Prints

This is an original lithograph by American artist from the Ash Can school of painters, Raphael Soyer.  This image created and printed in 1943 is hand signed and titled: "Farewell"  It is a large image measuring  16X12 1/4 inches. The image appears in the Cole catalog as image number 61.  Printed in an edition of 100.  Very good condition apart from some spots of thinning to the sheet in the outside border area well away from the image.

This is a fine drypoint etching by Scottish artist David Young Cameron.  This image is pencil signed and measures 10 1/4X13 3/4 inches.  The subject is The Scottish River Tay, the longest River in Scotland.  This drypoint is richly printed and archivally framed.  The image appears in the Rinder Catlaog as image number 437.

This is a very fine original drypoint etching by British artist Edmund Blampied.  The title is: The Joyride, created and printed in  1923 in an edition of 100.  The image measures 8 3/4X10 3/16.  This etching was reproduced for the 1924 issue of Fine Prints of the Year.  Catalog: Appleby 89. Nicely framed with archival materials.

This is a fine original etching, pencil signed by British artist Gerald Brockhurst.  The title is: Caspar, created and printed in 1933 in an edition of 91.  The image measures 7 1/2X6 inches.  Catalog Raisonne: Fletcher 76 iv/IV.  Casper, also called Casper, Son of 'Chenil'

This is an original drypoint etching by British artist James McBey.  The title is: Margot as Lopokova, created and printed in 1920.  numbered and signed in sepia ink lower border, VIII.  This image is in the Hardie catalog as image number189.  The image printed on a medium weight laid type sheet measures 12X8 1/2 inches on a sheet size of 13 1/4X9 1/2 inches.  "Hardie writes, "Margot, the twelve-year-old daughter of Dr. and Mrs. Murray, in a fancy dress made to resemble that of Lopokova, the Russian dancer, stands with head slightly bent forward and arms at sides. On the left, her mother is sitting with arms outstretched altering the fop flounce of the dress."

This is a fine hand signed etching by American Artist Stephen Parrish. The title of this work is "Evening, Gloucester, 1883". The image measures 8 5/8X14 inches. This image appears in the Schneider catalog as image number 77. "To the right of the mast is the tower of the 1869 City Hall, still standing, Next to the right is the sharply pointed spire of the Baptist church, now gone. At the far right are the buildings of the Rocky Neck Marine Railways." Fine use of plate tone in the sky and sea.

Etching, aquatint and drypoint, image size 7 1/2 x 12 inches, 4th state, "Louis Legrand" pencil and plate signed l.r., Arwas A74.

Etching, blind stamp Marcel Guiot -Paris- EDITEUR, image size 6 9/16 x 10 inches, pencil signed

Etching with aquatint, image size 7 7/8 x 10 7/8 inches, 1918-1919, state VII/VIII, cat: Czestochowski-69, alternate title "Far Prospect," pencil signed, framed. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This rare, early state etching is a perfect example of the combination of classicism and modernism of Davies' work.

Colored softground and aquatint from 1925. Numbered 65 in an edition of 300. Catalog: Novak 432. Pencil signed in the lower right, numbered in the lower left. Plate measures 11 5/8 x 15 1/4 inches on 15 1/8 x 19 inch watermarked wove type paper. An atmospheric etching that captures the bleak weather with splashes of color. F. Simon was born in Bohemia, now the Czech Republic. He studied at the Academy of Fine Arts in Prague and traveled extensively throughout Europe, as well as Asia and the U.S. He lived in Paris from 1905-1913, then returned to Prague to teach at the Academy of Fine Arts. Simon was an exceptional painter and printmaker, and is best known for his atmospheric color etchings and aquatints, such as this wintry Paris scene.

Etching by Jacques Reich after the painting by Giovanni Boldini, image size 20 5/8 x 11 1/2 inches, 1916, pencil signed. Whistler's signature is etched below the image, Boldini's in the lower left corner of the image.

A richly inked drypoint from 1919. Catalog reference: Gaunt 245. Edition of 54. Pencil signed in the lower right. Plate measures 19 x 20 3/4 inches on 24 1/2 x 29 1/2 inch wove type paper. Sir Frank Brangwyn was one of the most important British artists of the early 20th century. A member of the Royal Academy, the Royal Watercolor Society, and the Royal Society of British Artists, he was knighted in 1924.

This is a very rare etching from a scarce, unpublished plate by Francis Sydney Unwin. The image size is 12 1/8 x 16 inches, 1916, pencil signed; a richly inked impression on a fine cream colored Japan paper. Unwin studied at the Winchester School of Art and the Slade School; he traveled extensively throughout Europe and spent several months in Egypt drawing the tomb interiors for an archaeological expedition. He then settled in London, becoming known for his landscapes and remarkable interior architectural views, such as this finely detailed image of the Albert Hall. Unwin died at the age of 40, after suffering from tuberculosis for much of his adult life.

Etching, image size 11 1/2 x 18 1/4 inches, 1889, pencil signed, published by Wunderlick, New York.

This is an original Arthur Briscoe etching, titiled: "Heavy Canvas", this etching was created and printed in 1931 in an edition of 75.  The image is hand signed in pen and ink and editioned in the lower border.  The image measures 13 1/2X8 3/8 inches.  The subject shows four men making fast the crossjack of a four masted barque.  This etching is archivally framed.