This is a fine drypoint etching by American artist George Elbert Burr. The title is Oaks in Winter, created and printed in 1920, this pencil signed impression measures 9 7/8X6 7/8 inches, A rich impression with plate tone in the sky and snow.
This transfer lithograph by Arthur Davies measures 16 5/8 x 11 9/16 inches in an edition of 25 or less. Created in 1921, it is signed by the artist on the lower margin. Printed on medium weight paper, it is #189 in the Czestochowski catalog. Davies was known for his unique decorative style, often visualized in a fantasy world of female figures. One of the most respected and successful American artists, he was a member of the "Eight" and was the principal organizer of the 1913 Armory Show.
Etching, image size: 11 1/2 x 15 1/8 inches, first state, (Faxon 116) pencil signed l.r.
This is an original engraving by French artist Jean-Emile Laboureur. This image is pencil signed lower left border and editioned as 12/65. The image measures 4X5 7/8 inches.
This is an original etching by British artist Edward Bouverie Hoyton (1900-1988) The title is: St. Hubert's Chapel, it was created and printed circa 1930's. The image measures 7 7/16X11 1/8 inches, Pencil signed lower right border, printed on a medium weight buff toned laid type paper. A very rich impression. Edward Bouverie- Hoyton was in the same etching class as Paul Drury and Graham Sutherland. They remained friends throughout their lives. His early work came under the spell of Samuel Palmer but he was also influenced by the etchings of artists such as John Crome and John Sell Cotman of the Norwich School.
This is an original pencil signed wood engraving by American artist Thomas Nason. THis image is titled: End of the Day, created and printed in 1933 in an edition of 50. The image measures 4X6 1/2 inches. The wood engraving appears in the BPL catalog as image number 154. Nicely framed with archival boards.
This is an original drypoint etching by well known American artist and Architect Samuel Chamberlain. The title is: Valley of the Var, The location is Entrevaux, France. This image was created and printed in 1940, it is pencil signed and editioned as: 5/100. Printed with a warm toned ink, the image measures 10 7/8X13 3/16 inches. This image appears in the Chamberlain catalog as image number 132.
This is a very rare early trial proof etching by Joseph Pennell, one of the foremost American etchers of the early 20th century. The plate size is 11 x 8 5/8 inches; the image itself measures 10 x 8 1/4 inches. It was created in 1906 and is pencil signed by both Pennell and Goulding, the printer. It is notated 'trial proof' in the lower right corner, the later published state of this image is #411 in the Wuerth catalog. As is typical of Pennell's prints, the margins are small, but adequate for proper presentation. This etching comes with original label from Frederick Keppel & Co, New York.
This is an original pencil signed color etching by Austrian artist Tavik Frantisek Simon. This image created and printed in 1915 is titled: Snow-Covered Road, published in an edition of 150. This impression was printed by the artist with his "imp" next to his artist stamp lower left corner of the border. The image measures 11 3/4X12 1/4 inches.
Etching, 1882, 9 1/2 x 15 inches, plate signed. Published by Fishel, Adler and Schwartz, London.
Etching and drypoint, image size 4 7/8 x 13 1/8 inches, 1912, printed on cream wove paper. Addams was born in New Jersey and attended the Drexel Institute there. He won a Philadelphia Academy Cresson Traveling Scholarship and entered Whistler’s Academy in Paris in 1899. In the 1900′s, London’s working class Italian Soho district was the subject of many artists of the day including Whistler's shop-front prints such as T.A. Nash’s Fruit Shop. The horizontal format and the density of the etching work is comparable to many of Whistler Amsterdam prints.
This is an original etching by American artist John Taylor Arms, from his French Church Series, Saint Germain L'Auxerrois, Paris, created and printed in 1928 in an edition of 362. The image measures 9 7/8X4 7/8 inches, hand signed in pencil, printed by Frederick Reynolds. This image appears in the Fletcher catalog as image number 215. This etching is nicely framed with archival boards.
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