Prints

One of the finest portrait etchings ever  created by British artist Gerald Brockhurst.  "Henry Rushbury", created and printed in 1930.  Rushbury, like Brockhurst studied at the Birmingham School of Art and the two later shared an apartment in London.  Rushbury was an accomplished etcher as well...  This etching is very richly printed, the subtle tonal range is incredible in person, our scan doesn't .do this image justice.  Absolutely one of the finest portraits .  This etching measures 10X7 3/8 inches, pencil signed and titled by the artist in the lower border, printed in an edition of 111.  Very fine condition.

Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.

This is an original etching by American Ash Can School artist John Sloan.  The title is: Boys Sledding,  it was created and printed in 1920 in an edition of 100.  This impression is hand signed in pencil, titled and annotated a "100 Proofs in the lower border.  The image mesures 5 1/4X6 15/16 inches.  Printed on a medium weight wove type sheet, with tack  holes where the artist held the sheet down to dry.  Very fine condition.

This is an original engraving by French artist Albert Decaris.  The title is "The Andalusian," created and printed in 1931, This pencil signed impression measures 17 1/2X19 1/2 inches. Numbered as 18/100.  Nicely Framed with archival boards.

Large edition, august, 1884, 11 1/2x18 1/4, dedicated to Henry Voigt in pencil lower right margin, pencil signed, and framed

This is the well known etching taken from the Thames series by American artist James McNeill Whistler.  The title is The Adam and Eve, Old Chelsea, created in  1879.  This impression is the 3rd state of 3 prior to the cancellation of the plate.  The image measures 6 7/8X11 3/4 inches.  Printed on a thin Japan type sheet.  The artists butterfly monogram upper left center.  A rich impression, very light toning to the sheet.  "The 'Adam and Eve' was a public house by the River Thames in Chelsea, London. It was demolished to make way for the Chelsea Embankment. The view is taken from Old Battersea Bridge."  The Kennedy catalog has this as image number 175.

This is an original etching by Well known Belle Epoch artist Manuel Robbe (1872-1936) The title of this work is: "Parisienne", it was created and printed in 1906 in an edition of 200, published by Georges Petit. The image measures 19 1/2X13 1/2 inches. It is signed in pencil lower left within the image. A fine impression, previously sold by Merrill Chase galleries. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.

This is an original color aquatint etching by French artist Georges Rouault (1871-1958)  The title of this image is "Le Clown a la Grosse Caisse"(Clown with a Big Chest)  it was created and printed in 1930 in an edition of 270.  Unsigned as issued.  This image was part of his well known series titled "Cirque".  The image measures 12 1/8X8 1/4 inches, printed on a medium weight wove type paper. Rives, BFK.. This series was printed by Ambroise Vollard, in Paris.  This image appears in the Chapon-Rouault catalog as image number 200..Very fine condition, richly inked.  This etching is Nicely framed with linnen matting and a fine Gilt Moulding.

This is a fine original color aquatint etching by French artist Manuel Robbe.  The title of this work is: La Coquette.  It was created and printed circa 1905.  It is hand signed with pen and ink in the lower right border.  Printed on a medium weight laid type paper.  The image measures 14 1/8X10 3/16 inches.  This image appears in the Merrill Chase catalog as image number 22.  A fine example of his "belle epoque" style of expression.  In a fine Foster Brothers gilt frame.

THis is a fine color aquatint etching by French artist Louis Icart.  The title is: La robe de chine,( The Silk Robe) created and printed in  1926, published by Les Graveurs Modernes, 194 rue de Rivoli, Paris.  The image measures 15X18 1/4 inches.  Hand signed in pencil lower right also with the windmill blindstamp and copyright information in the upper left corner.  Very rich color remains, nice condition..This image appears in the Holland catalog as number 276.

This is an original lithograph by Japanese American artist Yasuo Kuniyoshi.  It is titled The Cyclist.  It was created and printed in 1939 and originally sold through Associated American Artists in New York.  The image measures 12 1/2X8 3/4 inches.  Printed on a medium weight wove type paper.  This lithograph is clearly signed in pencil lower right by the artist.  One of his images from his circus series.

This is a very fine original hand colored aquatint etching by French artist Manuel Robbe.  The title is: La Tasse De The', it was created and printed in 1906 in an edition of 100.  The image measures 19 1/4X 14 3/4 inches.  Printed on a medium weight laid type paper, "Arches" watermark.  Very fine condition, hand signed in pencil in the lower right in the image.

TISSOT, JAMES JACQUES JOSEPH (1836 - 1902) "Le Portique de la Galerie Nationale a Londres" (The Portico of the National Gallery, London)  This is an original etching with drypoint published in an edition of 100 in 1878.  The image measures 14 7/8X8 1/4 inches.  Signed within the plate lower right. "This etching is related to the painting London Visitors exhibited at the Royal Academy in 1874, no. 116. The setting is the portico of the National Gallery, looking toward the Church of St. Martin’s-in-the-Fields. Such works give Tissot a minor but distinguished position as a predecessor of the school of architectural etchers founded on the style of Whistler’s Thames and Venice etchings. This etching was exhibited at the Grosveror Gallery, 1879."  This etching is nicely framed with archival materials.

This dramatic scene by Arthur Brisco measures 8 x 11 3/4 inches and is ink signed and numbered. Published in 1924 on laid paper, cat: Hurst-94, framed. Briscoe was one of the finest marine artists' of the 20th. century. He studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.

This etching by Arthur Briscoe measures 7 7/8 x 11 7/8 inches. Ink signed and numbered on cream laid paper, 1924. Cat: Hurst-85. Framed. Briscoe is known as one of the finest marine etcher of the 20th. century. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. He studied at the Slade Art School and the Academy Julian in Paris.