This is a scarce original drypoint etching by British artist William Russell Flint. The title is: "Eve", it was created and printed in 1930. The image measures 7 1/4X10 1/8 inches. Signed in a sepia ink lower border, printed on an antique laid type paper, identified in the artists hand as from 1753. This image is numbered as LXVI. Printed with a brown toned ink. Some toning from an early window mat but does not affect the image area. Collectors or printers information on the back of the sheet.
This is an original hand colored lithograph by American artist Don Freeman. The title is: "To see the mayor". This image was created and printed in 1937 in an edition of 25, far fewer were hand colored by the artist. This image is pencil signed, the image measures 12 1/8X9 inches. According to the catalog: "On his weekly radio program, Mayor La Guardia encouraged new Yorkers to bring their complaints to him personally. Freeman drew a group of constituents making appointments with the mayor's secretary" This lithograph is framed.
This is an original etching and aquatint by French artist Louis Legrand. This image from his La Petite Classe series created in 1908 is titled Premiere Danseuse. This impression is the 4th state of 6. It is numbered as 1/100. The image measures 15 3/4X11 1/4 inches. Hand signed in pencil lower right, This etching is nicely framed with archival materials. Published by G. Pellet, Paris, red stamp lower right border.
This is a fine original drypoint etching by American artist Walter Tittle. The title is: Church of the Heavenly Rest, which was built in New York City in 1929. This etching is hand signed in ink and measures 12X10 inches, nicely framed with archival materials. A very rich impression, Tittle at his very best...
This is an original pencil signed etching by French artist Jacques Villon. The title of this work is: "Maternite", it was created and printed in 1952, it is editioned as 15/75. The image measures 11X7 1/2 inches.
in very fine condition.
This is an original color aquatint etching by Austrian artist Luigi Kasimir. The title of this work is: "Fleet Street,London", circa 1930, one of his best works. The view is of St.Pauls and Ludgate Hill from Fleet Street.
The image measures 21 1/4X17 inches. very nice condition, pencil signed in the lower left border, printed on a wove type paper. It appears in the Kasimir catalog as image number 10.
1887, 19 x 23 1/2 inches, pencil signed, framed
Lithograph, image size 12 3/4 x 16 7/16 inches, 1936, cat: Zink-10, pencil signed. According to deMartelly's son, Michael, the figure dozing beneath the tree on the left of the image is deMartelly's friend and fellow artist Thomas Hart Benton.
This 1928 original etching by Arthur Briscoe measures 13 3/8 x 8 3/4 inches, pencil signed and numbered, 10/75, cat: Laver 116, plate titled and dated, published by H.C. Dickins. This spectacular image was created at the height of Briscoe's popularity, depicting the dangerous and challenging daily routines aboard a seafaring vessel. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is a very dramatic original etching by British Marine artist Arthur Briscoe. The image size is 8 3/8 x 15 3/8 inches, 1926, edition of 75, hand signed and numbered in ink. This etching is tastefully framed with what appear to be archival materials, provenance Egon and Joan Teichert Fine Prints, NY, label on the back of the frame. Briscoe studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing, becoming one of the most prominent British marine artists of the 20th century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the hardworking men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is an original pencil signed etching by American Ash Can artist John Sloan. The title is Bandit's Cave, it was created and printed in 1920 for the New Republic. It was created in an edition of 500. The image measures 7X5 inches, full margins, in very nice condition. It appears in the Morse catalog as image number 195.
This is a fine original lithograph by German artist Lovis Corinth. The title Tal Grund (The Valley) from the series Vorfruhling im Gebirge (early spring in the Mountains). It was published by Euphorion Verlag, Berlin in 1922 in an edition of 125 impressions. This was part of a series of 5 lithographs. The image measures 12 3/4X17 inches. Printed on a medium weight wove type paper.
This is a fine hand signed etching by British artist James McBey. The title is: A Mirage, it was one of his Venetian series, created and printed in , 1928 in an edition of only 76. This image measures 11 13/16X14 3/8 inches. This image was published in Fine Prints of the Year in 1928. Fine use of plate tone in the sea and sky.
Also known as: "Sens, Cathédrale de Saint Ètienne" and "Sens, North Portal." An incredibly detailed drypoint etching with plate toning and a wide tonal range. Signed and dated 1929 in the lower right. Plate signed and dated in the lower right, plate titled in the lower left. Second and final state. Edition of 100. #25 in his French Church series. Catalog: Fletcher 218. C. 1929. Plate measures 15 x 9 inches on 17 1/8 x 11 1/2 inch laid paper. John Taylor Arms was one of the foremost American printmakers of the 20th century, known for his exquisite compositions and exacting details.
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