler etching, "The Rag Gatherers", created and printed in 1857, this etching is plate signed, on the right side of the image. The image measures 6X3 1/2 inches. It is the fifth state of 5 with the edition of the two children in the interior space. This etching came to us framed with the Kennedy Galleries label on the back. Excellent condition, apparently printed on an antique laid type paper.

This is a scarce original etching with drypoint by Mortimer L. Menpes.  The title is: Portrait of Whistler with the Monocle, created and printed Circa 1880.  This etching measures 7 1/4X5 1/4 inches.  Pencil signed, printed on an antique laid type sheet.  The signature has the "imp" after the artist's name meaning that he printed this impression himself.  Printed on an antique laid type sheet.  'Born in Adelaide, South Australia, Mortimer Menpes came to England in 1875. By the time of his momentous meeting with Whistler in 1880, Menpes had already established a considerable reputation as an etcher. Through his friendship with Whistler, Mortimer Menpes learnt the finer techniques of etching whilst, in return, he assisted ‘The Master’ in printing his first Venice Set.' (Campbell)