This is an original aquatint etching by French artist Manuel Robbe. The title is; Fleur d'Automne, created and printed in 1903 in an edition of 65, this one is numbered as 55/65 lower left border and hand signed in pencil lower right border. The image measures 19 1/2X14 7/8 inches. Printed on a medium weight laid type paper. This image appears in the Merrill Chase catalog as image number 46. Fine rich impression.
This is a very cool lithograph on zinc, image size 12 5/8 x 17 7/8 inches, 1919-1920, from a very small edition of 27 or fewer impressions, cat: Czestochowski-134, printed by Bolton Brown, pencil signed. Provenance: The Cleveland Museum of Art. Davies was a truly remarkable artist of the late 19th and early 20th centuries known for his dreamlike etchings and lithographs. In his catalog raisonne of Davies work, Czestochowski writes "In a time of social, political, scientific and artistic upheaval, Davies hewed to an unwavering inner vision, one of classically graceful figures in an eternal dance with nature." This image is a beautiful homage to the ancient Greeks, which Davies portrays in his distinctive style that is at once quite classical and quite modern.
This is an original oil on canvas painting by French artist Pierre-Marie Beyle. This work created circa 1880 measures 13X7 inches, no apparent signature visible. Some cracking to the paint but very presentable as it now appears in a late 19th century gilt frame. There is little doubt that this is the work of Beyle in style, subject and technique.
This is one of the finest color block prints by French artist Paul Jacoulet. The title: Retour De La Jungle, Tondano: Celebes, This image was created and printed in 1948, Pencil signed, with the Sparrow seal. This image measures 15 3/4X12 inches. The artist used a fine coral powder to give dimension to the compositional colors. He also experimented with Gofun, an egg white derivative that produced a rich opaque effect. This image appears in the Jacoulet catalog as image number 90. Nicely framed, this wood block is in beautiful condition.
Etching, image size 6 3/8 X 14 9/16 inches, printed in 1942 by Charles White in an edition of 150, 2nd state proof, numbered "II", cat: Fletcher-370, pencil signed and dated. This atmospheric etching is a great example of the delicate lines and precise detail for which Arms was known. This image won several awards in the early 1940s; the Mrs. Henry F Noyes Memorial Prize for best print at the 27th Annual Exhibition of the Society of American Etchers, New York, N.Y. 1943; the First Prize in Black and White Section at the 12th Annual Exhibition of the Irvington Art and Museum Association, Irvington, N. J. 1945; and the First Prize in Black and White at the Annual Art Exhibition of the Bridgeport Art League, Bridgeport, CT. 1945.
One of the finest portrait etchings ever created by British artist Gerald Brockhurst. "Henry Rushbury", created and printed in 1930. Rushbury, like Brockhurst studied at the Birmingham School of Art and the two later shared an apartment in London. Rushbury was an accomplished etcher as well... This etching is very richly printed, the subtle tonal range is incredible in person, our scan doesn't .do this image justice. Absolutely one of the finest portraits . This etching measures 10X7 3/8 inches, pencil signed and titled by the artist in the lower border, printed in an edition of 111. Very fine condition.
This is an original engraving by French artist Albert Decaris. The title is "The Andalusian," created and printed in 1931, This pencil signed impression measures 17 1/2X19 1/2 inches. Numbered as 18/100. Nicely Framed with archival boards.
This is an original etching by American Ash Can School artist John Sloan. The title is: Boys Sledding, it was created and printed in 1920 in an edition of 100. This impression is hand signed in pencil, titled and annotated a "100 Proofs in the lower border. The image mesures 5 1/4X6 15/16 inches. Printed on a medium weight wove type sheet, with tack holes where the artist held the sheet down to dry. Very fine condition.
This is the well known etching taken from the Thames series by American artist James McNeill Whistler. The title is The Adam and Eve, Old Chelsea, created in 1879. This impression is the 3rd state of 3 prior to the cancellation of the plate. The image measures 6 7/8X11 3/4 inches. Printed on a thin Japan type sheet. The artists butterfly monogram upper left center. A rich impression, very light toning to the sheet. "The 'Adam and Eve' was a public house by the River Thames in Chelsea, London. It was demolished to make way for the Chelsea Embankment. The view is taken from Old Battersea Bridge." The Kennedy catalog has this as image number 175.
This is an original oil on canvas painting of an Ox and Cart coming down the road. The painting has 3 intials lower right, they seem to read: "W. ?. S." Weve been unable to make out who the artist was. We feel the painting is from the late 1890's and is most likely American in origin. The painting was expertly done. The canvas laid on board measures 19X13 inches and is in a 19th century gilt frame.
This is a fine color aquatint etching by French artist Manuel Robbe. The title of this work is Cabinet de Toilette. It was created and printed in1904 in an edition of 65. It is hand signed by the artist in pencil and inscribed bon a tirer. It was published by Edmond Sagot in Paris. The image measures 17 1/2X11 3/4 inches. Nicely framed with archival materials.
This is an original color aquatint etching by French artist Georges Rouault (1871-1958) The title of this image is "Le Clown a la Grosse Caisse"(Clown with a Big Chest) it was created and printed in 1930 in an edition of 270. Unsigned as issued. This image was part of his well known series titled "Cirque". The image measures 12 1/8X8 1/4 inches, printed on a medium weight wove type paper. Rives, BFK.. This series was printed by Ambroise Vollard, in Paris. This image appears in the Chapon-Rouault catalog as image number 200..Very fine condition, richly inked. This etching is Nicely framed with linnen matting and a fine Gilt Moulding.
This is a fine early printing of the well known etching, Bibi Valentin by American artist James M Whistler. This etching created in 1859 is impression II/II before the plate was damaged. It came to us with the original Kappel label on the back. A fine rich impression printed on a thin laid japan type paper. Signed and dated within the plate. Glascow 34.
This dramatic scene by Arthur Brisco measures 8 x 11 3/4 inches and is ink signed and numbered. Published in 1924 on laid paper, cat: Hurst-94, framed. Briscoe was one of the finest marine artists' of the 20th. century. He studied at the Slade Art School and the Academy Julian in Paris and then spent the rest of his time sailing. He owned his own three ton cutter which he used to sail around the Essex coast. Also crewing on a Polish ship, he sketched every aspect of life on the boat. Most of Briscoe's etchings show sailing ships and the men who sailed them. His beautifully etched images present an invaluable historical record of the workings of the last great commercial vessels.
This is a very rare first state etching by American artist Frank Benson. The subject is a portrait of the American violinist and composer Charles Martin Loeffler. It was created and printed in 1919, with this being one of 6 first state impressions, printed on a laid Van Gelder paper. The image measures 9 7/8X8 inches, hand signed in pencil, and inscribed first state. Very fine condition printed in a brown toned ink. This image appears in the Ordeman catalog as image number 156. The later published edition numbered only 20 impressions.
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