This is a very fine original drypoint and aquatint color etching by French artist Manuel Robbe. The title is: Les Baigneuses (The Bathers). THis image wascreated and printed in 1911, published by Cercle de la Librarie in an ediiton of 200. This one is number 69. Printed on a medium weight arches wove type paper, The Librrie blind stamp lower left and hand signed in pencil. The image measures 15 3/8X22 1/4 inches. The catalog lists this image as Merrill-Chase 102. Excellent condition with a small repair in the lower border well away from the image area.
This is an early 20th century landscape painting, oil on canvas titled: "The Oak", it was created circa 1920-30's. It is signed lower left corner with the initials A. F. and also initialed and titled on the back of the canvas. The painting itself measures 18X24 inches. A fine impressionistic view of a woodland scene with a figure in the background. Very good condition, the artist is a mystery. This might possibly be the work of Alexis J. Fournier...
Watercolor on paper, signed and dated lower right, 1807, 20 x 27 inches in a gold 29 x 25 inch frame. A beautifully detailed watercolor that remains vibrant, even after over 200 years. Ramsay Reinagle first studied under his father, Phillip Reinagle, before going on to study in Italy, Holland, and Rome. Reinagle painted portraits, historical subjects, animals, and landscapes. He exhibited at the Royal Academy and the Society of Painters in Watercolours.
Oil on canvas, 15 x 21 1/2 inches, c. 1880s, attributed to John Appleton Brown, partial monogram lower left corner, in a period frame. John Appleton Brown was born in Newburyport, Ma and studied painting with Albert T. Bricher and Benjamin C. Porter, then traveled to Paris to study with Emile Lambinet. He became known for his Barbizon inspired landscapes of New England and images of apple orchards, earning himself the nickname "Appleblossom Brown." Brown was a member of the Society of American Artists and the National Academy of Design. He exhibited his work at the Paris Salon, The Boston Art Club, The Carnegie Institute, and the Art Institute of Chicago, as well as in exhibitions with the Society of American Artists and the National Academy of Design.
This is an original color aquatint etching by French artist Manuel Robbe. The title of this work is: Nocturne, (ou Le Flirt), The image measures 13 5/8X17 3/8 inches. It is signed lower left by hand within the image. This image appears in the Michael catalog as image number 35, created and printed in 1906 in an edition of 100. Nicely framed with archival materials.
This is an original etching by American artist James Whistler. The title: "Fumette", was created and printed in 1858, as part of the series, "The French Set" The image measures 6 1/2X4 1/4 inches. This is the 5th state of 5 which includes the printers address in the lower left corner of the image.
The name whistler is plate signed lower right. Framed. This impression is very richly inked with extensive plate tone in the backgroun of the subject.
Eloise ('Fumette') (fl. 1840-1858). Éloise - also called Héloïse - posed for Fumette, Whistler's first partner, Héloïse was a grisette, a vivid and fiery character. A grisette, as described in Henri Murger's Scènes de la vie de Bohème (1848/1851) and Alfred de Musset's poem Mimi Pinson (1845), was a working girl, a young seamstress or milliner, fun-loving and faithful as a lover.
This is an original etching and drypoint by American artist James M Whistler. The title is "The Forge", An interior view of the Blacksmith and his apprentices. The image printed on a thin Japan type paper has in image size of 7 5/8X12 1/2 inches. Extensive use of plate tone, a rich impression, This impression is the 6th state of 6 prior to the cancellation of the plate. It was created in 1861 as part of his series, "The Thames Set" It appears in the Kennedy catalog as image number 68. A fine image in very nice condition.
This is an original oil on Canvas painting of a Grand Child''s Birthday present. The painting is signed lower right corner but not easy to make out. It looks like H. J. ..........? The canvas measures 17X14 inches and came in a fine period gilt frame. There is one repaired tear in the lower center of the canvas and some cracking to the paint. Over all a very fine painting highly detailed. Guaranteed to be a mid to late 19th century work. Most likely British or American origins...
This is an impressionistic original color etching and aquatint by French master of the Belle Epoch, Manuel Robbe (French 1872-1936) The title of this work is:
"Le Bouquet de Violettes", it was created and printed in 1903 in the first edition of only 65 signed proofs. A larger edition was published after the signature was added to the plate. This etching is hand signed in pencil lower right. The image measures 17 1/2X11 3/4 inches. A fine impression, previously sold by Merrill Chase galleries, it appears in the Chase catalog as image number 105. Robbe studied at the Academie Julien and the Ecole des Beaux Artes in Paris.
With his hand application of color no two images look exactly the same, a very painterly technique.
This is an original pencil signed mezzotint by British artist Sir Francis Seymour Haden. The title is: Breaking up of the Agamemnon No. II. This mezzotint was created in 1880, one of his most popular images, like the earlier etched impression done 10 years earlier in just etched lines. This image is made up of tone as well as lines in the composition... This subject illustrates the last of the wooden hulled warships, The Agamemnon, at the breakers yard . With the setting sun behind it is truly a romantic view of the end of an era of tall wooden ships. The image measures 9 3/4X18 3/8 inches. Pencil signed lower right border, this is the IX/IX state. Printed on a heavy weight wove type paper. A rich dark impression. "The Agamemnon in the process of being dismantled is moored to a buoy in the Thames opposite Greenwich...."
This is an original aquatint etching by American artist Doel Reed. This image was created and printed in 1941 in an edition of 100. This was originally sold through Associated American Artists in New York. The image measures 8 15/16X14 7/8 inches. Pencil signed lower right.
This is an original etching by British artist Graham Sutherland. The title of this work is: St. Mary Hatch, it was created and printed in 1926 in an edition of 95. This pencil signed etching has an image size of 5 3/8X7 3/16 inches. Printed on an antique laid type paper. This image appears in the Tassi catalog as image number 22. Sutherland's earliest works show the influence of the former etcher, Samuel Palmer. Many of his etchings show the same somber mood and detail found in Palmers works.
This is a James McNeill Whistler etching titled : Old Hungerford Bridge. This etching and drypoint was created in 1861 as part of his Thames series. The image measures 5 1/4X8 1/4 inches. This impression is state iii/iv. The plate was later cancelled after the 4th state. This etching is framed. It appears in the Kennedy catalog as image number 76.
This is an original etching by American artist John Taylor Arms. This etching is pencil signed,dated and numbered as Ed.100. The image measures 7 1/4X6 3/4 inches. This impression is from the 1st state of 3. This award winning etching was entered in an exhibit by the New York Watercolor club, part of their Black and White show in 1932. This etching was originally sold by Kennedy and Co in New York. Framed with original label.
This is an original drybrush drawing on illustration board by American artist Stow Wengenroth. This drawing was done as a study for his lithograph, Rock Shadows, created and printed in 1970. This work done on a Strathmore Illustration board is signed in ink lower right corner, the image measures 13X23 inches. Very nice condition. The lithograph Rock Shadows appears in the Stuckey catalog as image number 332. It was done in Rockport Mass and finished in Greenport N.Y. According to the catalog description this was drawn from the Edge of an old quarry in Rockport. This was a gift from the artist to the former owner who sold it to our gallery...This drawing is archivally framed.
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